History

The CDC’s Morbidity and Mortality Weekly Report described the men as having additional infections, indicating that their immune systems were compromised.  By the time the report was published, two of the young men were already dead.

While this was the first official reporting of the disease, the history of the AIDS epidemic actually reaches back to the early 20th Century, when Simian Immunodeficiency Virus made the jump from chimpanzees to humans in Central Africa.

The new virus began infecting residents in Léopoldville (now Kinshasa) in the Democratic Republic of the Congo some time between 1990 and 1920.  according to History.com/A&E Networks.  More than 60 years later, when HIV tests became available, blood samples from a Congolese man who died in 1959 tested positive for HIV and this was the first confirmed HIV-related death.

But the existence and spread of HIV had gone unreported in the medical community until around 1980, when a handful of doctors serving urban populations in the U.S. started to see unusual symptoms in their patients.

One of these doctors was Michael Gottlieb, a young immunologist at UCLA (University of California Los Angeles) who diagnosed a rare lung infection in five young men between 1980-1981.  Dr. Gottlieb arranged for his findings to be disclosed to the medical community in the CDC’s weekly alert, MMWR.

Dr. Gottlieb encountered his first patient with unusual infections in November 1980, when one of his medical school residents reported a young patient suffering from a severe yeast infection in his throat.  When the patient began having breathing difficulties, Dr. Gottlieb arranged to receive a scraping of the patient’s lung tissue through a non-surgical procedure.  He was astounded by the test results.

The patient tested positive for Pneumocystis carinii pneumonia (PCP), a rare lung infection, in addition to oral candidiasis, also known as thrush.  Dr. Gottlieb then reached out to a colleague who specialized in the new science of T-cells, the white blood cells important to the immune system.  The colleague tested the patient’s blood and found that the sample had no T-helper cells, a result so astounding that he ran the test again, with the same results.

In February 1981, Dr. Gottlieb would come across another young man suffering with PCP and depleted T-cells, and shortly after that, a third patient was referred to him.  Thorough examinations of the patients about their lifestyles yielded the information that were gay, but Dr. Gottlieb couldn’t determine how their sexual identity was relevant.

A fourth PCP patient appeared in April 1981, and then a report of a fifth man who already died (an autopsy found PCP).   Seeing an alarming trend, Dr. Gottlieb contacted an editor at the New England Journal of Medicine, the most prestigious medical journal in the U.S., and was told that the submission-review-publication process would take at least four months.  He believed this information needed to get out to the medical community fast, so he instead submitted his report to the CDC’s weekly newsletter, the Morbidity and Mortality Weekly Report (MMWR), a weekly report read by medical officials concerned with infectious disease and public health.

Assisting Dr. Gottlieb in publishing his report was Dr. Wayne Shandera, who worked in the Los Angeles County Department of Public Health as a CDC liaison.

“Gottlieb talked through the charts while Shandera put the information into the dry, turgid prose that the MMWR preferred,” wrote Randy Shilts in his epic recounting of the early years of the AIDS pandemic, And the Band Played On: Politics, People, and the AIDS Epidemic.  “The report noted the links between PCP, CMV (cytomegalovirus), and the oral candidiasis that commonly preceded the pneumonia.”

Dr. Gottlieb’s report also stated, “The fact that these patients were all homosexuals suggests an association between some aspect of homosexual lifestyle or disease acquired through sexual contact and Pneumocystis pneumonia in this population.”

The five Los Angeles men in Dr. Gottlieb’s report were not the only early cases in the U.S.  Starting around 1979, previously healthy men in New York City and San Francisco were their seeing doctors and baffling them with a range of symptoms that included fatigue, enlarged lymph nodes, flat purple lesions, oral candidiasis, shortness of breath, eczema, fevers, and amebic dysentery.  Their medical charts would be marked with notes like “fever of unknown origin,” “Kaposi’s sarcoma,” “cytomegalovirus,” and “toxoplasmosis.”   But the traditional treatments for these conditions were not working.

While sporadic cases of AIDS were documented prior to 1970, available data suggests that the epidemic started in the mid- to late 1970s. Grethe Rask, a Danish physician who worked in the Congo, died of pneumonia on December 12, 1977 after suffering for several years from opportunistic infections.  Ten years after her death, samples of her blood were tested and found to be positive for HIV.

By 1980, HIV may have already spread to five continents (North America, South America, Europe, Africa and Australia), and in this period, it is possible that up to 300,000 people were already infected.

In April of 1980, the CDC received a report on Ken Horne, a gay man in San Francisco who was diagnosed with Kaposi’s sarcoma.  Horne died on November 30, 1981.  The CDC would retroactively identify Horne as the first American patient of the AIDS epidemic.

Following Dr. Gottlieb’s report in the CDC’s MMWR, he and his team published a more detailed report in the New England Journal of Medicine on December 10,  1981.

Today, Dr. Gottlieb is an Associate Clinical Professor of Medicine at UCLA’s David Geffen School of Medicine and still treats patients exclusively at AIDS Project Los Angeles (APLA Health).  He is also a member of the Council of Advisors to STORIES: The AIDS Monument.

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Sources:

Morbidity and Mortality Weekly Report | Centers for Disease Control and Prevention, “Pneumocystis Pneumonia – Los Angeles,” June 5, 1981

American Journal of Managed Care, “A Q&A With HIV/AIDS Pioneer Dr Michael Gottlieb” by Maggie L. Shaw, June 4, 2021

And the Band Played On: Politics, People, and the AIDS Epidemic by Randy Shilts

www.Be In The Know.org, “Origin of HIV and AIDS”

PBS News Hour, “America’s HIV Outbreak Started in This City, 10 Years Before Anyone Noticed” by Nsikan Akpan, October 26, 2016

www.History.com | A&E Television Networks, “AIDS Crisis Timeline”

The New England Journal of Medicine, “Pneumocystis carinii Pneumonia and Musocal Candidiasis in Previously Healthy Homosexual Men — Evidence of a New Acquired Cellular Immunodeficiency” by Michael S. Gottlieb, M.D., Robert Schroff, Ph.D., Howard M. Schanker, M.D., Joel D. Weisman, D.O., Peng Thim Fan, M.D., Robert A. Wolf, M.D., and Andrew Saxon, M.D.; December 10, 1981

These news stories — which were published by the Los Angeles Times, San Francisco Chronicle and Associated Press — captured the attention of the gay community and medical personnel nationwide.

In response to the outpouring of reports and concerns to the CDC, the Task Force on Kaposi’s Sarcoma and Opportunistic Infections was created to identify risk factors and to develop a case definition for the as-yet-unnamed syndrome.  The Task Force worked under the CDC’s Field Services Division in the Epidemiology Program.

Donald F. Austin, M.D.; Erwin Braff, M.D.; James W. Buehler, M.D.; James Chin, M.D.; J. Lyle Conrad, M.D.; Selma Dritz, M.D.; Diane M. Dwyer, M.D.; Shirley L. Fannin, M.D.; Yehudi M. Felman, M.D.; Stephen M. Friedman, M.D.; Robert A. Gunn, M.D.; John P. Hanrahan, M.D.; Robert J. Kingon, M.D.; Michael D. Malison, M.D.; Stanley I. Music, M.D.; Mark A. Roberts, M.D.; Alain J. Roisin, M.D.; Richard B. Rothenberg, M.D.; and R. Keith Sikes, M.D.

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Sources:

National Institutes of Health, “In Their Own Words … NIH Researchers Recall the Early Years of AIDS”

Frontline | PBS,  “Interview: Jim Curran,” interviews conducted Jan. 18, 2005 and Feb. 15, 2006

The New England Journal of Medicine, “Epidemiologic Aspects of the Current Outbreak of Kaposi’s Sarcoma and Opportunistic Infections,” January 28, 1982

When Dr. Deborah Greenspan started seeing a white lesion on the tongue of gay men coming to her clinical practice, she consulted with her pathologist husband, who suggested a biopsy to find out what was causing it.  Dr. John Greenspan (1937-2023) identified the oral lesions as a rare form of cancer which impacted the lymphatoid system, and he decided it warranted a closer look.

“I thought this was strange,” he said in 2012 on the occasion of receiving the Gold Medal Award for Excellence in Dental Research.  “We typically saw it in Africa. But in this country, we only used to see it rarely — for example, in immunosuppressed patients, such as kidney transplant recipients. So, we ended up seeing one of the first AIDS lymphoma patients reported in the world.”

The Greenspans conducted studies that showed the lesions — dubbed “oral hairy leukoplakia” (HL) because of its corrugated or shaggy appearance — failed to respond effectively to the usual treatment of antifungal applications.  In fact, many of their patients already had or soon developed other immune-depressed symptoms associated with AIDS, such as pneumocystis carinii pneumonia (PCP) and Kaposi’s sarcoma (KS).

They would publish the first description of HL and the results of their research in a 1984 medical report in The Lancet.  Co-authors of the research article included Marcus Conant, Sol Silverman Jr., Vibeke Petersen, and Yvonne De Souza, all researchers at UCSF.

The Greenspans would then go on to establish a connection between HL and Epstein-Barr virus (EBV) in a 1985 report.  By 1987, they would be able to announce that HL and EBV were symptoms associated with AIDS.

They would continue their work at UCSF over the next 30-plus years, leading a series of studies relating to the mouth and HIV/AIDS.  Their work has been instrumental in teaching physicians, nurse practitioners and other clinicians how to identify oral lesions associated with HIV infection.

“The work of Dr. Greenspan and his colleagues has provided guidelines that enable dentists to recognize early oral manifestations of HIV/AIDS and thereby assist with early diagnosis and referral for treatment,” said John Featherstone, dean of the UCSF School of Dentistry.  “This is of particular importance in the global health world.”

The short item advised gay men experiencing progressive shortness of breath to see their physicians.

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Source:

Bay Area Reporter, “Health Shorts: ‘Gay Men’s’ Pneumonia,” July 2, 1981

Shortly after MMWR description of five cases of Pneumocystis carinii pneumonia (PCP) among homosexual men in Los Angeles, additional cases of other life-threatening opportunistic infections and a malignancy, Kaposi sarcoma (KS), were reported to the CDC.

Upon learning of these first cases, the CDC formed the Task Force on Kaposi’s Sarcoma and Opportunistic Infections to begin surveillance and conduct epidemiologic investigations.  Despite budget constraints at the time, about 30 CDC officers and staff were assigned to the Task Force during the summer of 1981.  CDC Director William Foege, appointed epidemiologist James Curran to lead the task force.

The Task Force first worked to establish a case definition for surveillance and investigation of the outbreak.  Previously, KS was known as an infrequently-diagnosed cancer that was rarely life-threatening, typically occurring among elderly men.  The outbreak seemed to represent a new epidemiologic form of KS.

Between June 1, 1981, and May 28, 1982, CDC would receive 355 case reports of KS and/or serious opportunistic infections, especially Pneumocystis carinii pneumonia, occurring in previously healthy persons between 15 and 60 years of age. Of the 355, 281 (79%) were homosexual (or bisexual) men, 41 (12%) were heterosexual men, 20 (6%) were men of unknown sexual orientation, and 13 (4%) were heterosexual women.

Five states — California, Florida, New Jersey, New York, and Texas — accounted for 86% of the reported cases.

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Sources:

Centers for Disease Control and Prevention, “AIDS: The Early Years and the CDC’s Response” by James W. Curran, M.D., and Harold W. Jaffe, M.D., October 7, 2011

Global Health Chronicles, “Interview: Jim Curran,” video posted on YouTube on June 7, 2016

Morbidity and Mortality Weekly Report | Centers for Disease Control and Prevention, “Epidemiologic Notes and Reports Update on Kaposi’s Sarcoma and Opportunistic Infections in Previously Health Persons — United States,” June 11, 1982

Invited speaker Dr. Friedman-Kien, a dermatologist alarmed about the spread of Kaposi’s sarcoma among the gay male population of New York, explained that they were witnessing the arrival of a new disease with a mysterious predilection for gay men.

“We listened intently, respectfully, and full of dread as the soft-spoken Dr. Friedman-Kien described the devastation he was seeing in his practice and hearing from other physicians treating gay men,” wrote activist Andy Humm in 2021 for Plus magazine.  “You could have heard a pin drop.”

When Dr. Friedman-Kien asked attendees to contribute money to support his research, Kramer passed a hat around the room and attendees ponied up a total of $6,635.  This would be the only money raised — public or private — to fight the AIDS epidemic in 1981.

“While there were many gay groups in those days, none of us stepped up to coordinate a community-wide response — whether through a sense that health authorities would address it (ha!) as they did with Legionnaire’s Disease in 1976 or fear that a community that had just officially ditched the mental illness label in 1973 would now be linked with a deadly physical malady,” Humm wrote in his Plus opinion piece .  “It took Larry Kramer … to bring us together.”

Kramer’s call to action and other early efforts to raise funds and awareness around the disease that would later be called HIV and AIDS led directly to the creation of the Gay Men’s Health Crisis (GMHC) Committee.  The committee would transition into a corporation in the summer of 1982, and become New York’s primary service organization for HIV/AIDS.

“The August 11, 1981 fundraiser at Kramer’s apartment and the efforts of a handful of volunteers on Labor Day weekend 1981 were intended to raise money, but they succeeded mainly in raising discussion about Kaposi’s sarcoma,” according to David Román in his book Acts of Intervention: Performance, Gay Culture and AIDS.

Kramer himself would emerge as an early leader of the effort to raise awareness about the new disease and solicit donations for the new Gay Men’s Health Crisis.  And right away, he would be challenged by members of the gay community who accused him of causing unnecessary panic and villifying gay sex.

Kramer’s crusade would continue for decades.

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Sources:

How to Survive a Plague: The Story of How Activists and Scientists Tamed AIDS by David France (2017, Vintage Press)

Acts of Intervention: Performance, Gay Culture and AIDS by David Román (1998, Indiana University Press)

“40 Years Ago: Meeting at Larry Kramer’s House as a Pandemic Began” by Andy Humm, Plus magazine, August 11, 2021

Photo courtesy of Larry Kramer Papers, Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library

The MMWR article, “Follow-Up on Kaposi’s Sarcoma and Pneumocystis Pneumonia,” reported that CDC received information on 70 additional cases of KS and/or PCP since its July 3 edition, making a total of 108 known cases.

News of the article alarms the gay community for its indication that the new disease is spreading and that the outcome of those infected was likely to be a quick and brutal death.

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Source:

Morbidity and Mortality Weekly Report, “Follow-Up on Kaposi’s Sarcoma and Pneumocystis Pneumonia,” August 28, 1981

Overseen by Bay Area dermatologist Dr. Marcus Conant, the Kaposi’s Sarcoma clinic was also staffed by oncologist Dr. Paul Volberding, Dr. Constance Wofsy and Dr. Donald Abrams.  Collectively, the physicians guided much of the early response to AIDS in San Francisco.

Dr. Conant would go on to create the San Francisco AIDS Foundation (first called the Kaposi’s Sarcoma Research and Education Foundation) to address both the need to go into the community, which was still in denial about the disease, and the need to find non-government funding sources.

On July 1, 1981, Dr. Volberding saw his first patient with Kaposi’s sarcoma (KS), a rare cancer later linked to AIDS, on his first day working at San Francisco General Hospital.

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Sources:

University of California Libraries, “Marcus A. Conant Papers: 1981-1993”

American College of Physicians, “Dr. Volberding was at the Forefront of the AIDS Epidemic,” December 2017

The New York Times, “Constance Wofsy, 53, Doctor Who Directed an AIDS Program,” June 9, 1996

San Francisco Chronicle, “The Good Doctor: He’s been in on the AIDS Battle Since the Beginning,” August 12, 2001

In April 1980, the Centers for Disease Control received a report on Horne, who was diagnosed with the then-rare disease of Kaposi’s sarcoma.  In 1981, the CDC would retroactively identify Horne, who was a gay man, as the first American patient of the AIDS epidemic.

Horne had grown up in Oregon and, when he was 21, he moved to San Francisco in 1965 to study ballet.  Within a few years, he abandoned his dance career and took an office job with the local transit system. He’d also discovered the city’s vibrant gay social scene and became a regular at the leather bars. By the fall of 1980, he’d become ill with the first reported case in San Francisco of what would eventually be called HIV/AIDS.  He was 37 years old.

Dr. James Groundwater, a dermatologist, was puzzled by the symptoms Horne presented to him in November 1980.  Horne told him that for two years, he was experiencing fatigue, diarrhea and nausea.  More alarming was Horne’s enlarged lymph nodes and the purple spots on his skin, one on his left thigh and another near his right nipple.  Dr. Groundwater took photos of the lesions and  biopsied of one of them.  He also drew some of Horne’s blood to be tested.

About a week later, Horne was back in Dr. Groundwater’s office to hear about the results of the tests.  The dermatologist told him that something was wrong with his white blood cells and his immune system seemed compromised.  Horne’s lesions represented something more mysterious; results were inconclusive.  He needed more tests.

Over the next four months, Horne’s condition worsened.  He suffered daily now from severe headaches and fever, and new lesions appeared on his face and back.  On March 30, 1981, Horne was admitted to St. Frances Hospital in San Francisco, where he was given a lumbar puncture.  The results showed he had cryptococcosis, an infection acquired by inhalation of contaminated soil.  This made no sense to Dr. Groundwater.

In the San Francisco AIDS Oral History Project, Dr. Groundwater recalled sending the biopsy of Horne’s lesion to as many as ten pathologists, trying to crack the mystery of the purple spots.

“In the early days of the AIDS epidemic, very few dermatologists, dermatopathologists even, had seen much Kaposi’s sarcoma. This was very rare. And so they missed the diagnosis. They read it as hemangioma and proliferating angioendotheliomatosis, et cetera,”  he said.  “But finally, I think it was Dick Sagebiel, a dermatopathologist over in the melanoma clinic at Mt. Zion, who was the first one who made the diagnosis of Kaposi’s sarcoma on these lesions.”

On April 9, Dr. Richard Sagebiel would give Dr. Groundwater the first “reading” of the biopsy that made any sense of Horne’s deteriorating condition.  But this just opened up a bunch of new questions.  KS trypically affected elderly men, usually of Jewish or Italian descent, and the condition was easily treatable.

Weeks later, things started to fall into place when Dr. Groundwater was attending dermatology rounds at the University of California San Francisco.  Clinic chief Marcus Conant, MD, asked attendees if any of them had seen any unusual cases of Kaposi’s sarcoma.

“At that moment, the realization was born that a new epidemic had arrived in San Francisco,” wrote Randy Shilts in his masterpiece of investigative reporting, And the Band Played On: Politics, People, and the AIDS Epidemic

Drs. Groundwater and Conant exchanged information; they had known eachother since the late 1960s, when Groundwater did his residency at UCSF.  Dr. Conant said that Dr. Alvin Friedman-Kien in New York had some cases of KS in young gay men.

“So I called Alvin Friedman-Kien,” Dr. Groundwater said in the San Francisco AIDS Oral History Project.  “At that point, Alvin had, I think, six, seven, or eight cases of these young gay males with Kaposi’s sarcoma.”

On April 24, Dr. John Gullett, a key member of Ken Horne’s medical team at St. Francis Hospital, called the Centers for Disease Control to report the case of KS, making Ken Horne the first reported victim of the new disease.

Over the next seven months, doctors ordered the usual treatments for Horne’s KS, cytomegalovirus, and cryptococcal meningitis — but nothing was working.

“He went through one horrendous experience after another with these various opportunistic infections,” Dr. Groundwater said.  “But I think when he began to lose his vision from the cytomegalovirus retinitis, he gave up the battle.  When he went blind, he died within a couple of weeks.  I think he gave up.”

Ken Horne died of AIDS-related illness on November 30, 1981 at St. Francis Hospital at the age of 38.

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It is now believed that the first HIV/AIDS patient in North America was Robert “Bobby” Rayford, a Black teenager from the Old North neighborhood of St. Louis, Missouri.  Fifteen-year-old Rayford was hospitalized in 1968 with shortness of breath, swelling in his lower body and other infections that he reported experiencing for about two years.

First suspecting that he had contracted an exotic illness, Rayford’s doctors were surprised to learn that the teenager had never traveled outside of the Midwest. They proceeded to administer numerous tests on Rayford’s blood and tissue, but were unable to determine an overall diagnosis or effective treatment.  He died of pneumonia in 1969 at St. Louis City Hospital.  An autopsy revealed small, cancerous, internal tumors throughout his body — Kaposi’s sarcoma. Almost 20 years later, a western blot postmortem test on Rayford’s tissue samples confirmed HIV.

Also relevent is the illness and death of Grethe Rask, a Danish physician and surgeon who spent years working in the Congo.  Over several years, she suffered from a number of opportunistic infections and severe immunodeficiency, and then died of pneumonia on December 12, 1977 in Copenhagen.  A 1987 blood test determined that she was infected with HIV.

An early “cluster” case was that of Arne Vidar Røed, a Norwegian truck driver and former sailor, and his wife and child.  While still a teenager, Røed worked in the kitchen of a Norwegian ship, travelling to Nigeria, Ghana, Cote D’Ivoire, Liberia, Guinea and Senegal.  When he returned to Norway in 1965, he married and became a father to two children.

Beginning in 1968, Røed suffered from joint pain, lymphedema, and lung infections, conditions which traditional medicine and treatments failed to resolve.  He died in April 1976.  His wife, who had come down with similar symptoms, died the following December.  Their eight-year-old daughter died, too.  Although the disease was not identified until long after their deaths, all three are believed to be the first confirmed HIV cases in Europe.  This was also the first documented cluster of AIDS cases before the AIDS epidemic of the early 1980s.

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Sources:

Photo of quilt panel from the AIDS Memorial Quilt

www.History.com | A&E Television Networks, “AIDS Crisis Timeline,” June 14, 2021

University of California Libraries, “The San Francisco AIDS Oral History Series | The AIDS Epidemic in San Francisco: The Response of Community Physicians, 1981-1984,” interview with James R. Groundwater, M.D. by interviewer Sally Smith Hughes in 1996

National Park Service, “Robert Rayford”

The Weekly View, “Robert Rayford: America’s First AID S Victim” by Al Hunter, May 8, 2014

University of Copenhagan School of Global Health newsletter, “After Hard Working Days, She Rested by the Beautiful Ebola River,” July 22, 2020

Discover magazine, “The Sea has Neither Sense nor Pity: The Earliest Known Cases of AIDS in the pre-AIDS Era” by Rebecca Kreston, October 22, 2012

Drs. Marc Conant, Alvin Friedman-Kien, and James Groundwater stationed themselves at the entrance of the annual meeting of the American Academy of Dermatology and distributed to incoming attendees a pamphlet they hastily put together about Kaposi’s sarcoma, a rare form of skin cancer that was being diagnosed in previously healthy young men in San Francisco and New York City.

Held on Dec. 5-10, the conference drew thousands of dermatologists in the United States and Canada to San Francisco to hear the latest developments in their medical field.  The pamphlet was likely the first information that most conference attendees received about Kaposi’s sarcoma (KS) and its role in the yet-unnamed disease of AIDS.

“At that point in time, not many people knew about this problem, and it wasn’t getting a whole lot of attention,” Dr. Groundwater later recalled for the San Francisco AIDS Oral History Project.  “I don’t think the seriousness of it was widely appreciated — the potential for major problems in the future.”

Dr. Groundwater said he wrote the copy for the brochure and used photographs of a patient’s KS lesions so dermatologists could see how the disease manifested.  The patient was Ken Horne, the first KS case to be reported to the Centers for Disease Control.  Horne had died on November 30, 1981, just days before the conference.

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Source:

University of California Libraries, “The San Francisco AIDS Oral History Series | The AIDS Epidemic in San Francisco: The Response of Community Physicians, 1981-1984,” interview with James R. Groundwater, M.D., conducted by Sally Smith Hughes, Ph.D. in 1996

The successful debut of Dreamgirls marked career breakthroughs for Holliday and Ralph, but it also marked the start of a time of great loss.

In addition to cast members, Dreamgirls Director Michael Bennett would die of AIDS-related illness on July 2, 1987 at the age of 44.  He would be diagnosed with AIDS in 1986 and choose to keep his illness a secret from all but a few close friends.

“Friends and cast members just got sick and died,” Ralph would later write in the Huffington Post.  “They were sick today and dead tomorrow….  Then the deadly silence would set in because nobody wanted to talk about it, much less do anything about that disease, that shhhhh, gay disease. The silence was deafening.”

Ralph would go on to found the DIVA Foundation, which raises awareness about HIV/AIDS.  DIVA stands for Divinely Inspired Victoriously Aware.

“It got to the point I couldn’t cross one more name out of my phone book, back when folks had such a thing called a phone book, when you would actually write a name in a book. That many people [died],” Ralph said in a 2008 Star Tribune interview.

Also, Holliday would dedicate much of her life to HIV/AIDS advocacy and activism.  In 2017, Holliday would release a song to benefit Broadway Cares/Equity Fights AIDS.

“I’ve been an advocate for AIDS assistance, because it took the lives of male chorus members and the creative team of Dreamgirls,” Holliday told the Broadway Blog.

“The gay community has really been a vital part of my whole existence. It’s been a vital program under the AIDS Healthcare Foundation and the Black Leadership AIDS Crisis Coalition. They let people know that housing is available and want to serve people who need a place to stay.”

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Sources:

The New York Times, “Stage: ‘Dreamgirls,’ Michael Bennett’s New Musical, Opens” by Frank Rich, December 21, 1981

www.RonFassler.org, “The Death and Life of Michael Bennett” by Ron Fassler, July 2, 2018

HuffPost, “Thirty Years of ‘Dreamgirls’ and AIDS in America” by Sheryl Lee Ralph, June 14, 2011

CBS News Richmond, “Sheryl Lee Ralph Raises AIDS Awareness with DIVAs,” December 4, 2019

StarTribune, “Original ‘Dreamgirl’ Sings a Song of AIDS Awareness” by C.J., February 6, 2008

Playbill, “Jennifer Holliday Releases Single to Benefit Broadway Cares/Equity Fights AIDS” by Andrew Gans, January 26, 2017

The Broadway Blog, “Jennifer Holliday on ‘Dreamgirls,’ Being an LGBTQ Icon, and Turning 60” by Ryan Leeds

The informal meeting that Larry Kramer held in his NYC apartment in 1981 to address the “gay cancer” was credited with being the genesis of the Gay Men’s Health Crisis (GMHC).

Nathan Fain, Larry Kramer, Larry Mass, Paul Popham, Paul Rapoport, and Edmund White officially established GMHC in early 1982.  It began with creating simple lines of communication for the community and medical personnel:  an AIDS hotline, a newsletter, a space to meet, and the landmark Buddy program to assist PWAs (People with AIDS) with their day-to-day needs.

Later in the same year, GMHC would open its first office on West 22nd Street in Manhattan.

GMHC would become New York’s leading AIDS service organization, serving approximately 10,000 people each year living with and affected by HIV/AIDS in the five boroughs of New York City.  GMHC would continuously provide HIV and STI testing, food and nutrition programs, housing support, workforce development, legal assistance, advocacy for benefits and health insurance, mental health and emotional support, substance use counseling, and more.

Today, over 60% of GMHC clients are people of color, nearly 75% identify as LGBTQ+, and over 80% are people living at or below the Federal Poverty Line.

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Sources:

Gay Men’s Health Crisis, “History” and “At A Glance”

Schnorr would be among the first in the U.S. to die of AIDS.  After being found unconscious in his car in December 1981, he was hospitalized and Cedars-Sinai’s top-notch medical team was perplexed with his rapidly declining health.

West Hollywood activist Ivy Bottini, who was Schnorr’s friend, would tell the story of Schnorr’s illness and death in her 2018 memoir The Liberation of Ivy Bottini.

Bottini recalled receiving a phone call from Schnorr’s mother, who was sitting bedside with him at Cedars.

“He’s full of black and blue marks…. I don’t know what to do,” Schnorr’s mother told her.

Bottini asked to talk with Schnorr, and quickly realized that he had lost his hearing.  She eventually was able to speak with Schnorr’s doctor, Joel Weisman, M.D., who would go on to open one of the first medical clinics to treat HIV/AIDS.  When Dr. Weisman was unable to give Bottini a clear picture of what was going on, she felt a growing dread that Schnorr’s condition was an indication of a larger issue.

Schnorr died about a week after entering the hospital.  Bottini was among the members of the Stonewall Democratic Club who attended Schnorr’s funeral.

“After Ken died, something said to me there is more to this than we see,” Bottini said. “So, for some reason, I just picked up the phone and called the CDC.  I had never done that before.  ‘Look, this just happened to my friend. Do you have any answers?’  The hesitancy at the other end of the line, the hemming and the hawing before they would say anything — I just knew it was bad.”

The CDC official told her the black and blue marks was a symptom of Kaposi sarcoma, which was usually found in elderly Jewish men.

“And that was the explanation,” she said. “I thought, ‘No, this doesn’t make sense, because Ken was one of three first guys diagnosed with Kaposi in town, in West Hollywood, in LA, and that started me on working to find out what the hell was going on.”

After many phone calls and the realization that the government was failing to act on the crisis, Bottini called Dr. Weisman to invite him to update the community at a town hall she was organizing at West Hollywood’s Plummer Park.  She was hoping he would share any information he had and would provide his theory on how this new illness was transmitted.  She herself suspected that it was being passed during sex, through bodily fluids.

“That’s the only thing that made sense to me,” Bottini said.  “Because if it was airborne, women would be getting it, everybody would be getting it, and that wasn’t happening.”

On the night of the town hall, Fiesta Hall in Plummer Park was jam-packed.

“It was all guys — and (Bottini’s then-girlfriend) Dottie Wine and I,” Bottini recalled.  “And Joel talked about transmission and he believed it was bodily fluids, too.  And I thought, ‘I’m not crazy.’”

Schnorr’s legacy was that he may have saved many lives by inspiring Bottini and others to search for answers and share that information with the greater community in the earliest days of the epidemic.

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Sources:

Photo of quilt panel from the AIDS Memorial Quilt

The Liberation of Ivy Bottini by Judith V. Branzburg (Bink Books, 2018)

Watermark, “Tribute to ‘Give ’em Hell’ Lesbian Feminist Pioneer Ivy Bottini” by Karen Ocamb, March 3, 2021

At the conference, researchers debate whether the opportunistic infections were being caused by one or more transmissible or immune-suppressing agents.

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Source:

National Institutes of Health, “Timeline (1981-1988)”

Born Leonard Joel Baker in 1945 in Boston, he began his acting career in regional theater and spent several summers at the O’Neill Center’s National Playwrights Conference in Waterford, Connecticut.  He told an interviewer in 1977 that the center was instrumental in his career, partly because he saw performances of the National Theater for the Deaf there.

”It’s perhaps because of watching them work,” Baker said, ”that I can be so brazen with comic uses of my body.”

After moving to New York City in 1969, Baker acted in Off-Broadway stage productions until making his Broadway stage debut in 1974 in The Freedom of the City.  Baker won a Tony award and the Drama Desk Award as Outstanding Actor  in 1977 for his performance in the musical I Love My Wife.

Baker also acted in films and television shows, including Paul Mazursky’s Next Stop, Greenwich Village (1976), for which he was nominated for a Golden Globe award.  His other film credits included The Hospital (1971) and The Paper Chase (1973).

Following Baker’s death, a memorial service was held at The Public Theater, located at 425 Lafayette Street in New York City.

* * * * * *
Sources:

Photo of quilt panel from the AIDS Memorial Quilt

The New York Times, “Lenny Baker, 37, Stage Actor” by Eleanor Blau, April 13, 1982

IMDb, “Lenny Baker biography”

Hibiscus was famous on both coasts for founding and performing with the flamboyant theatrical groups The Cockettes and Angels of Light.  He died of AIDS-related illness (then called “Gay-Related Immune Deficiency”) at St. Vincent’s Hospital in New York at the age of 32, becoming one of the earliest casualties of the epidemic.

Born George Edgerly Harris III in Bronxville, N.Y.,  he was the child of theater performers who relocated the family to a home on El Dorado Avenue in Clearwater Beach, Fla.  Before long, George Jr. had founded his first theatrical group, the El Dorado Players, which performed in the family’s garage.

The foundation’s goal was to provide information on Kaposi’s Sarcoma to local gay men.  Frank Jacobson, Richard Keller, Bob Ross, and Dr. Paul Volberding were also organization founders.

In the first year, the organization existed in a very small office on Castro and 18th Street, seeing a limited number of clients and operating a single-telephone information and referral Hhotline. The organization was operated entirely by volunteers.

It wasn’t long before the organization gained recognition locally and nationally as a trusted source of information.  As the epidemic grew, the organization expanded with funding from local and state sources and grassroots community fundraising. They were able to hire paid staff.

In 1983, the organization split into national and local chapters, and in 1984 the local chapter renamed itself the San Francisco AIDS Foundation and officially separated its affiliation from the National Kaposi’s Sarcoma Research & Education Foundation.

Still active today, the San Francisco AIDS Foundation continues to promote health, wellness, and social justice for communities most impacted by HIV, through sexual health and substance use services, advocacy, and community partnerships.  SFAF currently serves more than 25,000 a year.

* * * * * *
Source:

San Francisco AIDS Foundation, “Our 40 Years of History: From 1982 to 2022”

* * * * * *
Source:

Los Angeles Times, “Anti-Gay Bias? : Coverage of AIDS Story: A Slow Start” by David Shaw, December 20, 1987

The MMWR article describes a potential sexually transmitted agent as being the link to outbreaks of KS, Pneumocystis carinii pneumonia (PCP), and other infections recently found among young gay men.

The report describes a study of 19 case subjects from June 1, 1981 to April 12, 1982 involving biopsy-confirmed KS and/or PCP among previously healthy male residents of southern California.  Following a report of possible personal connections among the KS/PCP case subjects in Los Angeles and Orange counties, interviews were conducted with the eight subjects still living and with seven of the close friends of 11 subjects who had died.

Through these interviews, the CDC was able to collect data on sexual partners for 13 of the 19 subjects. The study considered “sexual contact” to be established if the KS/PCP case subjects was reported to have “exposure” to another person that was either substantiated or not denied by the other person involved in the relationship (or by a close friend of that person).

Within five years of the onset of symptoms, nine of the KS/PCP case subjects had had sexual contact with others who had KS or PCP.  They consisisted of seven case subjects from LA County who had sexual contact with other patients from LA County, and two case subjects from Orange County had sexual contact with one patient with KS who resided outside California.

Four of the nine KS/PCP case subjects had been exposed to more than one patient who had KS or PCP. Three of the nine KS case subjects developed their symptoms after sexual contact with persons who already had symptoms of KS.  One of these three subjects developed symptoms of KS about nine months after sexual contact, another subject developed symptoms 13 months after contact, and a third subject developed symptoms 22 months after contact.

The other four KS/PCP case subjects in the group of 13 had no known sexual contact with reported cases. However, one KS case subject had an apparently healthy sexual partner in common with two persons with PCP; one KS case subject reported having had sexual contact with two friends of the non-Californian with KS; and two PCP case subjects had most of their anonymous contacts (greater than or equal to 80%) with persons in bathhouses.

The editorial note to the report included these points:

• An estimated 185,000-415,000 homosexual males lived in LA County in 1982.
• If one assumes each homosexual male in LA County has between 13 and 50 different sexual partners per year during 1977-1982, “the probability that seven of 11 patients with KS or PCP would have sexual contact with any one of the other 16 reported patients in LA County would seem to be remote.”
• With this same assumption, “the probability that two patients with KS living in different parts of Orange County would have sexual contact with the same non-Californian with KS would appear to be even lower.”
• Thus, observations in LA and Orange counties imply the existence of an unexpected cluster of cases.

The CDC then puts forth the hypothesis that infectious agents are being sexually transmitted among homosexually active males.

“Infectious agents not yet identified may cause the acquired cellular immunodeficiency that appears to underlie KS and/or PCP among homosexual males. If infectious agents cause these illnesses, sexual partners of patients may be at increased risk of developing KS and/or PCP,” the CDC report posits.

The CDC proposes another hypothesis:  “Sexual contact with patients with KS or PCP does not lead directly to acquired cellular immunodeficiency, but simply indicates a certain style of life. The number of homosexually active males who share this lifestyle may be much smaller than the number of homosexual males in the general population.”

The CDC goes on to suggest the possibility of exposure to “some substance (rather than an infectious agent)” leading to immunodeficiency among homosexual males that share a particular style of life.

The report cites a New York City-based report suggesting a connection between amyl nitrite (commonly referred to as “poppers”) and an increased risk of KS.  This hypothesis would later be scientifically disproved.

* * * * *
Sources:

Mortality and Morbity Weekly Report, “A Cluster of Kaposi’s Sarcoma and Pneumocystis carinii Pneumonia among Homosexual Male Residents of Los Angeles and range Counties, California,” June 18, 1982

After Higgins’ death, his partner, Rupert Whitaker, and his friends Martyn Butler, Tony Calvert, Len Robinson and Chris Peel founded the Terrence Higgins Trust to raise funds for research and awareness of the illness that was then only known as “Gay-Related Immune Deficiency” (GRID).

Terrence Higgins Trust was the first service organization in the United Kingdom to respond to the HIV epidemic.

* * * * * *
Sources:

BBC News, “Terrence Higgins’ Legacy, 30 Years After Death” by Neil Prior, July 5, 2012

Terrence Higgins Trust, “How It All Began”

The CDC’s MMWR article is the first report of the AIDS-related condition of immunosuppression in patients with hemophilia who have no other known risk factors for AIDS.

By the time the MMWR article is published, two of the three subjects have died.

* * * * * *
Source:

Mortality and Morbidity Weekly Report, “Epidemiologic Notes and Reports Pneumocystis carinii Pneumonia among Persons with Hemophilia A,” July 16, 1982

The emergency meeting with the representative from San Francisco was held at the LA Gay and Lesbian Community Services Center (now called the Los Angeles LGBT Center).  The four activists decided to set up the telephone hotline in the only space available to them: a closet at the Center.

Sawaya, Drew, Redman and Munro, along with eight additional volunteers, would undergo training by Dr. Joel Weisman and then take turns answering the telephone and reading information from a carefully prepared fact sheet.  Word quickly got out about the hotline, which would start to receive more than 20 calls a day.

In December 1982, the Los Angeles chapter of the Kaposi Sarcoma Foundation would host “Christmas Present,” a $25 event at a private home in Bel-Air to raise money for the hotline.  Music is provided by Mother Lode DJ Stewart Barkal, and refreshments are donated by local restaurants, coordinated by Truffles owner Steve Wilson.

Sawaya, Drew, Redman and Munro would go on to found AIDS Project Los Angeles (APLA), which would become the oldest and largest organization in Southern California providing educational and support services for people living with HIV/AIDS.

* * * * *
Sources:

AIDS Project Los Angeles, “History”

The MMWR article also includes the first case definition for AIDS: “A disease at least moderately predictive of a defect in cell-mediated immunity, occurring in a person with no known cause for diminished resistance to that disease.”

Today, AIDS is defined as a set of symptoms (or syndrome) caused by the HIV virus. A person is said to have AIDS when their immune system is too weak to fight off infection. This is the last stage of HIV, when the infection is very advanced.

* * * * * *
Source:

Mortality and Morbidity Weekly Report | Centers for Disease Control and Prevention, September 24, 1982

The transcript of the press briefing, which is in the Ronald Reagan Presidential Library, is a sharp reminder of how governmental officials and journalists viewed the LGBTQ community.

On Dec. 1, 2015, Vanity Fair debuted a short documentary by Scott Calonico about this now-infamous exchange.

President Reagan would not mention AIDS until 1985, and then it would be in response to a reporter’s question at a press conference.  He would not give a major speech about the epidemic until mid-1987 — at which point 20,849 people in the U.S. would already be dead.

* * * * * *
Sources:

The Washington Post, “How Attitudes toward AIDS have Changed, in the White House and Beyond” by Juliet Eilperin, December 4, 2013

Washington Blade, “AIDS at 40: White House Laughs as Gays Try to Save Themselves” by Karen Ocamb, June 23, 2021

Vanity Fair, “The Reagan Administration’s Unearthed Response to the AIDS Crisis is Chilling” by Richard Lawson, December 1, 2015

Howell was a psychologist in Yakima, Washington, who moved to New York and then Los Angeles to dance and teach with the Joffrey Ballet.  He then moved to San Francisco and started his own dance studio.

Howell performed his last ballet, Journey of the Soul, earlier in the year.   A videotape of the ballet was shown at a celebration of his life.

* * * * * *
Sources:

Photo of quilt panel from the AIDS Memorial Quilt

Bay Area Reporter, “Gay Victim Dances Over Death” by Konstantin Berlandt, November 11, 1982

Callen and Berkowitz, who wrote the article with the assistance of Callen’s partner Richard Dworkin, were New Yorkers living with AIDS.

After seeing the disease quickly progress and kill people they knew, they wanted to do something that could save lives.  In their article, they warned readers against “the cumulative effects of re-exposure to CMV [cytomegalovirus] and other infections.”

“Deep down, we know who we are and why we are sick,” they wrote for the November 8, 1982 edition of the gay weekly.

The reason why men were sick, they theorized, was because they lived a life of “excessive promiscuity on the urban gay circuit of bathhouses, backrooms, balconies, sex clubs, meat racks and tearooms.”

Callen and Berkowitz argued that AIDS was caused by a combination of factors associated with a “promiscuous lifestyle” – drug use, multiple sexual partners and repeated exposure to other sexually-transmissible infections.

After publication, the article drew a torrent of angry criticism from readers of the Native, as well as from gay periodicals across North America, including the Toronto newspaper Body Politic, which accused Callen and Berkowitz of creating unnecessary panic in the community and working against the tide of gay liberation.

“It was widely criticized – not least because it had no scientific basis, and also because it assumed that all gay men with AIDS had lived so-called ‘promiscuous’ lifestyles,” said Colin Clews, author of Gay in the ’80s.

Even so, the article served as a clarion call for many and offered a considerable amount of information that could be useful to its readers:

• “If you live in or frequent New York, San Francisco, Los Angeles, or any of several other metropolitan areas, it is likely you will be having sex with men who are sick.”
• “If you have sex with sick men, you may get sick, too.”

The article also included these remarkably prescient suggestions:

• “Educate yourself about how your body works — particularly the immune response.  Read about health, and in particular, read about the present epidemic of AIDS.”
• “We need to support each other’s search for sexual alternatives  Certainly the future holds more options than phone sex!”
• “We need to form support groups.  Some will want to consider group or individual therapy or other means of smoothing an admittedly difficult transition.”

Still, the criticism from the community stung.  In the months that followed, Callen turned his attention to his personal life, tending to his own health and that of friends.  But Berkowitz was not deterred; he began a new project which would eventually become the 46-page groundbreaking pamphlet How to Have Sex in an Epidemic.

Callen would eventually work with Berkowitz on the new project, and they would both take what they learned from the reponse to their Native article to develop an entirely new approach to fostering AIDS awareness.  Published in the summer of 1983, How to Have Sex in an Epidemic would be embraced by the community and eventually have a widespread impact on the sexual practices of gay men.

* * * * *
Sources:

Richard Berkowitz Files, “We Know Who We Are: Two Gay Men Declare War on Promiscuity” by Michael Callen and Richard Berkowitz with Richard Dworkin

Gay in the ’80s by Colin Clews (self-published)

Cowley, who specialized in electronic dance music, joined Sylvester’s studio band and played synthesizer on Sylvester’s 1978 album Step II, which included the hits “You Make Me Feel (Mighty Real)” and “Dance (Disco Heat).”

In addition, he wrote “Stars” and “I Need Somebody to Love Tonight” from Sylvester’s 1979 album Stars.  Cowley also joined Sylvester’s live band and joined him on several world tours.

Born in 1950 in Buffalo, New York, Cowley became a drummer with amateur bands while attending Niagara University and later the University of Buffalo.  In 1971, he moved to San Francisco to attend the City College of San Francisco, where he studied music.

After working with Sylvester, Cowley produced his own hits, including “Menergy” in 1981 and “Megatron Man,” from the album of the same name.  He also wrote and produced the dance single “Right on Target” for San Francisco artist Paul Parker and “Do Ya Wanna Funk,” a collaboration with Sylvester.

Cowley also did a 15’45” long remix of Donna Summer’s “I Feel Love,” which is now a collector’s item. Mind Warp, his final album, was composed as he felt the increasing effects of HIV infection.

* * * * *
Sources:

Photo of quilt panel from the AIDS Memorial Quilt

Pitchfork, “Patrick Cowley Is One of Disco’s Most Important Producers. These Are His Must-Hear Deep Cuts” by Jesse Dorris, January 17, 2018

The Guardian, “San Fran-disco: How Patrick Cowley and Sylvester Changed Dance Music Forever” by Geeta Dayal, October 26, 2016

The CDC report provides background on the infant cases:

• the mother of one infant was a prostitute and IV drug user;
• two were the children of Haitian immigrants; and
• one was the child of an IV drug-using woman who had died of AIDS.

Unlike the case of the San Francisco infant with AIDS-related symptoms, these infants had not undergone a blood transfusion.  Although the nature of the immune dysfunction described in the four cases was unclear, the report pointed toward the AIDS virus as the likely commonality between these infants.

At the time, it was still unknown exactly how the virus could be transmitted from one person to another.  The CDC’s report was notable in its conclusion that the deteriorating health of the infants was likely caused by an infectious agent, a theory based on the researchers’ epidemiological observations.

* * * * * *
Source:

Mortality and Morbidity Weekly Report, “Unexplained Immunodeficiency and Opportunistic Infections in Infants — New York, New Jersey, California,” December 17, 1982

At the conference, scientists from the CDC recommended that blood banks begin implementing donor screening measures, such as questioning donors about risk behaviors and running blood donations through a series of tests.  Faced with daunting data and the same uncertainties, the blood banks and the plasma companies came away from the conference with different plans..

Playing down the extent of the risk, leaders of the blood banks would decide that the CDC’s evidence did not show conclusively that HIV was a blood-borne disease, and they would decline to screen out potentially infected donors.  The blood bank physicians questioned the validity of the CDC data, which correlated of anti-HBc to AIDS cases among a cohort of homosexuals who attended an STD clinic.

By contrast, the plasma companies concurred with the CDC that there was a good chance HIV was being transmitted by their products.  They moved very quickly to switch the source of their supply and introduced new methods to inactivate viruses in plasma derivatives.  However, they also decided to keep older product batches on the market, and commercial plasma ended up infecting more people than did donated blood.

Getting blood or plasma out of one person and safely into another is a complex process.  Blood banks, such as the Red Cross, obtain almost all of their supply from voluntary donors.  They process and then distribute freely donated blood to hospitals, which they charge for their services.

Every year, about 14 million units of blood are donated in the U.S.  The American Red Cross collects about 45% of the total, blood banks about 42%, hospitals 11%, and the small remainder is imported.  About 3.6 million people receive transfusions of these products every year.

In the 1970s, blood collection and transfusion had a number of risks associated with it, in particular the prevalence of hepatitis in the supply.  In late 1982, when evidence began to show that a new disease might be spreading through blood products, things became more complicated.

The blood bank scientists accepted that HIV/AIDS appeared to be a threat to the blood supply, but found it difficult to measure the risk.  U.S. surveillance systems were ill-equipped to identify diseases with a long incubation period such as AIDS.

* * * * * *
Sources:

National Institutes of Health | National Library of Medicine, “HIV And The Blood Supply: An Analysis Of Crisis Decisionmaking” (National Academies Press, 1995)

The Emergence of HIV in the U.S. Blood Supply: Organizations, Obligations, and the Management of Uncertainty by Kieran Healy (Kluwer Academic Publishers, 1999)

APLA moves into a converted motel built in 1955, located at 937 Cole Street in Hollywood.

* * * * *
Sources:

AIDS Project Los Angeles, “History”

Operated by the U.S. Public Health Service, the AIDS Hotline responds to public inquiries about the disease, and by July 28, the hotline has to be expanded from three phonelines to eight to accommodate the high volume of calls.

In 1985, HHS transferred the hotline to the Center for Disease Control and eventually services were expanded in October 1987 to become the National AIDS Clearinghouse, with electronic linkage to computerized referral databases.

Spanish-languages services on the hotline were not included until August 1988. A month later, the hotline adopted TTY services for the hearing-impaired.

By February 1991, the total of calls to the hotline in eight years of service was 5 million.

* * * * * *
Source:

National AIDS Hotline: HIV and AIDS Information Service through a Toll-Free Telephone System by Robert R. Waller and Lynn W. Lisella (CDC’s HIV Public Information and Education Programs, November-December 1991)

Under the leadership of Dr. Thomas Marsella, NWAF began raising money for public education programs for the Seattle area and setting up volunteer-run support services for persons with AIDS.  One of the first projects was the production and distribution of the AIDS awareness pamphlet “Can We Talk?”

Also instrumental in the foundation’s early days was Dr. Robert Wood, a New York-born internist who moved to Seattle in 1975 to finish his medical training and remained to provide care for people living with AIDS.  Dr. Wood, who served as the foundation’s second president, was diagnosed as HIV-positive in 1985. He would go on to become King County’s first AIDS control officer.

In 1986, NWAF opened its first office in Pioneer Square at 619 Third Avenue, and hired a full-time executive director.  In the first year the office was open, a Seattle plumbing company refused to send plumbers to unclog the foundation’s sink, stating that the plumber would be in danger of contracting HIV.

“What did they think they were going to do, have sex with the sink?” responded then-president Robert Rohan, according to historylink.tours.

In 1987, NWAF held its first AIDS Walkathon fundraiser, which attracted more than 2,000 participants and raised about $335,000.  Speaking at the event was Congressman Mike Lowry, who criticized the Reagan administration for viewing AIDS as a moral issue.

“It’s not a moral issue, but the most important health issue in the history of the world,” Rep. Lowry said. “Today we’re going to vote with our feet to get the money the federal government should be providing. And we’ll keep voting until we get the money.”

When HIV infections in the Seattle area spiked in 1990, NWAF launched a new public education campaign called “Keep It Up, Seattle!” to remind gay and bisexual men to adhere to safer sex practices.  In 1991, the foundation turned its focus to at-risk women with a series of skills-building workshops.  NWAF also began training businesses on how to humanely address HIV in the workplace.

The 1991 AIDS Walk raised a record $1.5 million. The next year, the foundation expanded its outreach program, placing volunteers in bathhouses, public parks, bars, clubs, and other late-night venues.

In 2001, the Northwest AIDS Foundation would merge with another Seattle AIDS service organization, the Chicken Soup Brigade, to form the Lifelong AIDS Alliance (now known simply as Lifelong).

– – – – – – –
Sources:

  HistoryLink.org (an online encyclopedia of Washington state history)
https://www.historylink.org/file/22555

  HistoryLink.tours – https://historylink.tours/stop/northwest-aids-foundation/

In the Morbidity and Mortality Weekly Report (MMWR) issued on this date, the U.S. Centers for Disease Control and Prevention (CDC) pointed to four distinct groups of people in the U.S. who were “at increased risk for developing AIDS.”  According to the CDC, those groups were:

• homosexual men with multiple sexual partners,
• hemophiliacs,
• abusers of intravenous drugs (i.e., heroin), and
• Haitians (“especially those who have entered the country within the past few years”)

The groups in the report titled “Current Trends Prevention of AIDS: Report of Inter-Agency Recommendations were henceforth cited in every new medical article and media report, resulting in a stigmatizing association with AIDS for people who identified with any of these groups.

Many in the gay community co-opted the information, referring to it as “the 4H Club,” a sly redefining of its original meaning as a long-standing agricultural youth group.

The MMWR was published at a time when no effective treatment or cure for AIDS was available.  People diagnosed with AIDS often had a few years — and sometimes just a few months — left before the disease would kill them.

Two months after this MMWR, the French virologist Luc Montagnier and his team at the Pasteur Institute in Paris would announce their discovery of the virus that causes AIDS.  But at the time of this MMWR report, top U.S. researchers were still baffled by the disease and following leads that suggested that the deterioration of the immune system in AIDS patients was caused by a biological substance, likely passed from one person to another through blood.

“Available data suggest that the severe disorder of immune regulation underlying AIDS is caused by a transmissible agent,” the CDC states in its report.

The CDC goes on to recommend that members of high-risk groups refrain from donating blood or plasma.

“As long as the cause remains unknown, the ability to understand the natural history of AIDS and to undertake preventive measures is somewhat compromised,” the CDC report states.  “However, the above recommendations are prudent measures that should reduce the risk of acquiring and transmitting AIDS.”

Published in the New York Native, Kramer provides a blistering assessment of the impact of AIDS on the gay community, the quickly rising numbers of sick and dying gay men and the slow pace of scientific progress in finding a cause for AIDS.

Kramer’s historic essay opens with:
“If this article doesn’t scare the shit out of you, we’re in real trouble. If this article doesn’t rouse you to anger, fury, rage, and action, gay men may have no future on this earth. Our continued existence depends on just how angry you can get.”

This essay was just the beginning for Kramer, in what would become a lifetime of activism and advocacy.  He would go on to write The Normal Heart, the first serious artistic examination of the AIDS crisis, and he would found ACT UP, a protest organization widely credited with having changed public health policy and the public’s awareness of HIV and AIDS.

“There is no question in my mind that Larry helped change medicine in this country. And he helped change it for the better. In American medicine there are two eras. Before Larry and after Larry,” said Dr. Anthony Fauci.

* * * * * *
Sources:

New Yorker Magazine, “Larry Kramer, Public Nuisance,” by Michael Specter, May 5, 2002

The Bilerico Project on LGBTQ Nation, “Larry Kramer’s Historic Essay: AIDS At 30,” June 14, 2011

Square-jawed and classicly handsome, he was frequently featured in GQ magazine during its Haber-Coulianos-Sterzin era, described by Meredith Etherington-Smith, who was GQ’s editor in the 1970s, as “so Zeitgeisty, in a tiny window of time when homosexuality was chic but not yet widely accepted.”  Considered to be the first male supermodel, MacDonald counted David Hockney among his many friends and he enjoyed collecting art.

Friends were shocked to see how much MacDonald’s appearance had changed when his photo was featured in an early 1983 advertisement appearing in The New York Times fashion supplement, the results of MacDonald’s final modeling assignment.

“He looked very old,” Susi Gilder, a model who knew MacDonald personally, would tell New York magazine for an article published in June 1983. “The eyes were just very sad.”

In Vogue magazine’s 2020 retrospective on the AIDS crisis, fashion designer Michael Kors recalled MacDonald as the “first famous person who passed away” from AIDS.

“When we first started reading about [HIV/AIDS] and hearing about it, people did not want to acknowledge that this disease didn’t discriminate,” Kors told Vogue.  “People thought, oh, if you’re young and you’re healthy and you, quote, live a clean life, you’re not going to get it. And then they started seeing people like Joe MacDonald and realized this was not selective. The reality became very harsh at that point.”

As the first AIDS casualty in the fashion industry, the news of MacDonald’s death sent shockwaves through New York.

“I remember walking in NYC on Columbus and 83rd – on the corner – one summer night,” model Rosie Vela told The AIDS Memorial on Instagram.  “I passed Joe sitting at a crowded outdoors cafe.  It was a year before he died.”

“He stood up when he saw me, and invited me to sit with him,” Vela recalled.  “He was gorgeous, elegant and kind.  I’ll never forget how welcome he made me feel.  A true gentleman.”

* * * * * *
Sources:

Photo of quilt panel from the AIDS Memorial Quilt

GQ magazine, “It All Started Here: The Gay Legacy of GQ” by David Kamp, June 23, 2017

New York magazine, “AIDS Anxiety” by Michael Daly, May 20, 1983

Vogue magazine, “Chapter One: How Fashion Was Forever Changed by ‘The Gay Plague’” by Phillip Picardi, December 16, 2020

The AIDS Memorial on Instagram, tribute post about Joe MacDonald

Between the age of 6-14 months old, the infant developed symptoms of hepatitis, thrush, Candida dermatitis, otitis media, and Mycobacterium avium intracellulare.  Tests revealed raised immunoglobulin levels, decreased mononuclear-cell responses to allogeneic cells and mitogen, and a decreased T-cell ratio.

It was determined that a blood donor, who was well at the time of blood donation, had died of AIDS about 17 months after donating.  The case study’s researchers find that the infant likely acquired AIDS (“a transmissible infectious agent’) from the blood transfusion.

* * * * * *
Sources:

Lancet, “Acquired Immunodeficiency in an Infant: Possible Transmission by Means of Blood Products” by A J Ammann, M J Cowan, D W Wara, P Weintrub, S Dritz, H Goldman, H A Perkins; April 30, 1983

Photos of the event are circulated around the world, revealing for many the growing health crisis.  It is the first time that people with AIDS come together in a public demonstration.

* * * * * *
Sources:

San Francisco AIDS Foundation, “SFAF History in Pictures”

San Francisco Examiner, “Candlelight Memorial” by Carol Ness, May 13, 1998

Located on La Brea Avenue, L.A. Shanti became a leader in quality volunteer-driven programs that provided information and emotional support using the Shanti model of compassionate presence.

Warner served as the organization’s first Executive Director.

“I have committed myself to helping the fight against the misconceptions and prejudices, which can overwhelm a person with this infection, by working as a health educator for the city of West Hollywood,” Warner would write to the Los Angeles Times in 1988.

The 17-minute story features footage of hundreds of activists in AIDS memorial marches in San Francisco, New York City and Houston, as well as interviews with persons living with AIDS Ken Ramsaur, Bob Cecchi, Ron Resio, and Bill Burke

Reporter Geraldo Rivera charts the history of AIDS, starting with the first AIDS cases appearing in New York City and San Francisco in 1979 and the early occurances with members of the gay population, intravenous drug users, and Haitian immigrants.

For the story, Rivera interviewed several people from the front lines of the AIDS crisis, including Marcus Conant, M.D., of the University of California San Francisco Medical Center, who warns that the “entire American public” should be concerned about the disease.  Dr. Conant tells Rivera that AIDS will become a major health crisis in the U.S. if research funds are not quickly allocated to develop effective ways to prevent and treat the disease.

“And so the evil genie is out of the bottle,” says Rivera, adding that AIDS has been diagnosed in 16 states already.

Rivera also interviews Larry Kramer, co-founder of the Gay Men’s Health Crisis in New York.  In his characteristic animated fashion, Kramer criticizes The New York Times for failing to report on the AIDS crisis and expresses his frustration with the Centers for Disease Control for failing to add AIDS to its list of communicable diseases that public officials are required to report.

Rivera also includes footage of Rep. Henry Waxman in Congressional hearings, voicing criticism of the Reagan Administration for its lack of resources and action.

* * * * *
Source:

Vimeo | Lovett Productions, “20/20 AIDS Broadcast,” May 19, 1983

Ramsauer was a freelance lighting designer and hardware store manager who became the first person with AIDS to be the subject of a national television program when he was interviewed by Geraldo Rivera on 20/20.

His final televised wish was that people might gather in Central Park to remember those who had died of AIDS.  The following month on June 13, more than 1,500 would gather in Central Park for  a candlelight vigil to commemorate Ramsauer and others who died of AIDS.  The event featured a eulogy by Rivera, a speech by New York Mayor Ed Koch, and a reading of the names of the 600 people known to have died from AIDS by that time.

”Kenny Ramsauer wanted the people of New York and of this country to learn about the disease,” Rivera told the people gathered at the park’s Naumberg Bandshell on that early summer evening. ”He wanted society to know the discrimination and negative publicity that has allowed this disease a mortal head start.”

The vigil was considered the first large gathering acknowledging the existence of the epidemic.

David France, author of How to Survive a Plague, attended the vigil with a friend and later wrote:

“The plaza was crowded with 1,500 mourners cupping candles against the darkening sky.  As our eyes landed on one young man after another, it became obvious that many of them were seriously ill.  A dozen men were in wheelchairs, so wasted they looked like caricatures of starvation.  I watched one young man twist in pain that wsa caused, apparently, by the barest gusts of wind around us.”

Frances goes on to write that 722 cases of AIDS were reported in New York at the time, but judging from the scene around him, the numbers were likely considerably higher.

“We had found the plague,” he wrote.

* * * * * * *
Sources:

The New York Times, “1,500 Attend Central Park Memorial Service for AIDS Victim” by Lindsey Gruson, June 14, 1983

How to Survive a Plague by David France (MacMillan, 2017)

The event’s organizer and emcee, Matt Redman of AIDS Project Los Angeles, told the crowd, “Let’s put the screws to the Reagan administration.”

Redman blasted Assistant Secretary of Health and Human Services Edward Brandt for asserting that AIDS funding was adequate. “That’s bullshit!” he declared.

As reported cases in Los Angeles County jump from 19 in April 1982 to 81 in May 1983, activists mobilize to demand more AIDS research.

* * * * * * *
Source:

Tell Me David, “Candles in the Wind” by David Hunt, February 6, 2016

Written by Berkowitz and Callen, both New Yorkers living with AIDS, the pamphlet was groundbreaking by being among the first to promote safer sex practices, offering pointed advice on condom use and promoting self-empowerment for those diagnosed with AIDS.

As one of the first publications to recommend the use of condoms to prevent the transmission of STDs in men having sex with men, the pamphlet is considered one of the foundational publications in the advent of modern safe sex.

Sex in an Epidemic was widely read by gay men living in New York City.  In the melee of all the confusion and desperation about AIDS, a comprehensive guide appeared to help gay men navigate the risk of developing the seemingly fatal syndrome while also enjoying a sex life.

In 2017 — 34 years later — David France would write about Berkowitz and Callen’s efforts to educate their community about AIDS in his book How to Survive a Plague: The Story of How Activists and Scientists Tamed AIDS.

According to France’s account, Sex in an Epidemic originally started as an article proposed by Berkowitz with medical guidance from his openly gay doctor, Joseph Sonnabend, M.D., that proposed a new “sexual ethic” for men who had sex with men.

Berkowitz couldn’t find a publication willing to publish the article, largely due to his reputation of being “sex-negative,” which he and Callen unfairly acquired after they wrote an article about “the consequences of sexual overconsumption” for the gay publication the New York Native.

“Deep down, we know who we are and why we are sick,” they wrote for the November 8, 1982 edition of the Native.  After publication, the article drew a torrent of angry criticism from readers of the Native, as well as from gay periodicals across North America, including the Toronto newspaper Body Politic, which accused Berkowitz and Callen of creating unnecessary panic in the community.

Even so, Berkowitz, who was open about his history as a sex worker, was more determined than ever to find ways to save lives.  In the new writing project, he decided to take a different approach than the one he and Callen put forth in their Native article.

This time, Berkowitz was focused on a sex-positive message.  He wanted to share information about the kinds of intimacy gay men could engage in safely, rather than what gay men shouldn’t do.  When gay publications rejected the article Berkowitz proposed, Dr. Sonnabend recommended that they format the information as a pamphlet “in the model of left-wing and feminist political tracts,” according to France.

At that point, Callen got involved in the project.  He and Berkowtiz would meet to work on Sex in an Epidemic at Dr. Sonnabend’s office or at Callen’s loft in Tribeca.  Callen’s partner, Richard Dworkin, also assisted in assembling the editorial content.  Their process involved revisiting the painful mistakes of their approach to their Native article and applying lessons learned from Saul Alinsky’s Rules for Radicals and other guides to influencing people.

“Their self-assigned mission was outsized, almost radical,” wrote France.  “In order for safe sex to staunch an epidemic, it had to be embraced by the entire community of gay men — a fundamental and universal change in behavior … This was how they invented what they called ‘safe sex.'”

Callen and Berkowitz took care to ensure all their advice was sex-positive and affirming.  They used frank and playful language in their risk assessment of various acts of sexual intimacy.  And, in a groundbreaking move, they promoted the use of condoms — something that very few gay men used at the time — as a way to avoid the AIDS virus as well as other sexually transmitted diseases.  They even included a passage on love.

“Men loving men was the basis of gay male liberation,” they wrote, “but we have now created ‘cultural institutions’ in which love and even affection can be totally avoided.”

They went on to advise that if readers love the subjects of their sexual intimacy — even those of the briefest of liaisons — then they will not want to make them sick.

The initial 5,000-copy printing of the 46-page Sex in an Epidemic cost about $1,000, donated by Callen and other patients of Dr. Sonnabend.  Berkowitz, Callen and Sonnabend distributed copies throughout New York City, primarily in shops and bars frequented by gay men.

Within weeks, the post-office box they included in the pamphlet began to receive letters.  They expected a response similar to the Native article, hate mail with accusations branding them traitors to the gay liberation movement.  But they were surprised to instead receive letters of appreciation for the work they produced and with requests to send copies to various locations around the U.S.  They immediately printed more copies to meet the demand that grew each week.

Then, on August 18, Jonathan Leiberson reviewed Sex in an Epidemic for the New York Review of Books.  Soon afterward, Sex in an Epidemic received attention from the Greenwich Village bookstore B. Dalton, which had created a window display around the 46-page guide.

Word was getting out.  Best of all, gay men began to use condoms.

“One night on Christopher Street, I watched a team of lesbians on a flatbed truck lovingly hurl the things into the air like rose petals over the heads of their gay brothers,” wrote France in How to Survive a Plague: The Story of How Activists and Scientists Tamed AIDS.

Condom manufacturers responded to the consumer demand in the largely gay communities by developing new products in a range of sizes, textures and colors that appealed to the market.  Transmission rates for all sexually transmitted diseases began to slow as a result.

* * * * * *
Sources:

POZ magazine, “How to Have Sex in an Epidemic: 30th Anniversary” by Joseph Sonnabend, M.D., May 17, 2013

www.RichardBerkowitz.com, “How to Have Sex in an Epidemic” (full text)

New York Review of Books, “Anatomy of an Epidemic” by Jonathan Lieberson, August 18, 1983

The AIDS Legal Referral Panel was founded in 1983 by attorneys Frederick Hertz, Steven Richter, Mark Senick, and Gary James Wood.  It was originally a committee of the LGBT organization Bay Area Lawyers for Individual Freedom (BALIF), but its founders recognized the group’s potential as a stand-alone non-profit organization.

Concerned that gay men in the Bay Area were near death from complications of AIDS, Hertz, Richter, Senick and Wood sought to create a legal resource that included the creation of wills and setting of durable powers of attorney.  Drafting legal documents such as these allowed individuals to die with dignity and fulfill their wishes about healthcare and disposition of assets.

The four began by publicizing a phone number where people with AIDS could call to receive legal help and by recruiting other attorneys to join them.  Soon, the legal community was leveraging its skills and resources through ALRP to respond to the AIDS crisis by providing those dying with AIDS the right to die with peace of mind.

As Hertz recounts, “[Preparing emergency wills] was wrenching.  But if people asked me how I kept my sanity, it was through using my legal skills in a way that really helped people.  I was doing something productive and meaningful and focused my grief on making a difference in people’s lives.”

Four founders and ten original Panel members sustained the organization for several years without any other infrastructure.  First led by BALIF co-chair Steve Richter with a list of telephone numbers, then by Gary James Wood when Richter developed AIDS in 1983, the organization operated solely as a volunteer-staffed organization until 1986, at which time ALRP hired attorney Clint Hockenberry.

With Hockenberry at the helm, ALRP grew from a grassroots community of concerned attorneys to an established lawyer referral service. Fundraising efforts excelled and extensive recruitment, training, and supervision of ALRP’s pro bono attorneys began. ALRP also partnered with the Bar Association of San Francisco’s Volunteer Legal Services Program, which increased the legitimacy and visibility of the organization.

Hockenberry expanded outreach to better serve people of color, children, women, injection drug users, non-native English speakers, and the homeless. During his tenure, ALRP hosted the first national AIDS Law Conference and published the first AIDS Law Manual, extended outreach to other counties, garnered Ryan White CARE Act funds, and founded ALRP’s Public Policy Project. ALRP became an independent organization in 1990, separate from BALIF, with a formal Board of Directors.

In March 1992, Clint Hockenberry passed away from AIDS, but under his leadership ALRP had grown from an organization that formed in reaction to a crisis to an agency creatively and proactively responding to and anticipating the ever-changing needs of the HIV/AIDS community. As those with HIV/AIDS began living longer, Kristin Chambers, ALRP’s second Executive Director, and her successor, Irwin Keller, continued Hockenberry’s model of dynamic client services.

Under Chambers’ and Keller’s tenures, the 1990s saw an expansion of services and public policy efforts and an improved client referral system that better served the legal needs of the HIV/AIDS community. Full-time housing attorneys were hired when rising real estate prices left many in the HIV/AIDS community confronting homelessness.

In addition, “Working in the Cycle of HIV,” an educational manual published in conjunction with AIDS Benefits Counselors (now Positive Resource Center) and the Employment Law Center, was created to respond to the large numbers of people with HIV/AIDS who wanted to return to the workplace after experiencing positive outcomes from new treatments. On the public policy front, ALRP advocated for national health care reform, continued and improved HIV privacy and confidentiality protections, and Social Security reform to provide expanded, fair, and adequate access to benefits.

By 2000, when Bill Hirsh became ALRP’s fourth Executive Director, ALRP had grown from solely serving patients at San Francisco General Hospital to serving clients in seven Bay Area counties. From preparing emergency wills and powers of attorney, ALRP now provided legal assistance to clients in all areas of civil law. Instead of a simple lawyer referral service, ALRP was now an organization that provided both direct legal representation and personalized attorney/client referrals.

ALRP is the first organized legal outreach effort for those with HIV/AIDS in the United States, and many original Panelists from 1983 remain active in the organization to this day. Initially formed to draft emergency wills and other necessary documents for terminally ill clients, ALRP has shifted its focus to issues illustrative of the fact that those with HIV/AIDS are living longer lives than ever before and facing more complex legal needs.

What started in 1983 as a small circle of attorney friends has grown to a full-time staff of fifteen and a Panel of over 700 volunteer attorneys donating over $1 million each year in pro bono legal services. Since its inception, ALRP has handled over 76,000 legal matters for people living with HIV/AIDS.

* * * * * *
Sources:

AIDS Legal Referral Panel, “ALRP Milestones” and “History”

University of California Libraries, “AIDS Legal Referral Panel Records”

Bay Area Lawyers for Individual Freedom

On Page 22, the Times gives its report on the alarming cases of babies and young children who are born with the AIDS virus and subsequently left at New York hospitals.  The article carries no byline.

The article also exposes the discrepancy between the total number of pediatric AIDS cases nationwide being reported by the Centers for Disease Control (18) and the numbers of infants and children being treated by doctors in the NY metro area alone (more than 63).

In the article, New York pediatric immunologist Arye Rubinstein, M.D., blamed the CDC’s low case number on the federal government’s “unduly strict” definition of AIDS.  Because of this narrow definition, the CDC counted only children who had a malignancy or opportunistic infections.

Dr. Rubinstein told the Times that he was treating several patients whose symptoms did not fall within the CDC definition but most definitely were indications of infection by the AIDS virus.  The article cites Dr. Rubinstein’s pediatric AIDS caseload as consisting of 44 patients.  James Oleske, M.D, of St. Michael’s Hospital and the Newark College of Medicine was cited with a caseload of 18 pediatric patients and six more suspected cases.

In the years to come, Dr. Rubinstein would become very vocal about CDC case totals being undercounted and the need for the CDC to broaden its definition of pediatric AIDS — and he wasn’t the only doctor in the field to do so.  Finally in 1985, the CDC would broaden its defnition of AIDS, based on recommendations developed at the Conference of State and Territorial Epidemiologists, and the CDC would modify the definition again in 1987 and 1993.

In the one-hour radio show, producer David Hunt examined “the conflicting currents of fear, greed, despair and denial that confronted the gay community in the early years of the AIDS epidemic.”

“For its time, the documentary is a fairly clear-eyed look at the emerging AIDS epidemic,” writes Hunt on his website Tell Me David.  “It correctly emphasizes the medical consensus that a virus is the cause of the disease, and urges education, personal responsibility and collective action as the tools for fighting it.”

Hunt credits early activists with saving the lives of many people in the community in the early 1980s.

“Without the leadership of people like Larry Kramer, Randy Shilts, Harry Britt, Bobbi Campbell, Matt Redman and others, the suffering would have been far worse, the toll far greater,” he said.  “I remember wondering in the early days, in 1981 and 1982, whether any of us would survive. Titling the documentary I Will Survive was an act of false bravado as much as it was a hat tip to Bobbi Campbell, who wore a button emblazoned with that message.”

* * * * * *
Source:

Tell Me David, “I Will Survive” by David Hunt, May 1, 2015

In his op-ed in the New York Post, Pat Buchanan echoes the Moral Majority position that the AIDS epidemic was God seeking revenge against gay people.

Buchanan concluded his essay by saying homosexuals should be banned from food-handling jobs, and that the Democratic party’s decision to hold its 1983 convention in San Francisco will endanger delegates and their families.

Visitors to the city, he writes, will be at the mercy of “homosexuals who belong to a community that is a common carrier of dangerous, communicable and sometimes fatal diseases.”

* * * * * *
Source:

ThinkProgress, “Flashback — Buchanan: AIDS is Nature’s ‘Awful Retribution’ Against Homosexuality” by Igor Volsky, May 24, 2011

An emerging leader in the Bay Area Jewish and gay communities, Feldman was director of admissions at New College and co-director of publicity for Congregation Sha’ar Zahav, a largely gay and lesbian San Francisco synagogue.

After he was diagnosed with AIDS and learned of others in the community who were also ill, Feldman asked the congregation’s Bikkur Cholim (outreach to the ill) Committee to start a “Phooey on AIDS” fund to support the financial needs of members and the community. This fund made annual gifts to the organizations providing direct care including Shanti, Project Open Hand, the San Francisco General Hospital Ward 86, and the Food Bank of the San Francisco AIDS Foundation, according to Paul Cohen in My Jewish Learning.

After gay men were prohibited from donating blood, the women of Sha’ar Zahav organized a blood drive.  Feldman gave every woman who donated blood a rose in appreciation, according to Rabbi Leslie Bergson.

Feldman was the first Sha’ar Zahav congregant to die of AIDS.

“Sadly, he was not the last,” writes Dan Pine in The Jewish News of Northern California.  “The names of nearly 80 other congregants felled by the virus adorn the synagogue’s memorial wall today.”

During the first years of the AIDS epidemic, Rabbi Allen Bennett served as Sha’ar Zahav’s spiritual leader.

“You were on call 24/7,” Rabbi Bennett told The Jewish News of Northern California  “There was no easing up. Every day there were more casualties and, as things progressed, more fatalities. Until things started to taper off, I and an awful lot of my friends were losing, on average, a friend or acquaintance once a week for probably five years.”

“I remember the devastation of hearing the names on the Kaddish list of young people,” says Rabbi Eric Weiss, a Sha’ar Zahav member and executive director of the Bay Area Jewish Healing Center (the Institute on Aging). “During the service, everyone stands, links arms and sings ‘Hinei Mah Tov.’ I remember the utter sadness when there were people we couldn’t put our arms around anymore.”

* * * * * *
Sources:

Photo of quilt panel from the AIDS Memorial Quilt

The Jewish News of Northern California, “How AIDS Battered One SF Synagogue” by Dan Pine, June 9, 2006

My Jewish Learning, “Remembering on World AIDS Day” by Paul Cohen, December 1, 2015.

Congregation Sha’ar Zahav, “40th Anniversary Shabbat,” drash by Rabbi Leslie Bergson, February 23, 2018

Between July 1983 and June 1985, a total of 33,831 blood donations were screened by Standord.  Of those donations, 586 were shown to have low CD4 counts and were discarded as possibly infected.

Stanford retained the serum samples from the 586 donations and years later, when a test became available, screened them specifically for HIV.  Dr. Engleman found that 1.9% of these donations were HIV positive — which translates to approximately 33 HIV-infections that were avoided.

As the first blood bank in the U.S. to screen donated blood for HIV/AIDS indicators, the new policy eliminated donations from people with low CD4 T cells.  The loss of CD4 T cells in AIDS is what renders patients susceptible to a wide range of infectious diseases.  Thus, the screening was considered a surrogate test, not necessarily identifying the presence of HIV/AIDS but instead identifying indicators of possible HIV/AIDS infection.

The new screening system came about due to an increasing awareness in the San Francisco medical community of AIDS and a skeptical view toward existing blood protection practices.  In the spring of 1983, Stanford Hospital treated two patients with AIDS.  Both had received transfusions at Bay Area institutions and neither had been identified as being in a high-risk group.

“At this point, my colleagues and I at Stanford Blood Center felt that the presence of the presumed etiologic agent for AIDS in the local blood supply could not be ignored,” recalls Ed Engleman, MD, of the Stanford Blood Center.  “Because of the potential lethality of this infection, we felt that self-deferral should not be relied upon as the sole means of protecting the blood supply.”

The self-deferral practice that Dr. Engleman refers to is the U.S. Public Health Service’s then-recommendation of relying on donors to voluntarily identify themselves as a member of a high-risk group.  Blood centers around the country commonly implemented the PHS recommendation with an information sheet provided to prospective donors that described AIDS risk groups and requested that donors exclude themselves if they met the definition of risk.

“It was predictable that this approach wouldn’t work very well,” says Dr. Engleman.  “First, it relied entirely on donor self-deferral.  Second, the PHS definition of homosexual AIDS risk behavior was vague, making it possible for a prospective donor with a history of homosexual activity to feel that he personally was not at risk for AIDS and to proceed with blood donation.”

Stanford University Blood Bank’s screening procedure was costly and had to be performed manually, but Stanford found it relatively easy to implement because it was already conducting immunological research and had access to a flow cytometer and the appropriate laboratory setting.

Around this time, the American Red Cross, American Association of Blood Banks, and the Council of Community Blood Centers released a joint statement estimating the risk of getting AIDS from transfusion as “one in a million.”  This was an overly optimistic view, it turned out.

Just a few years later, when the first HIV antibody test was made available in 1985, an estimated one in 700 units of blood donations in U.S. metropolitan areas were found to be infected with HIV.  In San Francisco, the frequency was closer to one in 100.

“We estimate that the total number of transfusion-related HIV transmissions that occurred from 1983 to 1985 was at least 10,000-20,000,” Dr. Engleman says.  “It seems evident that most of these cases could have been avoided had our test been used.”

* * * * * *
Source:

Some community members, like Circus Disco owner Gene La Pietra, think the drop may be related to an earlier news article that erroneously reported AIDS can be spread through casual contact.

* * * * * *
Source:

Ward 5B is the answer to a petition organized by psychiatric nurse Cliff Morrison, demanding compassionate, holistic care for AIDS patients in San Francisco.  By August, the ward’s 12 beds are fully occupied.

Run by Morrison and an all-volunteer team, Ward 5B allowed patients to create their own family made up of friends and partners. The nurses recognized that many of the patients were isolated from their families or had long-term, though not legal, partners.

The ward was one of the first units in the country that allowed visitors at any time.

* * * * * *
Source:

At the hearing, members of Congress heard testimony from researchers, heathcare officials, and three AIDS men with AIDS who described their personal experiences.

Here is the testimony of Michael Callen of New York:
(born April 11, 1955, died December 27, 1993)

In December of 1981, I had some blood testing done by my private physician, and those tests indicated that I was immune deficient. In December of 1981, there was very little known about this disease, but there was in the gay press beginning to be reports of increased instances of very unusual diseases, and they outlined some of the symptoms. I was very concerned because I had some of these symptoms — fevers, night sweats, general lymphadenopathy, swelling of the lymph nodes, malaise, fatigue.  So I had myself tested and, as I indicated, in December of 1981, I was told I was immune deficient.

The effect of being told that I was immune deficient was devastating.  I called my parents and said, “I am going to die.”

I was not hospitalized until the summer of 1982, when I was diagnosed with cryptospordiosis, which is one of the qualifying opportunistic infections, according to the CDC definition of this syndrome.

I was hospitalized for over a week with what is known as the wasting syndrome.  It was the lowest point of my life.  I was convinced from everything I read and heard that I was going to die.

But I recovered from that specific infection, and I was rehospitalized in the fall of 1982.  They suspected pneumocystis pneumonia. I had a bronchoscopy performed and other tests.  It turned out to be bronchitis.  But my story really illustrates one of the consistent stories for people who have this syndrome.  So little is known.

When my doctor indicated to me in December of 1981 that I was immune deficient, I said, “What does that mean?”

And he said, “We don’t know.”

So now a lot of people who are being told they are immune deficient are simply waiting, waiting for the next infection.

Now, I have come to believe that I am going to beat this disease.  I no longer think that I am going to die.  But it is very difficult when you pick up newspapers or turn on the television, and you hear that no one has fully recovered from this syndrome, and that 80% of those diagnosed with the syndrome are dead after two years.

So I guess that is my story — waiting around for infections, checking myself every morning for Kaposi’s sarcoma lesions and waiting for information about this disease to be forthcoming.

Here is the testimony of Roger Lyon of San Francisco:
(born September 30, 1948, died November 4, 1984)

I was diagnosed with Kaposi sarcoma on February 3 of this year.  Prior to that time, I was having absolutely no AIDS-related symptoms whatsoever.  On physical exam at that time, three lesions were found internally.  Prior to that, I was being treated for an amoebic disorder, no real symptoms of AIDS.

February 3, basically 100, I think more exactly 180 days ago, I became aware I had a life-threatening disease.  On February 4, I entered UC, I went to University of California without an appointment, at the suggestion of my doctor, and started what is called their staging process — a battery of tests to determine the extent of this disease.

At that time, I was basically numb.  I had no feeling.  I was just moving.  UC has been — they have been very kind and helpful.

However, it is a matter of day-to-day waiting, waiting for something to happen, living in constant fear that I am going to wake up one morning to find lesions, waking up finding that I have some other opportunistic infection, cryptospordiosis, possibly pneumocystis pneumonia.

At this time, I am basically living in fear of what is to come. Other than that, it is a day-to-day wait-and-see process.

Statement of Anthony “Tony” Ferrara of Washington, DC to Congress
(born in 1954, died June 4, 1984

The first idea there was something wrong with me was last summer.  I had lymphadenopathy, swollen lymph glands especially around the jaws and throat and under the arms.  That continued for a few months, but the whole time I felt quite good.  I continued to run and jog, and I experienced no fatigue, no night sweats, no fevers.  In fact, in November, I finished the Marine Corps marathon, when I was supposedly very, very ill.

The lymphadenopathy went away.  So I thought nothing further of it.  But all along, I had been reading about AIDS, and of course, as every conscious gay man should be, was very worried about it.

In February, I saw two small purple lesions, one on the inner aspect of each of my lower thighs, and I knew what they were, or I knew what they could be, and I said I would wait a month, and if they were still there in a month, I would seek treatment or seek a diagnosis.  Well, in the beginning of March they were still there.

I belong to the George Washington University HMO.  I went there and told them that they really should biopsy one of these lesions to see what it was, gave them my sexual history, and told them that there was a good chance I did have AIDS.  They biopsied it, and the diagnosis was Kaposi’s sarcoma. That was March 8.

Obviously, the first day I was very, very upset, and I went into a deep depression for about a month.  I came home that night and my significant other held me in his arms, and I said to him, “Why do I feel like Ali McGraw, it is just like a movie, it is really terrible, it is the most horrible thing that ever happened.”

My depression lasted a month, and I decided if there was any chance I was going to get over this, if I had any chance of surviving at all, I would have to have a more positive attitude and just continue on, live my life as best I can, and try not to worry about it too much.

I was very lucky. I had the choice of being treated at GW by a very good cancer specialist there, who instilled a great deal of confidence in me, or I had the choice of being treated at the National Institutes of Health.

I think it was an easy choice, because I think — NIH wanted me, because I was so healthy at that point.  I was a good specimen for research I think.  And also, I felt that if I have the disease and no one knows anything about it, the best place to be treated would be where they are doing the research.

* * * * * *
Source:

Nomi is an important part of the 1980s East Village scene, a hotbed of development for punk rock music, the visual arts and the avant-garde.  Born Klaus Sperber in Immenstadt, Germany, Nomi began his career in the 1960s, singing opera arias at the Berlin gay discothèque Kleist Casino.  His distinctive performances featured his wide vocal range and an otherworldly stage persona.

In 1972, Nomi moved to New York and appeared in a camp production of Richard Wagner’s Das Rheingold at Charles Ludlam‘s Ridiculous Theatrical Company.

In 1978, he caught the attention of the NYC art scene with his performance in “New Wave Vaudeville.”  Dressed in a skin-tight spacesuit with a clear plastic cape, Nomi sang the aria “Mon cœur s’ouvre à ta voix” (“My heart opens to your voice”) from Camille Saint-Saëns’ opera Samson et Dalila. After that performance Nomi was invited to perform at clubs all over New York City.

Nomi would go on to create the Klaus Nomi Band, release albums, and perform in NYC’s top clubs.  In 1979, David Bowie hired Nomi as a backup singer for his Dec. 15 appearance on Saturday Night Live.  During the performance of “TVC 15,” Nomi and Joey Arias dragged around a large prop pink poodle with a television screen in its mouth.

In the last several months of his life, Nomi would change his focus to operatic pieces and adopted a Baroque era operatic outfit complete with full collar as his typical onstage attire. The collar helped cover the outbreaks of Kaposi’s sarcoma.

Nomi’s death at the Sloan Kettering Hospital Center in New York City is one of the first of many celebrity deaths from AIDS.

* * * * * * * *

Photo of quilt panel from the AIDS Memorial Quilt

* * * * * *
Sources:

Photo of quilt panel from the AIDS Memorial Quilt

  Bay Area Reporter, June 8, 2006

The benefit for the Kaposi Sarcoma Foundation is technically the “second annual” fundraiser in Los Angeles, but it is the first to be held in a public venue.

As the featured star of the event, Reynolds is already an arden AIDS activist — long before Elizabeth Taylor becomes an advocate, journalist Karen Ocamb writes in The Pride LA.

Along with comedian Joan Rivers, singer-actress Rita Moreno, and actor Robert Guillaume, Reynolds is among the first Hollywood celebrities to appear in AIDS fundraisers at a time when HIV/AIDS is still a topic shunned by many.

* * * * * *
Source:

In response to growing concerns about the potential for AIDS transmission in healthcare settings, CDC publishes occupational exposure precautions for healthcare workers and allied health professionals.

* * * * * *
Source:

In the CDC Report “Current Trends Update: Acquired Immunodeficiency Syndrome (AIDS) — United States,” CDC identifies all major routes of HIV transmission — and rules out transmission by casual contact.

* * * * * *
Source:

Paul Jacobs was the New York Philharmonic Orchestra’s official pianist and harpsichordist, holding the post during the tenure of three music directors, according to The New York Times.

He was best known for taking on “the more forbidding works of the 20th Century,” according to Lon Tuck of the Washington Post.  He was also widely recognized for his expertise with early keyboards, often performing on harpsichord with Baroque ensembles.

Born in New York City, Jacobs studied at the Julliard School and then moved to France in 1951 to work with composer and conductor Pierre Boulez at Domaine Musical in Paris.

He returned to New York in 1960 to teach at the Manhattan Music School and the Mannes College of Music.  Two years later, the New York Philharmonic named Jacobs its official pianist and, in 1974, harpsichordist.

He gave solo recitals and played frequently for Lincoln Center’s Chamber Music Society throughout the 1960s and 1970s.  Jacobs recorded for several labels, including fifteen records for Nonesuch and a few for European labels.

For the last fifteen years of his life, he was Associate Professor of Music at Brooklyn College of the City University of New York.

In 1982, he was diagnosed with AIDS and informed he had only a few years to live.  Faced with the decision of how best to use the months that remained to him, Jacobs decided to make one last record, which included the last compositions of Beethoven and Busoni and one of the last by Mozart.

Despite the deterioration of his eyesight, he managed to record the pieces, finishing the work in June 1983, about three months before he died.  He completed the recording “on sheer determination,” Jacob’s doctor told Lon Tuck of the Washington Post.

About five months after Jacob died, on February 24, 1984, a memorial concert at New York’s Symphony Space drew the attendance of some of America’s most accomplished composers and musicians and many of his fans.  The memorial program was tailored to reflect Jacobs’ musical tastes, according to Tuck.  Composer Elliott Carter, the leader of America’s traditional musical avant-garde, delivered the eulogy.

* * * * * * * *

Photo of quilt panel from the AIDS Memorial Quilt

Morgan MacDonald, 27, of Vero Beach, Florida, was brought to San Francisco in a chartered Lear jet after being discharged from Shands Hospital at the University of Florida at Gainesville.  MacDonald told Dr. Mervyn Silverman, San Francisco’s public health director, that he was transported to California against his will.

Shands Hospital in Gainesville, Florida, spent $7,000 for a private jet to fly MacDonald to San Francisco last week and leave him on a stretcher at the office of a city-funded AIDS foundation.  He was immediately transferred to the AIDS ward at San Francisco General Hospital.

Dianne Feinstein, then-Mayor of San Francisco, sent a telegram to Gov. Bob Graham of Florida, asserting that a hospital there dumped an unwanted AIDS patient by having him flown to San Francisco.  She called the incident “outrageous and inhumane.”

Gov. Graham’s press secretary said Florida’s Department of Health and Rehabilitative Services would investigate the matter.

Virginia Hunt, Shands’ public relations director, defended the hospital’s actions, saying MacDonald no longer needed hospital care and the hospital was unable to find a Florida nursing home for him.  She contended that the AIDS Foundation in San Francisco agreed to give Mr. MacDonald 30 days’ free housing.

But Dr. Silverman said the Florida hospital had made contact with both the City of San Francisco and the AIDS Foundation and ”played us one off against the other.”

Silverman said MacDonald was free to return to Florida, but said his condition was acute and it was essential that he receive proper care.

MacDonald would die 21 days later at San Francisco General Hospital’s AIDS Ward.  MacDonald was said to have no family. Before his hospitalization, he lived in a religious commune in Florida.

* * * * * *
Source:

“Let no one call us victims. We are citizens and some of us are dying,” Bobbi Campbell, 31, spoke to the crowd, who numbered about 1,500.  Campbell told The Washington Post that he has not worked since physicians told him two years ago that he had AIDS.

“We need the government to recognize our legitimate rights to exist,” Campbell told the crowd. “We are dying to be free.”

The demonstration, which was organized with support of the National AIDS Vigil Commission, ended with a candlelight rally around the reflecting pool at the foot of Capitol Hill.  Organizers said the march and vigil were “in memory of the approximately 1,000 people who have died of AIDS and the 1,500 who now have the disease.”

The commission that sponsored the event included Sen. Edward Kennedy (D-Mass.), Sen. Lowell Weicker (R-Conn.), D.C. Mayor Marion Barry, and San Francisco Mayor Diane Feinstein.

The next day, the Associated Press would report that memorial marches and services were held in cities across America, including Los Angeles, Pittsburgh, Tampa and Denver.

“Thousands of homosexuals, their families and friends joined candlelight parades for whom they said were cast aside by an insensitive public scared of catching the deadly disease,” the AP would report.

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Source:

The only son of Chicago civil rights leader Rev. Willie Barrow (1923-2015), Keith Errol Barrow started singing as a teenager with the gospel group “Soul Shakers.”  His mother told Windy City Times in 2004, “Keith had music in his bones and in his soul.  He started writing music when he was eight.”

After Barrow came out to his activist mother, she publicly embraced gay rights, according to The New York Times.

In 1973, Barrow released a self-titled gospel album at the age of 19 with Jewel Records, and his solo career began to gain traction with the popularity of one of the album’s singles, “Mr. Magic Man.”  The major label Columbia signed him in 1976, and he left Chicago for New York and then Los Angeles.  After a song he wrote for the Philadelphia R&B group Blue Magic rose in Billboard‘s Top 100 R&B hits, Barrow was invited to Philly’s famed Sigma Sound Recording Studios to work under legendary producer Bobby Eli for his first Columbia album.

The release of Barrow’s record was announced in a full-page ad in Billboard magazine for the week ending May 7, 1977.  “Keith Barrow is why you should pay attention to this debut album,” the ad proclaimed.

“Though he’s not talked about much today, Keith was a true talent of his era, a singer’s singer whose velvety falsetto was on par with the finesse of Eddie Kendricks and the fancy of Sylvester,” wrote music critic S.E. Fleming Jr. in 2008.  “When it was all said and done, Keith Barrow didn’t prove a huge hit, but it was a high quality effort that laid the groundwork for what would become his finest hour on record.”

Fleming says the best track on the album is Barrow’s performance of his own composition, “Teach Me (It’s Something About Love),” calling it “one of the most beautiful slow jams the singer ever recorded.”

“It was a perfect fit for a young man at a stage in his life where most people are finding their own voice, a lovely portrait of innocence and melancholy,” Fleming writes.

In 1978, Barrow switched to CBS Records, which produced his second album, Physical Attraction.  Most of the material was co-written by producer Michael Stokes and songwriter Ronn Matlock, and they updated Barrow’s sound to include three disco songs.

Immediately, the seven-minute single “Turn Me Up” became a hit at dance clubs and broadened his fan base.  Meanwhile, another song on the album, a smooth soul ballad titled “You Know You Want to Be Loved,” rose to #26 in Billboard‘s Top 100 R&B hits.

Barrow recorded a final album, moving to Capitol Records.  Produced by Ralph Affoumado, Just As I Am (1980) was an ambitious work, but the dance sound that initially drew in fans was declining in popularity.  Still, the album has a few gems, such as the seductive and funky “In the Light (Do It Better)” and “Tell Me This Ain’t Heaven,” which is reminiscent of some of his earlier work with Columbia.

Barrow tried to  extend his career by performing live.  While touring in Europe in 1983, he fell ill and called his mother, saying he was too sick to perform:

“He called me from Paris and said, ‘Momma, I don’t think I’ll be able to go on stage tonight. I really feel sick.’ I said, ‘Oh, you’ll be alright.’ I prayed for him and then he called again a couple of hours later and he said, ‘Momma, I can’t perform. I have to go; they have to take me to the hospital.'”

After returning to the U.S., Barrow moved back to Chicago and his mother tended to him as his health declined.  After being admitted to Michael Reese Hospital, he was diagnosed with AIDS.

“I remember the first of the weekly reports that Keith was ill and the requests for prayers,” wrote Barrow’s childhood friend in 1007. “Keith’s mother is a fiery orator and fierce civil rights activist nicknamed ‘The Little Warrior,’ so it was hard to see her sadness and distress as his health declined.”

When Barrow died later that year, more than 1,000 people attended his memorial services.  Barrow was one of the first people in the entertainment industry to die of AIDS, and the cause of his death was not reported in his obituary.  But his mother openly talked about it in the years that followed, and she contributed a panel in memory of her son to the AIDS Memorial Quilt.

Dr. Arthur J. Ammann traveled from San Francisco to New York City for an immunology conference hosted by the New York Academy of Science to report his research on pediatric AIDS patients, which discovered that HIV/AIDS can also be transmitted in utero – from mother-to-infant, and through blood transfusions.

Some conference attendees responded to Dr. Ammann’s presentation with indifference and rejection. Dr. Ammann said, “People just don’t want AIDS to affect infants, they just don’t believe it.”

Included in the nay-sayers was his former mentor, Robert A. Good, M.D., who had served as president of the American Association of Immunologists and more recently as director of the Sloan-Kettering Institute for Cancer Research.

“Bob Good got up and said that he didn’t think that we were seeing AIDS in children, that he had seen this immunodeficiency with CMV [cytomegalovirus virus] before,” Dr. Ammann recalled for the San Francisco AIDS Oral History Series.  “I quickly responded, because I had looked up all the literature. I said, ‘If it’s been seen before, no one’s ever reported it.'”

Dr. Ammann said his early theory about pediatric AIDS was reinforced by a meeting he had with Arye Rubinstein, M.D., a New York City immunologist working with pediatric patients, who told him that he was receiving the same immediate resistance to his own case reports.

As the lead pediatric AIDS practitioners on the West Coast and East Coast, respectively, Drs. Ammann and Rubinstein did not let the initial rejection from the medical community deter them from their work.  In fact, both would be later recognized for their important discoveries.

Dr. Ammann would serve as director of research for the Pediatric AIDS Foundation, a board member and President of amfAR, and on the Presidential National AIDS Task Force on Drug and Vaccine Development.  In 1997, he would found Global Strategies for HIV Prevention to address the inequity of HIV prevention services provided around the world.

In a 1988 article for The San Francisco Chronicle, Dr. Ammann would draw nationwide attention to the issue of pediatric AIDS when he predicts that at least 20,000 children will contract AIDS in the next four years.  Sadly, his prediction would be borne out.  By 1992, about 5,000 cases of pediatric AIDS would be reported to the CDC, with the actual number of HIV-infected children to be estimated at about 20,000.

In 2017, Dr. Ammann would publish a first-person account of the pediatric HIV/AIDS crisis, Lethal Decisions: The Unnecessary Deaths of Women and Children from HIV AIDS.  Dr. Ammann would die four years later, in San Rafael, California on August 15, 2021, at the age of 85.

Dr. Arye Rubinstein would also dedicate his life to the care of children and women with HIV.

The National Institutes for Health would award a grant to Dr. Rubinstein for the  first study of AIDs in women and children. In 1986, he established that transmission of AIDS can occur in utero, and he published his findings in the journal Clinical Immunology and Immunopathology.

By 1985, Dr. Rubinstein would estimate that he had treated about 100 children with the AIDS virus at his practice based out of Albert Einstein College of Medicine in the Bronx.

At the time, New York public health policy dictated that pediatric AIDS patients be confined to hospitals, so misunderstood was the nature of the virus.  So Dr. Rubinstein decided to open a day care center at Albert Einstein College for the families of pediatric AIDS patients, and successfully petitioned the City of New York for the funding to build it.

He would take personal risks to come to the defense of his pediatric patients’ parents, many of whom had a history of drug use and sex work, and were not equipped to navigate the backlash of fear and anger directed at them.

“I was almost assaulted after testifying in court in Brooklyn,” recalled Dr. Rubinstein in an 2011 edition of Einstein Magazine. “The parents in one school wanted to remove children who were infected, but I testified that HIV was not transmitted through casual contact.  The parents got very upset, to the point where I had to be hauled out of the courtroom through a back door.”

In 1986, Dr. Rubinstein and colleagues would show that IV gamma globulin helps prevent infections and T-cell attrition in children with AIDS, significantly improving survival rates.  Later the same year, he would demonstrate that in pregnant women with HIV, transmission of the virus often occurs in utero and not just at delivery or through breast-feeding.

In the April 1987 edition of Pediatric Research, he would co-author a paper about the increase in AIDS cases of women whose only known risk factor was heterosexual contact with HIV-positive men.  In another pediatric publication, he would report that the leading cause of death in 1987 for women between the ages of 24 and 35 was AIDS.

In 1989, Dr. Rubinstein would launch a summer camp in the Catskills for children with HIV and their families (many more similar camps would open in the 1990s).  He currently is chief of the Division of Allergy & Immunology at Children’s Hospital in Montefiore and Professor of Pediatrics at Albert Einstein College of Medicine.

Top officials in the Department of Health and Human Services were pleading for more federal funds from the Reagan administration for AIDS research in early 1983, all while publicly saying that no more money was needed, according to Shilts’ reporting in The Chronicle.

Reporting from documents obtained under the Freedom of Information Act, Shilts wrote that the Centers for Disease Control in Atlanta ultimately were forced to divert millions of dollars from other important health projects in order to conduct AIDS research.

In that memo obtained by Shilts, Brandt listed a number of important health areas other than AIDS in which work was “postponed, delayed or severely curtailed” because the center was diverting money to AIDS research.

But according to The Chronicle, Brandt also publicly supported the Reagan administration’s position just days before, testifying May 9 to Congress that extra funds to fight AIDS were “unnecessary.”

Dr. William Foege of the Centers of Disease Control sent Brandt a 12-page request for funds in early May, but two weeks later, Thomas Donnelly, Assistant Secretary for Legislation, wrote a Senate staff member that “we are not in favor of additional appropriations” for AIDS research.  The Office of the Assistant Secretary for Legislation serves as the primary link between the Department of Health and Human Services and Congress.

At the December 15-16 meeting, the FDA’s Blood Products Advisory Committee facilitates a discussion of the options for HIV surrogate marker tests.  This conference is a follow-up to the one held in January 1983, where blood bank scientists remained unmotivated to begin blood screening.

After the January meeting, an American Red Cross interoffice memo stated, “CDC is likely to continue to play up AIDS.  It has long been noted that CDC increasingly needs a major epidemic to justify its existence.”

In the year between the two meetings, blood banks would continue to collect donations from unscreened members of the public.  The initial resistance by blood banks to implement the CDC’s donor screening measures is now viewed as a critical failure on their part in the effort to limit transmission of HIV early on in the epidemtic.

At the December 1983 meeting, industry representatives proposed the creation of a task force to deliberate the details of a recommendation made at the meeting by Dr. Dennis Donohue, director of the FDA’s Division of Blood and Blood Products.  Dr. Donohue proposed that hepatitis B anti-core testing be incorporated for routine plasma screening, since it would identify 90% of all potentially infectious or high-risk donors.

While Dr. Donohue was not enthusiastic about the task force approach, which was generally seen as the industry’s way to delay screening requirements, he agreed to it.

Ponyman regularly appeared in shows at Theatre Rhinoceros.  His final project was a solo show titled “Sawdust,” featuring several of his own songs.

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Photo of quilt panel from the AIDS Memorial Quilt

When Mandelker was diagnosed with AIDS in 1983, the first person he called was his friend Rob Eichberg, a Los Angeles clinical psychologist active in the LGBTQ+ community.

“His family was very dedicated to him and they insisted on people knowing Philip died of AIDS,” Eichberg told the Los Angeles Times.

“The day Philip died, I cried,” said Mandelker’s sister, Jane Makowka.  “But I had cried my tears for months before. I knew a long time before anybody ever said it was AIDS that it was.”

Makowka said that her brother had a passion for living life to its fullest, which allowed him to bring a special quality to his television shows.

“Most important was his love of people and love of nature. He tried to bring that, something of quality to television, something people would remember,” she said.  “He was very fortunate to have been as successful as he was in that short of a lifetime. You wonder what he might have done if it hadn’t been cut short.”

Beach Blanket Babylon was the world’s longest-running musical revue at the time. The show began its run in 1974 at the Savoy Tivoli and later moved to the larger Club Fugazi in the North Beach district of San Francisco.

Kendall was in the production’s original 1974 cast and continued to be a featured performer through 1982, playing the roles of Superman, John Travolta Sat Night Fever, and The Original Mr. Peanut.

Beach Blanket Babylon was created by Steve Silver, who died of AIDS-related illness in 1995.  The San Francisco Chronicle described the show’s roots as a combination of “Vegas lounge acts, the Follies Bergere, God Rush-era extravaganzas, English music halls, a child’s birthday party gone mad and dopey beach party movies.”

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Photo of quilt panel from the AIDS Memorial Quilt

Brigade members transported people with AIDS to doctor appointments, brought meals, cleaned apartments, helped care for pets, and provided companionship.  Burak and his friend Josh Joshua received referrals from physicians, clinics, and patients, and were assisted by volunteers Tom Speer and Will Jones.

In early 1987, Carol Sterling joined the Brigade as its first paid staff member, and quickly grew the organization’s volunteer pool to 80 people and its budget to $35,000.  AIDS cases were growing rapidly in the Seattle metro area, and CSB expanded to meet the need in the late 1980s and early 1990s.

A self-described “loud-mouthed lesbian,” Sterling continued to bring in new volunteers, nearly 50% of them women.  According to Washingtonian Nick Rousso of historylink.org, AIDS had claimed 727 lives in King County by 1990, and thousands more were living with HIV. Eventually, AIDS would claim more than 8,000 lives in Washington state..

In 2001, the CSB would merge with another AIDS service organization, the Northwest AIDS Foundation, to form the Lifelong AIDS Alliance (now known simply as Lifelong).

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Source:  HistoryLink.org (an online encyclopedia of Washington state history)
https://www.historylink.org/file/22555

Theatre Rhinoceros is the nation’s oldest and longest-running LGBTQIA+ theater, founded in 1977 by Estes.

Estes came to San Francisco from Boston in 1977 with one goal: to establish a theater where the gay community could go to make and see theater which reflected the realities and joys of homosexual life.

From 1977 until 1984, Estes and Theatre Rhinoceros produced works by gay New York writers that included Doric Wilson, Robert Patrick, Lanford Wilson, Terrence McNally, and Harvey Fierstein, as well as several San Francisco playwrights including C.D. Arnold, Robert Chesley, Cal Youmans, Philip Real, and Dan Curzon.

In the early 1980s, Allan began transforming the Rhino from a gay men’s theater into a lesbian and gay theater, and invited lesbian screenwriters to stage their plays.

In 1984, he conceived the production Artists Involved with Death and Survival (“The AIDS Show”), which was brought to fruition by director Leland Moss (who would die from AIDS at age 41) and included the works of 20 Bay Area playwrights.  “The AIDS Show” became the first work by a theater company to deal with the AIDS epidemic.

In 1987, “The AIDS Show” and its touring company became the subject of a PBS documentary by Rob Epstein and Peter Adair and brought the Rhino national attention.

When Estes died, his friends and collaborators vowed to continue Theatre Rhinoceros as a monument to their fallen leader.

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Photo of quilt panel from the AIDS Memorial Quilt

As a Black woman who had been supporting her family as a sex worker for more than 10 years, Lockett was uniquely experienced and positioned to create an effective program that sex workers would respond to.  She was motivated by her awareness of how the public commonly scapegoated gay men for transmitting HIV and the fear that the next group to be villified would be sex workers.

Without shame or evasion, Lockett announced that her organization would focus “on prostitutes and their sexual partners including transgender individuals” — making it one of the first organizations in the country to provide HIV education, prevention and street outreach.

Housed in a tiny office in Oakland, Cal-PEP survived its first year with a $30,000 state health department grant.  With these funds, Lockett developed HIV education materials feedback on the new AIDS crisis appropriate for sex workers with input from community members.  As she conducted outreach, she collected data while protecting the privacy of her clients and used the data to receive additional funding from the city and state.

Under Lockett’s leadership, Cal-PEP would go onto provide health education, disease prevention, risk reduction, treatment, and support services to people at high risk for or currently living with HIV/AIDS — using cultural relevance, humility and grace as her guiding principles.  The organization would grow to reach clients in East and West Oakland, and other communities throughout Alamedia and San Francisco counties.

Over the years, Cal-PEP would grow to a team of 20, and the organization’s annyal budget would increase to $2.2 million.  The organization’s mission would expland as follows: “To provide tailored health education, disease prevention, risk reduction and support services to people at highest risk for HIV/AIDS in a language that they understand.”

After 35 years as CAL-PEP’s executive director, Lockett would retire in 2019.  On the occasion of her retirement, POZ magazine recognized Lockett’s achievements.

“What if Lockett had not decided in 1984 to respond as she did?” AIDS United asked POZ readers. “Of the Cal-PEP recipients now, 20% are sex workers, 83% are African American, 8% are Latinx and 1% are Asian -Pacific Islander.  For 35 years, they have known that Cal-PEP speaks their languages and can help them. Some people inspire us by living for their cause.”

Variações made his TV debut in 1981 during the Sunday variety show on Portugal’s sole broadcaster, recounts Pedro João Santos in his Guardian profile.

“He sang a punk metaphor about pills while a dancer dressed as a giant aspirin threw Smarties at the dumbfounded audience,” writes Santos.  “Nothing so transgressive had ever graced Portugal’s airwaves.”

His 1983 bestselling debut album, Anjo da Guarda (Guardian Angel), features Variações’ Portuguese folk-style singing set to new-wave music.  His follow-up album, Dar & Receber, fused disco-rock with synthpop.

In May 1984, Variações was admitted to hospital due to illness, according to The AIDS Memorial. Except for his family and close friends, he received few visitors during his hospital stay. A month later, the media reported that his health had deteriorated and rumours began to circulate that he had AIDS.

The initial cause of Variações’ death would be reported as bilateral bronchial pneumonia.  At his funeral on June 15, 1984, the coffin would be sealed shut by order of the Portugese government.

Known nationwide as a leading organist and sacred music composer, Hampton presided over the popular “Fridays at Midnight” organ recital series, which ran from 1974 to 1983.  He also composed music for the church and the concert stage.

The magazine reported that parents of students in Queens were keeping their children at home, because it was disclosed that an unidentified second-grader enrolled at one of the city’s 622 elementary schools had the AIDS virus.

“That evening, hundreds of anxious parents gathered in the school’s airless auditorium,” Evans wrote.  “They chanted, ‘Two, four, six, eight, no AIDS in any grades!’ and waved placards proclaiming OUR CHILDREN WANT GOOD GRADES, NOT AIDS!”

At the meeting, local politicians only added to the misinformation being spread about the disease.

State Assemblyman Frederick Schmidt said, “There is no medical authority who can say with authority that AIDS cannot be transmitted in school. What about somebody sneezing in the classroom? What about the water fountain? What about kids who get in a fight with a bloody nose? They don’t know!”

The article also reported on the following incidents:

• In Miami, a highly successful caterer and floral designer named David Harrison was ruined when word spread that he had AIDS.
• In Anaheim, California, a church bishop distributed a pastoral letter to counsel the “cautious person” who fears catching AIDS by drinking wine from a common cup. (Eating bread was deemed adequate Communion.)
• In San Antonio, a county judge arraigned a prisoner who tested positive for AIDS while the man was in his jail cell, in an attempt to prevent the courtroom and staff from contamination by the AIDS virus.

When an AIDS task force in New Orleans began to be contacted by local citizens afraid of HIV-spreading mosquitoes, Dr. Louise McFarland, the agency’s chair, expressed her exasperation to the Time reporter.

“If that were true, the whole city of New Orleans would have AIDS,” Dr. McFarland said.

Lyon travelled from the Bay Area to the nation’s capital to speak before a Congressional hearing on the government’s largely non-existent response to the AIDS crisis.  Accompanying him on the panel were activists Michael Callen of New York and Anthony Ferrara of Washington.

“I came here today with the hope that this administration would do everything possible, make every resource available — there is no reason this disease cannot be conquered,” said Lyon in 1983 in his testimony.  “We do not need in-fighting; this is not a political issue.  This is a health issue.  This is not a gay issue.  This is a human issue.”

Lyon was born in 1948 in Houston, later moved to Chicago and then San Francisco.  He was a branch manager for the San Francisco Maritime Shipping Company when he was diagnosed with AIDS in early 1983.

Little more is known about Lyon, because his health began to decline in the year following his moment in the political spotlight.  However, his early contribution to the fight against AIDS survives at the National Museum of American History.  In 1990, the museum added his section of the AIDS Quilt to its collections.

Lyon’s ashes were scattered, along with the ashes of many others who died of AIDS, on the White House lawn during an ACT UP protest in 1996.

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Photo of quilt panel from the AIDS Memorial Quilt

A county sheriff’s deputy led the new mayor, Valerie Terrigno, through the crowd to the stage.

According to the Los Angeles Times, Terrigno’s family members sat in the front row.  Attendees in the packed auditorium (a space which fire marshalls restricted, leaving scores of additional people outside in West Hollywood Park) included a composite of the city’s residents: elderly Russian-Jewish renters, members of the LGBTQ community, and plenty of activists.

The meeting started with the council officially appointing Terrigno to the office of mayor.

“I’ve worked to become a leader of our dreams and our future, and I know with power comes great responsibility,” she told the crowd.  “It’s a responsibility I eagerly accept … Our dreams are a sound investment.  Don’t let them waver.”

The Council then moved to adopt a ban on sex-orientation bias, and moratoriums on new construction, rent increases and evictions.  Councilmembers voted to roll back rents to August 1984 levels.

The new city was created out of the unrest and fear of rising rents and housing insecurities in the early 1980s, set to the backdrop of a new disease that was spreading among members of the gay community.  An area populated primarily with renters, West Hollywood established itself as a safe place for gays and lesbians.  As a result, many of its residents were living with AIDS and involved in AIDS activism.

In the months that follow, Mayor Terrigno would receive letters from fans and admirers.

On crumpled yellow legal stationery, a woman from Missoula, Montona, wrote to her: “I’ve always been a dreamer, always wanting to find a utopia and always without much luck.  I envy you finding yours, Ms. Valerie.”

From Tahiti, a vacationing Frenchwoman named Vera sent a postcard saying she would stop in West Hollywood before returning to Paris.  The card read: “Felicitation for your victory. You are an escample for a French people homosescule.”

And from Turkey, a teacher afraid to give his name sent a rambling two-page letter. “Homosexuelity is completely forbidden,” he wrote. “Please, please, help me, take me near you — dear my friend, my sister.”

Each week, dozens of such letters arrived at Terrigno’s office in West Hollywood’s temporary City Hall.  They continued to come for months, missives from gay men and women who read about the new city and saw Terrigno as a symbol of the pride they still struggled to achieve.

Before the West Hollywood election, there had been only 13 openly gay elected officials in the country. Now there were three more. In the summer of 1985, Terrigno would go on a hectic three-month cross-country speaking tour, appearing before somber audiences of upwardly mobile gay business leaders and parading before cheering masses at gay-pride events.

But within a year, Terrigno would be charged and convicted of embezzling $7,000 in federal funds during a previous job with a job-referral agency.  Her trial in March 1986 would last three days, and the jury would convict her after just four hours of deliberation.  She was sentenced to 60 days in prison or in a halfway house, five years’ probation, restitution and 1,000 hours of community service.

Terrigno would tell the LA Times: “A situation like this shakes your sense of what life is about.  I feel sad about everything.  I have no idea where to pick up from this point.  I just hope this won’t change peoples’ attitudes about the city or the gay movement.”

The conference brought together AIDS researchers conducting studies on the human immunodeficiency virus (HIV), which was then a new discovery.

At the time, no effective antiviral drugs for HIV/AIDS existed and research subjects typically died of AIDS-related illnesses within 10 years of infection with the virus.  Researchers worldwide were scrambling to find a way to stop the AIDS virus from replicating within the body, according to the National Institutes of Health’s website for its Cancer Research Center.

The 1983 discovery of the AIDS virus by Luc Montagnier, M.D. at the Pasteur Institute in Paris (which was confirmed in 1984 by Robert Gallo, M.D. of the U.S. National Cancer Institute) had researchers all over the world searching for an effective treatment and cure to counter the quick spread of the new disease.  Still more scientists were engaged with developing a vaccine for HIV — something that still eludes them to this day.

In December 1984, scientists at the forefront of this research gathered in southern California to try to answer the life-and-death questions of the day:

• Was HIV alone responsible for AIDS, or was it activated by a combination with other factors in the way that other viruses — like Epstein-Barr virus or Cytomegalovirus — did.
• What was the relationship of HIV to Kaposi’s sarcoma (since Kaposi’s sarcoma in AIDS could not be explained on the basis of the underlying immune deficiency)?
• Where and how did the virus originate?
• What were the clinical, cellular, and/or serological markers that determined the outcome of HIV infection?

Conference presentations also included work on identifying characteristics of early-stage AIDS and various treatment theories, and the specific ways in which HIV and AIDS exhibited in infants.

The Los Angeles Times covered the conference in its “Orange County” section under the headline “AIDS May Not Always Kill, Experts Report at Conference.”

Parker joined the cast of The Edge of Night in 1979 as Police Chief Derek Mallory, and he appeared in more than 500 episodes before he became too sick to continue with the show.

Born Dennis Posa in 1946, Parker grew up in Freeport, Long Island and attended the Philadelphia Museum College of Art, where he had his first taste of acting.  He left college and returned to New York to pursue a career as a stage actor.

Becoming frustrated with the difficulty of landing good roles, he took on work as a carpenter and also as an illustrator for Jiffy Simplicity, a company that sold sewing patterns.  He also started posing nude for art classes.

In the mid-1970s, he met the love of his life in another aspiring actor, Joey Alan Phipps.  Eleven years Parker’s junior, Phipps soon moved into Parker’s rent-controlled apartment on Manhattan’s East 38th Street and introduced him to a new career path as a model for gay porn magazines, according to “The Story of Wade Nichols and Dennis Parker” in the Rialto Report..

In 1975, Parker appeared in his first adult film, Boy ‘Napped, under the name Wade Nichols, created from his middle name and his father’s first name.  This was followed by 26 additional adult films, all released between 1976 and 1979.

Around this time, Parker met Jacques Morali, a French music producer who was about to become famous for launching The Village People.

“Jacques was instantly attracted by this sexy and handsome guy,” said Henri Belolo, Morali’s creative partner.  “He was always attracted to a good-looking mustache.”

Parker moved into Morali’s luxury apartment in the East 50s, but continued to see Phipps “when he could,” said Parker’s friend Tip Sanderson.  Morali initially offered Parker a role in his new music group — The Village People — but then decided to change direction and wait until he could arrange for Parker a career as a solo act, Sanderson said.

In 1978, Morali made good on his promise by securing a record deal for Parker with Casablanca Records.  He assembled a selection of songs, singling out the two strongest, “Like an Eagle” and “New York By Night.”  Morali’s partner Belolo became the executive producer of the singles.

“Before the recording sessions, Jacques made Dennis prepare intensively, taking singing lessons and practicing a lot,” Belolo said.  “He really made Dennis work hard.”

Parker went to Sigma Sound to record the album, which was titled Like an Eagle after the song they thought was the most likely to become a hit.  According to Belolo, he and Morali tapped their top creative resources for the project.

“We had the best musicians and arrangers,” he said. “In fact, we used the same rhythm section that was featured on the Village People records.”

“Jacques Morali contacted me, and told me to come down to play on his boyfriend’s record,” said bass player Alfonso Carey, who remembered Parker as easy-going and friendly.  “I’m the bass player that played on all the Village People hits, from ‘YMCA,’ ‘Macho Man,’ and the rest.  I also wrote the song ‘Why Don’t You Boogie’ for Dennis.”

Like an Eagle was released in 1979 under the artist name “Dennis Parker” to sever ties with his adult film career and his other identity, Wade Nichols.

Parker’s brother, Richard Posa, said that he remembered asking Parker if the new album release meant that he would stop making adult films.

“Dennis said yes, but he was pleased with the work he’d done nevertheless,” Posa said.  “He also mentioned that Screw magazine had voted him ‘Man of the Year’ in 1978 – and he got a kick out of that.”

Parker went to Europe to promote the album.  Afterward, Parker and Morali’s’ relationship started to cool, according to “The Story of Wade Nichols and Dennis Parker” in the Rialto Report.  Ultimately, Parker returned to his apartment on East 38th Street and invited Joey Alan Phipps to come back.

Parker also returned to another old love – acting.  He leveraged his disco fame to land him auditions for mainstream parts.  On a casting call for a role as an extra on the crime-themed soap opera The Edge of Night, Parker caught the eye of the producer and was offered a recurring role as the local police chief.

He would play the role of Chief Derek Mallory in more than 500 episodes between 1979 and 1984.  He settled easily into his new life as a television actor and embraced all that it entailed, performing at fundraisers for local non-profits and scoring points for The Edge of Night softball team.

“There were a lot of very athletic guys on the crew and in the cast,” said castmate Sharon Gabet. “Dennis would show up in these tight shorts … and an ascot.  He would be there swinging a bat – with his ascot. It was hilarious.”

In the spring of 1984, Parker told his brother that he was experiencing night sweats and prolonged bouts of fatigue. He took some time off The Edge of Night, and when he returned, it was apparent to the cast and crew that he had lost a lot of weight and could not move well.

“They were careful to shoot around his frailty,” Parker’s brother said.  “They had him sitting at desks. They did their best to cover up his physical deterioration.”

Meanwhile, Phipps tended to Parker throughout his illness and took him to appointments at Cabrini Medical Center in mid-town Manhattan.

“Now when I look back, it’s pretty evident to me that the man was dying,” said castmate Sharon Gabet.  “He would just have enough energy to give his lines, and then you would find him asleep in the chair or laying on one of the couches. He just couldn’t do it anymore. They kept cutting his part back.”

His last episode aired on October 18, 1984, just 12 days shy of his fifth anniversary on the show.

After Parker’s death in late January 1985, Phipps moved to Palm Springs, California. In the early 1990s, he contracted AIDS and tried to manage his illness with new treatments that had become available.  Unfortunately, Phipps had an additional health issue that caused his body to reject the new drugs, and he died of AIDS-related illness on December 6, 1996.

A positive result on ELISA (an enzyme-linked immunosorbent assay) must be confirmed by a second test for a person to receive a definitive diagnosis of HIV infection.

Today, many single-test options are available to test for HIV (Human Immunodeficiency Virus), including an FDA-approved, at-home test called OraQuick.  Approved in 2012 for sale to anyone age 17 and older, the OraQuick In-Home HIV Test tests fluid from the mouth and delivers results in 20 to 40 minutes.  The kit does not require sending a sample to a lab.

HIV screening is covered in the U.S. by health insurance without a co-pay, as required by the Affordable Care Act.  Some testing sites offer free tests for those without medical insurance coverage.

The FDA still regulates the tests that detect infection with HIV.  An estimated 1.1 million people in the U.S. are living with HIV, and about one in seven don’t know they have it, according to the CDC.

The CDC recommends that everyone between the ages of 13 and 64 years old be screened for HIV at least once as part of their routine health care. More frequent testing is recommended for people who have a higher risk of infection because of behaviors such as having sex without condoms, having sex with multiple partners, or injecting drugs using shared needles.

Thomason-Bergner was also a vocal coach and headed the musical theater program at Lone Mountain College.  He had been musical director for the Theatre of Music in Santa Fe, as well as for the Santa Fe Community Theater.

Originally from Austin, Texas, Thomason-Bergner graduated from the University of Texas and then moved to San Francisco to attend Lone Mountain College.

His younger brother, Charles “Charlie” Bergner, had died in late 1983 of AIDS-related illness at the age of 34.  Both James and Charles were valued members of their local churches, James attending the Santa Fe Unitarian Church and Charles attending Washington Square United Methodist Church in New York City.

“I knew that Charles was interested in healing and prayer and meditation,” wrote fellow congregant Nancy A. Carter in 1985.  “I asked if he would like me to do healing work with him.  He said, ‘Yes.’  I explained therapeutic touch, a type of laying on of hands that I would use with him.”

Carter recalled that when she worked on Bergner, he experienced “vivid, colorful imagery … in the form of a windmill.”

“He said that the windmill was standing on parched land, but the wind was blowing and the windmill was drawing up water from beneath the earth and was nourishing the dry land,” Carter wrote.  “The image of the windmill became very important to us. Most every time I worked with Charles, the windmill appeared to him.”

As she provided care for her friend, she said she realized that if his death was inevitable, at least she could assist with his spiritual healing.

“Charles suffered with AIDS, but he did not suffer the way that some do.  He had love and he had courage which sustained him.  God was with him.  Charles reached out to friends and friends reached out to him,” she said.

On Sunday, December 25, 1983, the congregation telephoned Bergner to sing Christmas carols to him as he lay in a hospital bed, battling pneumocystis carinii pneumonia.  He died the next day, with his partner David and his sister at his side.

Carter recalled how in 1983, Washington Square Church began providing pastoral services to all persons living with AIDS.  The church also made available space for support groups affiliated with the Gay Men’s Health Crisis to use for meetings.

“We were one of the first churches to go into HIV/AIDS ministry,” Carter said.

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Photo of quilt panel from the AIDS Memorial Quilt

Miller was nominated for Jefferson Awards for playing the title role in Peter Handke’s Kaspar and for his performance as Antonin Artaud in the Victory Gardens Theater production of Artaud.

Miller made his theatrical debut in Whores of Babylon, the debut production of the Godzilla Rainbow Troupe, cofounded by Gary Tucker and Tommy Biscotto.

“Most vividly, I remember the actor whose performance [a theater critic] praised without naming the artist who delivered it.  He was J. Pat Miller, making his Chicago stage debut,” wrote Albert Williams in the Chicago Reader.

Miller went on to become one of Chicago’s most popular and respected actors with performances at the Goodman, Organic, Victory Gardens, and Wisdom Bridge, as well as a celebrated European tour of Waiting for Godot.

In May 1985, Season of Concern would launch the Biscotto-Miller Fund, named in memory of Miller and another luminary of the Chicago theater world, Tommy Biscotto. The fund was created in tandem with the benefit performance event, Arts Against AIDS at Second City to raise money for medical care, food, housing, and other basic needs to Chicago theater artists with HIV/AIDS.

Over the next few years, this volunteer effort expanded into Season of Concern — a full-time, professional operation that raises money for local direct-care organizations serving community members fighting AIDS and other catastrophic illnesses. The Biscotto-Miller Fund continues as an emergency fund, offering direct cash grants to individuals in need.

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Photo of quilt panel from the AIDS Memorial Quilt

The play covers the impact of the growing AIDS epidemic on the NYC gay community, highlighting growing rifts between those — like the play’s protagonist, Ned Weeks (Kramer’s alter ego) — who are desperately banging on the doors of government and science in an attempt to stave off the annihilation of gay men, and those who focus instead on building new institutions that will care for the sick and the dying.

“The blood that’s coursing through ‘The Normal Heart,’ the new play by Larry Kramer at the Public Theater, is boiling hot,” said New York Times theater critic Frank Rich.

“In this fiercely polemical drama about the private and public fallout of the AIDS epidemic, the playwright starts off angry, soon gets furious and then skyrockets into sheer rage.”

Since the initial reports of AIDS in the spring of 1981, the number of cases reported each half-year has increased significantly, with more than half of the 10,000 cases being reported within the last year.

Of the 10,000 reported AIDS cases, 4,942 are known to have died (49% of the adults and 69% of the children).  About 75% of patients diagnosed before January 1983 are known dead.

The CDC report states that 90% of adult patients are 20-49 years old, and 94% are men.  The racial breakdown of the cases are: 60% white; 25% black; and 14% Hispanic.

The report also notes that the proportion of AIDS cases in transfusion recipients has increased significantly.

At this point, AIDS has been diagnosed in patients from 46 states, the District of Columbia, and three U.S. territories.  Among cases reported before May 1983, 47% of the adults were residents of New York.  As the virus spread geographically between 1984 and 1985, the proportion of adults reported with AIDS from New York decreased to 34%.

Among the 113 pediatric patients, 58% percent were under 1 year old at diagnosis; and 72% came from families in which one or both parents had AIDS or were at increased risk for developing AIDS, 13% had received transfusions of blood or blood components before their onsets of illness, and 5% had hemophilia.

Pediatric cases were reported from 17 states; 82% were from New York, New Jersey, Florida, and California.  Of the 81 pediatric patients with a parent with AIDS or at increased risk for AIDS, 69 were residents of New York, New Jersey, or Florida.

Mark Spaeth is remembered most as the politically ambitious Austin City Councilmember who married “Miss Kitty” of Gunsmoke.

As a Florida teenager, Spaeth left high school before graduating to join the U.S. Coast Guard.  He began working in real estate in Miami, and then moved to California to continue working as a real estate developer.  He moved to Austin, Texas in 1971 and opened a rental agency.  On a plane trip in the late 1970s, Spaeth befriended Amanda Blake, who starred as Miss Kitty on the long-running television show Gunsmoke (1955-1975).  They began a friendship, even though Spaeth lived in Austin and Blake lived in Phoenix.

In 1983, Spaeth decided to run for Austin City Council, campaigning on the promises to provide tax breaks for the elderly, improve local traffic flow, and improve childcare options for working families.  He was also known as a champion for human rights and a supporter of the gay community, according to This Week in Texas (TWT).

Although he did not seek an endorsement from the Austin Lesbian/Gay Political Caucus (he sent his campaign manager to ask the group not to endorse him, fearing backlash), Spaeth courted votes by visiting Austin’s gay bars and his campaign was ultimately a success, according to activist and writer Troy Stokes.

At his inauguration, Spaeth presented Blake with a dozen red roses and said, “It’s not often that a man can publicly say ‘I love you’ to his best friend.”

On April 28, 1984, they were married at Cisco’s Bakery & Bar in Austin.  According to TWT, it was Spaeth’s third marriage and Blake’s fifth.  TWT editors and others in the LGBT community speculated that Spaeth’s marriage was “the beginning of laying the groundwork” for his plans to run for Austin’s mayoral seat.

But Spaeth did not publicly disclose that he had tested positive for HIV and he was, in fact, experiencing the early symptoms of AIDS (fevers, malaise and dizziness, which he attributed to “a mystery virus” that had confounded his doctors).   As his health deteriorated, he spent long months in Dallas seeking treatment, which caused him to miss his council meetings, according to United Press International.  He announced that he wouldn’t seek a second term.

Spaeth also decided to end his marriage, filing for divorce from Blake on the eve of their first anniversary.  By that time, Spaeth was living full-time in Dallas and Blake had returned to Hollywood to pursue television projects.

Spaeth’s cause of death was initially reported by hospital officials as pneumonia, but later reports indicated that the pneumonia was AIDS-related.  About five years later, Blake would die of AIDS-related illnesses at Mercy General Hospital in Sacramento.

Hosted by Gloria and Larry Demann at their Bayfront home, the sold-out event raised more than $200,000 for the AIDS Medical Foundation, the first private organization dedicated to supporting research on AIDS.  AMF, which would become the American Foundation for AIDS Research (amfAR), was founded by New York doctors Mathilde Krim  and Joseph Sonnabend.

Dr. Krim would appear at “From the Pines with Love,” telling attendees that the funds raised that night would go toward creating a facility in New York solely devoted to the treatment of AIDS, according to the Fire Island Pines Historical Preservation Society.

Two Pentagon officials, who spoke to The New York Times on the condition they not be identified, said the new directive was promoted most vigorously by top Army officials, out of concern about the potential high cost of treating soldiers who are found to have the disease. Pentagon officials said about 50 soldiers are being treated in military hospitals for the disease.

The U.S. military does not universally test potential recruits for any other disease or disorder as a condition of enlistment, although new recruits are usually tested for syphilis and German measles soon after they enlist.

The announcement was condemned by the Lambda Legal Defense and Education Fund, which asserted that the testing would unfairly stigmatize many people who have been exposed to the virus but who do not have the disease.

Timothy Sweeney, executive director of Lambda Legal, also contended that military testing for HIV might become a precedent for AIDS screening in private industry.

In about four years, Newsday will publish a story by Laurie Garrett that states that the DOD’s policy of screening recruits and active service members for HIV came at the urging of Major Robert Redfield, of Rockville, Md., chief scientist for the Army’s AIDS research effort

“The reason we have done what we have done is that we think it’s good medicine — and it’s medicine that might work in the civilian sector, as well,” Maj. Redfield would tell Newsday.

In 2018, President Donald Trump would appoint Redfield to lead the Centers for Disease Control and Prevention.  Sen. Patty Murray (D-Washington) would write a letter to President Trump asking him to reconsider the appointment due to Redfield’s history of “ethically and morally questionable behavior” as an Army doctor.

The KGB, the foreign intelligence agency of the Soviet Union, directed its media channels and the intelligence services of the Soviet bloc to spread the thesis internationally that HIV was genetically engineered by the Pentagon as part of biological weapons research in the U.S. Army’s Medical Research Institute for Infectious Diseases at Fort Detrick, Maryland.

Here is an English translation of an excerpt of the KGB telegram to Bulgarian State Security that was discovered decades later:

We are conducting a series of active measures in connection with the appearance in recent years in the USA of a new and dangerous disease, ‘Acquired Immune Deficiency Syndrome – AIDS,’ and its subsequent, largescale spread to other countries, including those in Western Europe. The goal of these measures is to create a favorable opinion for us abroad that this disease is the result of secret experiments with a new type of biological weapon by the secret services of the USA and the Pentagon that spun out of control.

In 2016, Christopher Nehring, an intelligence historian based in Europe, uncovered the KGB telegram from the Bulgarian State Security archives and passed it along to U.S. historian Douglas Selvage.

Selvage recognized the artifact as the earliest conclusive evidence that the Soviets and others were engaged in a international disinformation campaign targeting the U.S.  According to Selvage, the confusion and panic around AIDS in the early 1980s made the U.S. a ripe target for disinformation.

“The KGB simply picked up on existing conspiracy theories in the U.S, added a new element that conformed to its disinformation goals (i.e., the exact location of HIV’s construction, Fort Detrick), and spread the resulting conspiracy theory internationally to its own ends,” Selvage said in an interview with the MIT Press Reader.

Once the Soviet campaign was underway, it took on a life of its own.

“A cycle of misinformation and disinformation arose in which the KGB cited U.S. conspiracy theories, and U.S. conspiracy theorists, in turn, began to cite texts associated with KGB disinformation,” Selvage said

Before long, people around the world came to believe, falsely, that the U.S. government was responsible for AIDS.

“The KGB happily noted that foreign journalists, without any prompting on its part, were also picking up on the claims and reporting them,” Selvage said, adding, “Officials from the Reagan Administration were perturbed that Dan Rather reported the Soviets’ accusations about AIDS and Fort Detrick on the CBS Evening News in 1987 without requesting a U.S. government response.”

Selvage said that it was very likely that the KGB had initiated the disinformation campaign against the U.S. as early as 1983.

By the end of 1984, AIDS had already ravaged the United States for a few years, affecting at least 7,700 people and killing more than 3,500. Scientists had identified the virus that caused AIDS and the U.S. Centers for Disease Control and Prevention (CDC) identified all of its major transmission routes.

This is why it is notable that it took until September 1985, four years after the crisis began, for Reagan to first publicly address the subject of AIDS.

Exchanges between the Reagan administration and journalists in the early 1980s demonstrate that Reagan and his staffers didn’t take the epidemic very seriously, for which the Reagan administration is still heavily criticized.

Reagan’s successors in the White House eventually acted, albeit often very slowly, on the crisis — leading to much more research, programs like the Ryan White CARE Act that connect people to care, and the development of antiretroviral medication that increases the life expectancy of a person living with HIV by decades.

As the first major U.S. public figure to publicly acknowledge AIDS diagnosis, Hudson brought attention to an epidemic sweeping the U.S.  Hudson’s public disclosure also helped to dismantle the stigma associated with the disease.

Hudson would inspire Elizabeth Taylor, who became friends with Hudson on the set of the film Giant, to become an AIDS activist like none other, rallying the Hollywood community to raise millions for research.  Upon his death, Hudson left $250,000 to help set up the American Foundation for AIDS Research (amfAR), which was chaired by Taylor in the organization’s early years.

Tall, dark and handsome, Hudson was one of Hollywood’s most popular leading men during the 1950s and 1960s.  Making more than 60 films during his career, Hudson presented the image of a “lady-killer” before the camera, but he had a sexual preference for men.  According to People magazine, his friends and often his colleagues on film and TV knew that Hudson was gay.

“We all knew Rock was gay, but it never made any difference to us,” actress Mamie Van Doren told People in 1985.

She said that she often accompanied Hudson on studio-arranged dates.  “Universal invested a lot of money in Rock.”

Fearing exposure in Hollywood, Hudson would often visit San Francisco to frequent gay discos unrecognized, according to People.  While in Los Angeles, he maintained a low public profile, preferring instead to entertain friends at his Beverly Hills home.

In the 1970s, Hudson moved from film to television to star in McMillan and Wife.  From 1984 to 1985, he had a recurring role on Dynasty.  Hudson was diagnosed with AIDS on June 5, 1984.

In July 1985, Hudson agreed to appear as the first guest on the new talk show of Doris Day, his friend and frequent co-star in 1960s romantic comedies.  Day said afterward that she was shocked by how steeply Hudson’s health had declined since she had last seen him a few years before, according to the Los Angeles Times.  Despite needing rest, Hudson insisted on taping the show, Doris Day’s Best Friends.

Later that month, Hudson traveled to France to seek AIDS treatment that wasn’t available in the U.S. and was hospitalized there.  In response to rabid media speculation, Hudson issued a press release on July 25 stating he had AIDS.

With that announcement, Hudson became the first major celebrity to go public with an AIDS diagnosis, according to A&E’s History.

Doris Day’s Best Friends would premiere in October 1985, just days after Hudson’s death was announced in the media.  The episode opened with an introduction by Day, her voice emotional as she relayed something that Hudson told her: “The best time I’ve ever had was making comedies with you.”  Day told her audience that she felt the same way.

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Photo of quilt panel from the AIDS Memorial Quilt

HIV/AIDS had a significant impact on the City of West Hollywood due to the disease’s elevated infection rate among gay men, which caused a devastatingly high number of deaths among the city’s population.

Following the City of West Hollywood’s incorporation as a city on November 29, 1984, elected officials and city staff begin working on a plan to address the epidemic in their own backyard.

In October 1985, the city launches an AIDS awareness campaign, one of the first in the country.  The City of West Hollywood also becomes one of the first government entities to create a program for awarding social services grants to local HIV/AIDS organizations.  The city’s response to the AIDS crisis would go on to be recognized as a model for other cities, nationally and globally.

Also during its first year of cityhood, West Hollywood would adopt landmark legislation to establish rent control and prohibit the discrimination against people with HIV and AIDS.  Today, many of the city’s landmark ordinances have been duplicated and have become mainstream policies nationally and globally.

Rev. Pieters, who agreed to the interview with Bakker on the condition that it be broadcast live so that it could not be edited or taken out of context, presented Christian TV fans with a novel viewpoint, one that never had been heard from outside the LGBTQ community.

At the time, homophobic rhetoric dominated televangelist TV shows, according to Religion & Politics, an online news journal from the John C. Danforth Center on Religion & Politics at Washington University in St. Louis.

“As a pastor, [Rev. Pieters] stood in sharp contrast to the often-vitriolic rhetoric about AIDS from conservative Christian spokespeople,” wrote Emily Johnson, author of This Is Our Message: Women’s Leadership in the New Christian Right and a professor specializing in the U.S. histories of gender and sexuality.  “While others quoted the Bible to condemn people with AIDS, Pieters drew on his faith and his theological training to make sense of his diagnosis and to preach about hope and community.”

Although weakened by his illness, Dr. Pieters was a highly capable interview subject.  He had been pastor of the Metropolitan Community Church, which was founded in Hartford, Connecticut by activist Troy Perry as a place for people from the LGBTQ commuity to worship God.

“There were some virulently anti-gay groups,” Dr. Pieters wrote in a 2022 article for The National Geographic.  “I would find myself on TV arguing with homophobic priests or ministers that I would later see in the gay bars in Hartford around the same time.  So I learned early on how to handle myself in the media around issues of being gay.”

In his interview with Bakker, Rev. Pieters talked about his life as a gay man and his own battle with AIDS.  During the broadcast, Bakker sat in a studio with a monitor streaming Rev. Pieters from San Francisco.  At that point, Rev. Pieters had been living with AIDS for three years and had survived a near-death experience two weeks earlier.

“She’d say on air that I was having chemotherapy, and that I was being interviewed from Los Angeles because the journey would be ‘too hard on me.’ I think she thought this was true, maybe,” Dr. Pieters wrote in The National Geographic.  “What I heard later was that they were afraid that I might not be treated well, that the camera crew wouldn’t work if I was in the studio.”

After two years battling various illnesses and infections, Rev. Pieters was diagnosed with stage-four lymphoma and Karposi’s sarcoma in April 1984, and given eight months to live.

“I wasn’t actually diagnosed with AIDS; I was diagnosed with GRID — gay-related immunodeficiency — which is what they were calling AIDS back then,” he told Religion & Politics in a 2022 interview.  “In 1982 and 1983, I was sick with hepatitis, thrush, pneumonia, mono, herpes, shingles, and a variety of awful fungal infections.”

However, one of his doctors believed that if he could stay alive, there still was hope that doctors could find a way for him to manage his condition.

“So I set out to do everything I could to take care of myself and create the conditions for healing in my body,” he said.

During his interview with Bakker, Rev. Pieters also talked about how his faith in God helped him survive.

“When I was finally diagnosed with AIDS, after this long period of feeling abandoned by God and my friends … I fell apart.  I absolutely lost my sense,” he told Bakker.  “My chaplain, my pastor, Nancy Radcliffe, was with me, and she held me, as did several other friends, as I sobbed and cried my despair, cried out for God.’

“Do you know something?  In that deepest, darkest moment, that’s when I found God.  When God touched me, and I realized that my life was not yet over, that I still had time, that God was with me against this disease — not having given me this disease — but was with me against this disease.”

When word of the interview spread, many in the gay and lesbian community became Bakker’s fans.  She, in turn, continued to openly support the LGBTQ community, preaching compassion and risking her standing within the world of conservative Christian televangelism.

Her obituary in The New York Times noted that she attended LGBTQ pride events.  In 1996, Tammy Faye partnered with openly gay actor Jim J. Bullock (Too Close for Comfort, ALF) on the talk show The Jim J. & Tammy Faye Show, but left the show after just a few months when she was diagnosed with colon cancer. Bakker (who later changed her surname to Messner) died in Kansas City in 2007 at the age of 65.

The Bakker-Pieters interview was recreated in the 2021 biographical drama The Eyes of Tammy Faye.  Jessica Chastain, who portrays Tammy Faye Bakker in the film, won an Oscar for “Best Performance by an Actress in a Leading Role” and a BAFTA Award for “Outstanding Performance by a Female Actor in a Leading Role.”

Listen to Jessica Chastain tell the story of Rev. Pieters for STORIES: The AIDS Monument.

Watch the entire interview with Rev. Pieters and Tammy Faye Bakker here.

Michael Felton was being treated for hemophilia when he became infected with HIV from contaminated factor VIII blood. Much like Ryan White, his white counterpart in Indiana, Felton wanted to live a normal teenage life — going to school, hanging with friends, collecting comic books and participating in sports — but his HIV status came with stigma and discrimination from the local school district.

When Felton was diagnosed with HIV, he was one of only six people in Mississippi with HIV or AIDS, and one out of only 164 children under 13 nationwide, according to Change the Pattern, an initiative of the National AIDS Memorial, Southern AIDS Coalition and Gilead Sciences.

Felton died less than a month before Bolivar County officials were scheduled to meet to decide if the 14-year-old would be allowed to attend his freshman year of high school.

In September 2022, Felton’s panel on the National AIDS Memorial Quilt was one of select panels brought to Mississippi for an exhibit honoring Black and Brown lives lost to AIDS.  The exhibit, representing the largest display of the Quilt in Mississippi to date, was part of Change the Pattern‘s program to use the power and beauty of the AIDS Memorial Quilt as a call to action to disrupt systemic issues that impact health equity and continue to disproportionately impact communities of color and marginalized populations.

In Mississippi, new HIV diagnoses have remained high year after year with the state having the sixth-highest rate of HIV in the country.

Dr. Nathaniel S. Lehrman, an Assistant Clinical Professor of Psychiatry at Albert Einstein College of Medicine in the Bronx, accused the CIA of spreading the AIDS virus in Africa by conducting biochemical experiments.  He also claimed in the Amsterdam article that similar experiments were being conducted in the U.S. on gay men, drug users, and Black people.

The doctor’s alarming but unsubstantiated accusations came at a time when the Soviet Union’s KGB and East Germany’s Stasi were conducting a widespread disinformation campaign around the origins of the AIDS virus.

“It is not known whether Lehrman developed his conspiracy theories on his own, or whether he was influenced, knowingly or unknowingly, by the KGB as part of the operation,” wrote global health scholar Anders Jeppsson, PhD. in the Journal of the International Association of Providers of AIDS Care.

In his article titled “How East Germany Fabricated the Myth of HIV Being Man-Made,” Dr. Jeppson notes that East Germany’s intelligence agency circulated documents from Dr. Lehrman in East Berlin scientific circles.

Dr. Lehman’s accusations of a CIA-AIDS connection were repeated and cited throughout the U.S. as well, including among LGBTQ writers.

Charles Shively (1937-2017), a gay liberation icon and poet who founded Fag Rag magazine, shared Dr. Lehman’s theories and other rumors with his publication’s largely gay readership.  In a 1987 article for Gay Community News, Shively quoted heavily from a 1986 report about the origin of AIDS crafted by Jakob and Lilli Segal, German scientists who had been recruited by the KGB to spread disinformation about the disease.

The 1980s was a time of widespread confusion and rumors about AIDS.

“Rumors about HIV/AIDS proliferated throughout US society: only gay people can get AIDS; you can catch it from a doorknob, a toilet seat, or a swimming pool; flying insects can transmit it; women are tricking men into having sex with them so they can give them AIDS; AIDS was developed by the Central Intelligence Agency to kill off African Americans and gays; it’s not caused by a virus at all,” wrote sociologist Jacob Heller, PhD. in 2015 for the American Journal of Public Health.

In 1987, the New York Times would publish a letter from Dr. Lehrman that criticized AIDS awareness campaigns for “helping legitimize homosexuality and its culture” and undermining “stable families and societies which are based on … the sacred love of husband and wife.”

Three years later, Dr. Lehrman would be charged, along with the partner of his psychiatric practice, with $1.3 million in Medicaid fraud and sentenced to seven years in prison.  He died at his home in Port Washington, New York in 2020.

The CDC’s Morbidity and Mortality Weekly Report recommends that HIV-infected women delay pregnancy until more is known about the risks of transmission, and advised new mothers to avoid breastfeeding.

Transmission of the virus during pregnancy or labor and delivery is demonstrated by two reported AIDS cases occurring in children who had no contact with their infected mothers after birth.

With studies on the subject of pediatric AIDS just beginning, the rate of perinatal transmission of HIV from infected pregnant women is unknown and the limited amount of available data suggests a high rate.

However, the report contends that perinatal transmission (from an infected mother to her newborn) is not inevitable.

Of three children born to women who became infected with HIV by artificial insemination from an infected donor, all were in good health and negative for antibody to the virus more than 1 year after birth.  Another child, born to a woman living with AIDS, was HIV-negative and healthy at birth and at 4 months of age.

In December 1985, a total of 217 cases of AIDS have been reported among children under age 13, and 60% of them have died.

The long-simmering transatlantic feud over who will receive royalties on a test for the AIDS virus has erupted into a legal battle, with French scientists seeking recognition in the U.S. courts for their claim that they discovered the virus before their American counterparts.

The Pasteur Institute ‘s suit also seeks the right to grant permission to sell the blood test without being sued by the U.S. for counterfeiting, and the right to share in royalties collected by the U.S. for sales of blood tests by U.S. licensees.

The French scientists were the first to publish a paper on the virus, said Dr. Robert C. Gallo, the U.S. scientist credited with discovering HIV. But he asserts in an interview with the Los Angeles Times, “I was the first to suggest it was a retrovirus.”

“We had this virus in 1982. We didn’t publish on purpose because we didn’t understand it well enough to stick our necks out. To me, ‘discovery’ is a complicated word. Who first reported discovery of a virus?  They did.  But if the idea comes first — that was us.”

In July 1994, U.S. health officials would concede for the first time that American researchers used a virus obtained from French competitors to make the first American AIDS test kit. At that time, the U.S. would announce the signing of an agreement that would give the French a bigger share of royalties from worldwide sales of AIDS tests.

The contract would end the long-standing and sometimes acrimonious dispute that strained relations between the two countries.

By the end of 1985, there were more than 20,000 reported cases of AIDS, with at least one HIV case in every region of the world.  The CDC would report that 1985 saw an 89% increase in AIDS diagnoses in the U.S. from 1984, and predicted that the number will double in 1986.

By the end of the decade, the World Health Organization would estimate the number of reported cases to be more than 400,000 AIDS cases worldwide.

The CDC report states that, on average, people diagnosed with AIDS die about 15 months after the disease is diagnosed.  The report also shows:

• Between 6/1/1981 and 1/13/1986, there have been 16,458 cases of AIDS (16,227 adults and 231 children) reported in the U.S.  Of these, more than half of the infected people have died.
• The number of cases reported each 6-month period continues to increase.
• Cases have been reported from all 50 states, the District of Columbia, and three U.S. territories.

“One million Americans have already been infected with the virus, and this number will jump to at least 2 million or 3 million within 5 to 10 years,” National Institute of Allergy and Infectious Diseases (NIAID) Director Anthony Fauci tells The New York Times.

Two months later, the facility would reach capacity with all eight places filled. Residents were provided with access to volunteers trained in providing emotional support.

Chicago House continued to plan for additional facilities and support services to meet the growing need.  Later in 1986, the agency acquired administrative office space and began to transition from volunteer support to paid program staff.

Under the heading “Critical Steps in Combating the AIDS Epidemic,” Buckley writes:

“Everyone detected with AIDS should be tattooed in the upper forearm, to protect common-needle users, and on the buttocks, to prevent the victimization of other homosexuals.”

Buckley, founder of National Review magazine, also proposes that everyone seeking a marriage license must “present himself not only with a Wassermann test but also an AIDS test.”

He goes on to write that the couple could marry only after “the intended spouse is advised that her intended husband has AIDS, and agrees to sterilization.”

Looking back at this time, Michael Spector would write in The New Yorker in 2021, “Several years into a harrowing epidemic, gay Americans were told that an act of consensual sex could not only infect them with a fatal disease; it could also, at the will of a state, send them to prison. The fears of internment were not easily dismissed as hysteria.”

Buckley would later withdraw the proposal, because “it proved socially intolerable.”

At the time of his death in early 2008, Buckley would no longer be considered a journalist of any repute, although conservative circles would continue to champion his ideas.  When he died, he was working on a book about President Ronald Reagan.

Stucker was known for zany portrayals in comedies, notably the manic air traffic controller Johnny in the 1980s Airplane! movies.

Created by the directing-writing team of Jim Abrahams and brothers David and Jerry Zucker, the Airplane! movies featured Stucker in a non-essential role that wasn’t crucial to the plot.  But in a movie with established stars, larger-than-life performances and endless jokes, Stucker managed to steal every scene he’s in with his comic performance.

Some may see the character as an offensive stereotype that hasn’t aged well, but Stucker’s performance can also be viewed as progressive for its time, a character that is unapologetically gay in an era where that was still taboo.  Johnny is never harassed or bullied by the over-the-top manly-men characters (played by Robert Stack, Lloyd Bridges, Peter Graves, and Leslie Nielsen) that dominate Airplane!  Instead, Johnny turns the joke around on them and provides the perfect foil to their authority, gruffness, and self-importance.  The screenwriters developed the character specifically for Stucker, who wrote his own lines for the part and ad-libbed many of them.

Born in Des Moines, Iowa, Stucker moved with his family to Alameda, California, where he attended Lincoln School.  During his school days Stephen was known as both an accomplished pianist and a class clown with a dry wit.  Stucker made his film debut in 1975 as a crazed asylum escapee in Delinquent School Girls (also released as Carnal Madness).

He went on to perform in the 1977 earthquake-disaster comedy Cracking Up, alongside Fred Willard, Michael McKean, and Harry Shearer.  Stucker had been a scene-stealing member of the cast of the Madison, Wisconsin Kentucky Fried Theater sketch comedy troupe founded by Abrahams and the Zucker brothers and, in 1977, he appeared in the film based on the troupe’s comedy sketches.  The Airplaine! movies soon followed.

Stucker also appeared on Marie Osmond’s TV show, Marie (1981), and on one of the last epidodes of Mork and Mindy (1982), playing a wildly enthusiastic TV producer intent on capitalizing on Mork’s fame.

Stucker was diagnosed with AIDS in July 1984, and was one of the first celebrities to go public with his diagnosis.  He appeared on talk shows like Donahue, where his unrestrained and acerbic personality sometimes bumped hard against an audience ignorant and fearful of AIDS.

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Photo of quilt panel from the AIDS Memorial Quilt

As the founder of the West Coast Dance Company (1974-1979), Ed Mock Dancers (1980-1985), and the Ed Mock Dance Studio, Mock’s dance style and teaching influenced future generations of dancers and artists.

Brontez Purnell, Director of the documentary Unstoppable Feat: The Dances of Ed Mock, states, “I believe Ed Mock is the missing choreographic link between Alvin Ailey, Anna Halprin, and Bill T. Jones.  He is my direct predecessor, creatively.  We – artists, black queers, Bay Area dancers, gay men – have to extract our collective past and create the historical record.”

Born in Chicago, Mock performed as a boy in his family’s pool hall, tapping out steps for customers.  Athletic in high school, he chose to pursue dance because, as he would tell the San Francisco Examiner in 1980, “I just love body movement, it was all just movement for me, and sports was just a function of that. I just was always aware of my body in a sort of a dance sense. I never try to tell anybody it’s an easy life, but not a day has ever gone past that dancing didn’t make me feel good emotionally and spiritually.”

Mock would teach and perform taught and performed up until weeks before his death.  In 1988, he would posthumously be elected to the Bay Area Dance Coalition Hall of Fame.

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Photo of quilt panel from the AIDS Memorial Quilt

George also designed costumes for the San Francisco Opera and Charles Pierce.  For Pierce’s New York production of “The Crazy Ladies,” George created the costumes for Pierce’s various numbers in which he impersonated prominent female celebrities, according to the New York Public Library.

But it was for Beach Blanket Babylon, a stage show in North Beach known for its camp aesthetic and over-the-top costumes, that George found the opportunity to create outrageous, one-of-a-kind ensembles for the stage, often based on sketches from Babylon producer Steve Silver.

Beach Blanket Babylon closed in 2019 after an epic 45-year run, and many of the costumes remain today in a 6,000-foot San Francisco warehouse.  But some of the pieces are being sent to various museums for historical preservation, including The Smithsonian in Washington, D.C. and the M.H. de Young Memorial Museum in Golden Gate Park, according to Jo Schuman Silver, who took over the show when her husband died in 1995 of AIDS-related illness.

During its historic run, the show toured to Las Vegas and London, and opened the Academy Awards.  ; Queen Elizabeth II, Prince Charles, David Bowie, Liza Minnelli and Robin Williams were among its fans.

With representatives from 27 countries attending, the meeting focused on a review of the Global WHO Strategy for the Prevention and Control of AIDS: Projected Needs for 1986-1987, a proposed plan to address the AIDS crisis on a global scale, according to The Fourth Ten Years of the World Health Organization.

Attendees agreed that AIDS and HIV infection represented a mounting international health problem and neither a vaccine nor a therapy effective against HIV was likely to become available for at least several years.  Therefore, a global strategy for AIDS and HIV control was needed, according to the meeting report.

WHO’s plan of action, which was based on recommendations from its network of collaborating centers on AIDS, put forth a series of global responsibilities for AIDS prevention and control, as well as activities that individual countries needed to adopt in order for the plan to be effective.

Dr. Halfdan Mahler, WHO’s director who had previously dismissed the immense global implications of AIDS, attended the meeting in its entirety, according to the meeting report.

Following this meeting, WHO took concrete steps to strengthen its activities, including a reallocation of financial and personnel resources to support the new strategic plan.  The first meeting of WHO’s AIDS task force was held on April 21-22, 1986 in Geneva.

Ward became a soloist with American Ballet Theater in 1974 and worked his way to principal dancer in 1976, becoming the partner of many of the leading ballerinas of the time, according to the Los Angeles Times.  With ABT, he performed in Swan Lake and ballets by Antony Tudor and Fredrick Ashton.

In 1978, Ward left ABT to star in Bob Fosse’s Broadway musical Dancin’, which earned him a nomination for the Drama Desk Award.  He then moved to Los Angeles and danced in the films Staying Alive (1983) and The Turning Point (1977) and in the TV movie Pippin: His Life and Times (1981), again with Fosse.  He also performed in shows with Lily Tomlin, Barbara Mandrell and the Mandrell Sisters, Raquel Welch, Rodney Dangerfield and Lynda Carter.

Ward grew up in Downey, California and started dancing at the age of 18. Shortly after high school, he joined Houston Ballet and then, in 1972, moved to New York to dance with the Corps de Ballet at American Ballet Theater.

His last job was as a counselor at AIDS Project Los Angeles, according to his obituary in the LA Times.

“He was always actively involved,” said APLA Founder Nancy Sawaya of Ward. “He was a very gentle, very good, good man.”

Ward is memorialized in the project Dancers We Lost: Honoring Performers Lost to HIV/AIDS.

A graduate of Columbia Law School at the age of 20, Cohn quickly made a name for himself in his first job with the U.S. attorney’s office in Manhattan, prosecuting cases of people with alleged ties to the Communist Party.

Impressed with Cohn’s performance at the trial of Julius and Ethel Rosenberg for spying, FBI director J. Edgar Hoover would recommend that Cohn be hired as chief counsel to the Senate Permanent Subcommittee on Investigations. McCarthy, who chaired the panel, hired the 24-year-old Cohn in January 1953.

“People born in the 1940s or earlier remember Cohn and his master performing on television,” writes Mary Ellen Clark in her 1988 book The Snarling Death of Roy M. Cohn.  “They remember coming home to be hushed by a mother or aunt who was watching the hearings; they remember a father’s opinion, expressed at the family table when families still ate together.”

“For younger people, however, Roy Cohn was simply another name for a très smart lawyer, for Disco Dan, for the international, I-go-by-private-plane man,” writes Clark.

Throughout his later life, Cohn was well known for his lavish Washington parties, with wealthy and famous friends among his guests.

“He was a figure very tough and in on things, a champion of the underdog, though definitely running with the overdog pack,” Clark writes.  “He nested on the nighttime radio call-in shows; he spread his wings over Koppel on Nightline.  He appeared to be able to avoid all taxes and all penalties, maybe because he was connected, or on the A list, or known to the headwaiters and hostesses of New York.”

Cohn would be indicted four times from the mid-’60s to the early ’70s — for stock-swindling, obstructing justice, perjury, bribery, conspiracy, extortion, blackmail, and filing false reports.  He is acquitted in three of the cases, and in the fourth, he would escape with a mistrial.  This experience would give him “a kind of sneering, sinister sheen of invulnerability,” writes Michael Kruse in Politico.

Cohn would be diagnosed with HIV in 1984 after having a doctor examine a small cut from shaving that wouldn’t stop bleeding.  During the visit, the doctor would re­move two suspicious growths and the tests would reveal Cohn is HIV positive.

Cohn’s lover Peter Fraser, a New Zealander roughly half Cohn’s age, reported that, “When he found out, he didn’t cry but a couple of tears.”

Cohn would publicly deny that he was HIV positive and would keep his sexuality closeted for the rest of his life.  According to Robert E. Bauman, who says he first meets Cohn on the day McCarthy dies in 1957, Cohn paradoxically had a reputation for “fag bashing” and loudly opposed laws that protected gays from discrimination.

In his last months of life, Cohn would be disbarred from law practice in New York for old fraud charges and he would lash out at the bar ethics committee, calling members “a bunch of yoyos.”

Cohn once said he wanted the first line of his obituary to read: “Roy M. Cohn, who served as chief counsel to Sen. Joseph R. McCarthy.”

“Cohn didn’t quite get his wish,” writes Bauman.

When Cohn dies, the headlines would trumpet the fact that he died from complications of AIDS.  The mention about McCarthy would come second.

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Photo of quilt panel from the AIDS Memorial Quilt

Watson played the french horn and also was  a drum major for the San Francisco Gay Freedom Day Marching Band.

“The roster of Bay Area artists who have died from AIDS over the past 25 years carries a poignant double message. It reminds us of all the light these men and women brought — and how much more they had to give when the shadow fell,” wrote San Francisco Chronicle arts and culture critic Steven Winn in 2006. “Death came, in most cases, when these artists were just reaching their prime.”

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Photo of quilt panel from the AIDS Memorial Quilt

Jakob and Lilli Segal, along with 20 KGB officers from the Soviet Union, distributed the report at the conference attended by representatives of more than 100 developing nations.

“Segal’s explicit repudiation of the thesis that AIDS originated in Africa was tailor-made for an African audience, and his claims subsequently appeared in the press of 25 African countries.” wrote scholar Thomas Boghardt in his 2009 article, “Soviet Bloc Intelligence and Its AIDS Disinformation Campaign,” for Studies in Intelligence.

Jakob Segal, a Russian-born German biologist and KGB recruit, crafted the report from information that the Stasi (East Germany’s counterpart to the Soviet KGB) had given him.  With the assistance of his scientist wife Lilli, Segal wrote about a series of occurrences — some founded in fact and others totally fabricated — that concluded that the U.S. government created the AIDS virus and first tested it on gay prison inmates.

The creation and distribution of the report was a notable achievement in the disinformation campaign launched by Soviet and East German officials to “strengthen anti-American sentiments in the world and to spark domestic political controversies in the USA.”

The Stasi’s version of the AIDS disinformation campaign was called “Operation Denver” (not “Operation Infektion,” as widely reported at the time).  The campaign’s goal was to “strengthen anti-American sentiments in the world and to spark domestic political controversies in the USA,” according to the Stasi’s plan.

In 1981, Perles’ book The People’s Railway was published, providing a detailed history of the San Francisco Municipal Railway from its earliest days through to the era of light rail.  Perles described every aspect of the railway system, including the struggle against United Railroads and the development of light rail vehicles (LRVs) in the 1970s.

Perles’ final work, Tours of Discovery, was published in 1984 and provided a pictorial journey through the decades of development and change on the Municipal Railway of San Francisco.

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Photo of quilt panel from the AIDS Memorial Quilt

Created by the Robert Wood Johnson Foundation, the AIDS Health Services Program seeks to replicate Ward 86’s San Francisco Model of HIV Care nationwide — but with an emphasis on tailoring programs to meet the needs in local context.

The goals of the program are to develop community-based services for persons with AIDS and to determine factors that facilitate or impede service.

The foundation starts with nine projects located in 11 communities: Atlanta, Dallas, Fort Lauderdale, Miami, Nassau County (NY), New Orleans, Newark, Jersey City, Seattle, and West Palm Beach.

The AIDS epidemic in each site varies substantially.  Lack of health insurance represents a problem for the majority of clients in states having the most restrictive Medicaid policies (Atlanta, New Orleans, and Dallas) and in communities where a large proportion of clients enter the program before their condition progresses to AIDS (Miami, Fort Lauderdale, and West Palm Beach).

Between 1987 and 1990, the average annual population with AIDS in program sites increase 126% (with increases ranging from 91% to 175%). During that period, the average increase in the number of persons alive with an AIDS diagnosis in these eleven cities is 191%, ranging from 181% to 257%.

The men and women attempting to build a network of coordinated services for persons with HIV/AIDS find themselves with an extremely difficult task.  As the epidemic progresses, there is a substantial increase in the scope of the epidemic as well as change in the racial, sex, and risk-group composition of HIV-infected persons.

Program staff have to cope with confusing state and federal policy, complicated by changes in medical treatment and in the conceptualization of AIDS. In 1986, AIDS is still perceived as an acute, fatal illness, and policies for expanding terminal care benefits are the focus of discussion. However, soon the focus would shift to early intervention and ongoing treatment programs for a new chronic disease.

In the first Congressional hearing to address anti-gay violence, Kevin Berrill of the National Gay and Lesbian Task Force (now called the National LGBTQ Task Force) told members of the House Subcommittee on Criminal Justice that in addition to battling the AIDS epidemic, the gay community was also contending with rampant and deadly antigay violence.

“There is disturbing evidence that the AIDS and antigay violence epidemics may now be following the same menacing curve,” Berrill said.  “For inasmuch as AIDS has spread, so has the fear and hatred that spawns violence.”

Berrill went on to criticize the federal government for viewing widespread violence against gay men and lesbians as “just a gay problem and therefore not of concern to all society.”  He bitingly referred to this passive policy as the same one the government has adopted to address HIV and AIDS.

In its study on antigay violence, the Task Force surveyed more than 2,000 community members in eight cities.  Berrill also presented data from local governments which confirmed the Task Force’s findings.  At the time, the federal government did not collect data on violence against LGBTQ community members.

“The toll of antigay violence cannot be measured solely in terms of these statistics,” Berrill told the Congress members.  “These numbers do not measure the anguish, fear and loss experienced by Dee, who is still recovering from burns caused by acid thrown at her face when she was leaving the Los Angeles Gay Community Center.  Or by Robert from New Jersey, where assailants beat him, extinguished cigarettes in his face, and then tied him to the back of a truck, dragging him in tow.  Or by the family and friends of Charlie Howard of Maine, who was thrown off a bridge to his death by three teenagers.”

Berrill called on Congress to initiate federal studies on antigay violence and pass tougher laws to combat violent crimes targetting gays and lesbians.  He also urged the repeal of all sodomy laws (which were still on the books of most states), and called for the passage of legislation prohibiting discrimination on the basis of sexual orientation.

Also testifying that day was Diana Christensen, executive director of the Community
United Against Violence in San Francisco, who told the subcommittee the following:

“Is the increase in antigay violence an indicator of an AIDS-related backlash?  At this point, I believe that AIDS and homosexuality have become synonymous in the American public’s mind.  For the homophobic mind, AIDS is simply another justification for violence.”

David Wertheimer, executive director of the New York City Gay and Lesbian Anti-Violence Project (which would become the NYC Anti-Violence Project) also provided the highlights of his 20-page testimonial submitted to the subcommittee.  Founded in 1980 to provide support services to lesbian and gay survivors of homophobic violence, the organization became a city-wide, nonprofit service
provider in 1983.

Wertheimer reported that between 1984 and 1985, reported cases of violence “began to mushroom,” and the organization’s caseload increased 41%.  In the current year — 1986 — violence was reported even more frequently, with between 40 and 60 new cases each month.

He explained that in the past, cases typically were in the form of antigay and antilesbian verbal harassment in a public place, or in the form of menacing behavior or even assault.  A new form of violence had emerged recently, Wertheimer said, one that now represented 28% of the Anti-Violence Project’s caseload.

“AIDS-related violence — that is violence that may begin with verbal and menacing acts that are specifically related to AIDS,” he said.  “For example, someone might start an attack by saying, ‘I hate faggots. You faggots give us AIDS.’  Or a lesbian might find notes on her door saying ‘Lesbians, dykes, you give us AIDS. Get out of the building.'”

Wertheimer told the Congress members that antigay violence can result in death.  The organization reported seven antigay homicides in 1985, and 15 such homicides in the first nine months of 1986.

Also providing testimony was Dr. Gregory M. Herek, assistant professor of psychology at
the City University of New York and a member of the American Psychological Association’s Committee on Lesbian and Gay Concerns.

“A growing body of scientific data, including my own empirical research, shows that individuals’ irrational fears surrounding AIDS — such as fear of transmission through casual contact — are highly
correlated with their level of homophobia,” Dr. Herek said.  “I interpret this finding to mean that reducing AIDS hysteria requires confronting its roots in homophobia, and that eliminating homophobia will require education about AIDS. Unfortunately, the U.S. Justice Department has sanctioned discrimination based on fears of AIDS-contagion, and has thereby fueled fears about AIDS
and probably contributed to public homophobia.”

Rep. Barney Frank (who in 1987 would become the first member of Congress to be openly gay) also spoke for the Congressional record in support of raising awareness about anti-gay violence.

The grant program is run by the Health Resources and Services Administration, an agency of the U.S. Department of Health and Human Services.  As the HRSA’s first AIDS-specific health initiative, program focused its funding on cities hardest-hit by HIV/AIDS.

In the years to come, the HRSA would create the HIV/AIDS Bureau and develop a comprehensive system of HIV primary medical care, medications, and essential support services for low-income people with HIV.

The HIV/AIDS Bureau will oversee the Ryan White HIV/AIDS Program and play a critical role in helping diagnose, treat, prevent, and respond as part of the “Ending the HIV Epidemic: A Plan for America” initiative.

“Without Esquerita, there might have been no Little Richard, hence no Prince and no Elton John — and no rock ‘n’ roll as we know it,” music reporter Alan Richard wrote in Country Queer.  “Little Richard himself credited Esquerita with showing him how to pound the piano with intensity and soul.”

Born in 1935 in Greenville, South Carolina, he was known locally as Eskew Reeder (or “SQ,” for Stephen Quincy) and was just a teenager when he joined the New York-based gospel group Heavenly Echoes.

Early on, he adopted an unconventional style, sporting a six-inch pompadour and makeup — which was quite shocking during the predominantly conservative culture of the 1950s, music reporter Iaian Ellis wrote in Rebels Wit Attitude: Subversive Rock Humorists.

When the Heavenly Echoes disbanded in the early ’50s, he returned to Greenville and created an act under the name “Professor Eskew Reeder.”  The Owl Club on Washington Street booked him as the house performer, according to Ellis.

Esquerita also began performing on the “Chitlin’ Circuit” in the Deep South, where audiences embraced his unconventional appearance and performance style.  Encouraged by the responses he received from Black audiences across the South, Esquerita became even more manic as he performed and often added a wig or two atop his already towering pompadour.  His stage costumes typically incorporated sequins, rhinestones, and capes.

It was around this time when Little Richard (also known as Richard Penniman) saw him perform and expressed admiration for Esquerita’s technique on the piano, Ellis writes.  Esquerita responded by teaching Little Richard some of his technique.

While Esquerita was performing live to Black audiences and honing his act to exquisite imperfection, Little Richard was already recording songs as a solo vocalist and piano player.  But after seeing Esquerita perform, he decided to move away from the soothing jump-blues style of Roy Brown and tap instead into the fast rock ‘n’ roll rhythm that he experienced in Esquerita’s performances.

After “Tutti Frutti” became a big rock ‘n’ roll hit in 1955, Little Richard released a series of records in the same style and quickly became a nationwide sensation.  The popularity of his music crossed the racial divide, and he was soon performing on television shows and in some of the earliest rock movies, such as Don’t Knock the Rock and The Girl Can’t Help It.

“I think Little Richard copied off [Esquerita] a lot, but Little Richard got to the studio first,” Lightin’ Lee, a New Orleans guitar player who knew both men, told Baynard Woods for his article “Esquerita and the Voola.”

But in 1957, Little Richard surprised everyone by announcing he was retiring from rock ‘n’ roll to get closer to God, and he enrolled in a theological college in Alabama.  According to Baynard, Little Richard made this decision public at the last concert of his tour, saying, “If you want to live with the Lord, you can’t rock ‘n’ roll, too. God doesn’t like it.”

This opened the door for Esquerita to record his own songs.

While performing at the Owl Club in 1958, Esquerita caught the attention of rockabilly pioneer Paul Peek, who had just performed with Gene Vincent and the Bluecaps in the musical-comedy film The Girl Can’t Help It. Peek helped Esquerita get studio time at a Greenville radio station, and sent the resulting demos to bandleader Vincent.  Seen as “the next Little Richard,” Esquerita was signed to a record deal with Capitol Records, thanks to help from Vincent.

The same year, Capitol started releasing a series of singles featuring Esquerita, first with the rockin’ “Oh Baby” and, on the B side, the slower-moving, bluesy “Please Come Home.”  This was followed quickly by the release of the single “Rockin’ The Joint“/”Esquerita And The Voola.”

“With its thundering piano and obligato holler, ‘Esquerita and the Voola’ could be read as a response to Little Richard’s conversion,” writes Woods in his tribute to Esquerita.  “Just as Richard gave himself to the Lord, Esquerita had dedicated his life to the Voola.”

Woods calls “Esquerita and the Voola” the artist’s “most dissonant song,” and it is fair to say that even the cutting-edge rock ‘n’ rollers of 1958 weren’t prepared for something like this.

“[The song] begins with a rolling rhumba drumbeat and then takes off into a piano rumble that swerves between the almost-off-the-rails high-note plinking of Thelonious Monk and the raucous bass thudding of Fats Domino,” Woods writes. “The piano is enough to make ‘Esquerita and the Voola’ one of the most experimental of the early rock singles, but then the wordless vocals come in and things really get weird, as Esquerita executes the kind of operatic howls that others call rock shouting and he called obligato.”

Fans of rock ‘n’ roll would find similarities between Esquerita and Little Richard — like the driving energy, the high-pitched “who-o-o-o-o-o’s!”, and the rollicking style of the piano playing — but there were obvious differences as well.  Esquerita’s singing voice was deeper and rougher than Little Richard’s, and his handing of the piano was wilder.

“One could perhaps say that Little Richard’s voice had more of a gospel sheen to it, whereas Esquerita’s is far more dirty blues,” states George Starostin on his music review website .  “As for the piano-playing, here, too, Esquerita shows far less discipline and far more aggression, not really minding getting off tempo every now and then, as long as the spirit stays strong inside him.”

Capitol would release Esquerita’s eponymous album in 1959, but it would not include “Esquerita and the Voola” on the LP.  Unfortunately, the record did not do well, and Capitol dropped Esquerita from its roster.

From that point on, Esquerita drifted around the fringes of the musical world, performing under various names, such as the Magnificent Malochi, Estrelita, Eskew Reeder, and The Voola, writes Woods in his tribute to Esquerita.

In Dallas, he assembled a band and recorded a series of demos. Then he moved to New Orleans and became a house musician at the Dew Drop Inn, performing with many of the city’s best musicians.

In the 1960s, legendary record producer Berry Gordy brought Esquerita to Detroit as part of an ensemble exploring new Motown sounds.

“That’s when the Gordy sound changed,” Esquerita said later. “We just started jammin’, payin’ no mind, carryin’ on, and Berry taped us right there in Hitsville, USA.”

Even though Motown updated its sound to a harder-charging R&B beat after hearing the crew from New Orleans, it didn’t result in a recording deal for Esquerita.  By the late ’60s, he had moved to New York, where he worked with the great drummer Idris Muhammad for a while.

In 1970, Little Richard launched a comeback and invited Esquerita to the studio to play piano on “Dew Drop Inn,” a song Esquerita wrote about the New Orleans club.  For the LP (The Rill Thing), Little Richard recorded a second Esquerita number called “Freedom Blues.”

But after that, work dried up for Esquerita, and he reportedly turned to criminal activity to make ends meet, resulting in prison time in Puerto Rico and New York City.

In 1981, he was booked to perform on Monday nights at a tiny club on West 17th Street called Tramps.  Music writer James Marshall said he saw the small Village Voice ad for “Every Monday: Esquerita!” and couldn’t believe the rock ‘n’ roll legend was still performing.

“We headed for Tramps, and there he was: the legend, the man — Esquerita himself!” Marshall wrote on his website, The Hound Blog.  “His hair was short, and he looked like he’d ridden some hard miles, but it was he, the guy who made those insane records way back when.”

Marshall and his friends Billy Miller and Miriam Linna, publishers of Kicks magazine, began to attend Esquerita’s shows regularly.  They put Esquerita on the cover of an issue of Kicks, and soon others were coming to Tramps on Monday nights.

Being friends with Esquerita was a mixed bag, Marshall recalled.  Sometimes, he would show up at a party and treat everyone to a private recital, “rocking through versions of ‘Slow Down’ and ‘Dizzy Miss Lizzie.'”  But at other times, write Marshall, Esquerita would appear in the middle of the night, pounding on windows and asking for money.

In the early 1980s, crack was cheap and plentiful in New York City, and Marshall watched his friend succumb to the effects of this dangerous drug.  According to Pierre Monnery, who wrote “The Magnificent Malochi: The Esquerita Story,” Esquerita was diagnosed as HIV positive in 1985.

“He died of complications arising from AIDS in a Harlem Hospital on 23rd October, 1986, aged just fifty,” Monnery wrote.  “Shamefully, he was buried in an unmarked grave in New York’s ‘Potters Field’ on Hart Island in northeast Bronx, where he rests today with other New Yorkers who could not afford a proper burial.”

In 1986, Little Richard was inducted into the Rock and Roll Hall of Fame.  Esquerita was buried in an unmarked grave the same year.

The report, titled  Confronting AIDS: Directions for Public Health, Health Care, and Research,  is issued by the Institute of Medicine (IOM), the principal health unit of the NAS.  The IOM anticipates that the cost of the public health campaign will reach $2 billion by 1990.

The mission of NAS is to provide scientific advice to the government “whenever called upon” by any government department. The Academy receives no compensation from the government for its services.

Proposition 64 would have declared that HIV/AIDS and the “condition of being a carrier” of the virus  are communicable diseases and, therefore, subject to the reporting requirement to the State Department of Health Services.

Proposition 64’s supporters, led by the LaRouchian group PANIC (Prevent AIDS NOW Initiative Committee), say it would require any individual who carries the AIDS virus, even without the disease’s symptoms, to be reported to state authorities and barred from schools or jobs in restaurants.  State officials could quarantine such carriers, they contended.

LGBT activists in California argue that the initiative would lend an air of legitimacy to job discrimination against homosexuals, and public health authorities say it would deter people with HIV/AIDS from seeking treatment if there were a requirement to report them.  This, they say, would further the spread of the disease undetected.

Proposition 64 is opposed by the 34,000-member California Medical Association and most statewide elected officials, including members of both political parties.  Nearly every major newspaper has recommended a “no” vote.

Torie Osborn, the southern California coordinator of the No On 64/Stop LaRouche campaign, told the Washington Post that campaign leaders had considered focusing on LaRouche’s bizarre politics — based on conspiracy theories, economic doom, anti-Semitism, homophobia and racism.

But polling data suggested that to many voters, “it really doesn’t matter who is behind the initiative,” Osborn said.

LaRouche’s PANIC team operated their campaign out of a Los Feliz headquarters, which became besieged by death threats and vandalism.

In a New York Times article reporting on the three-year increase in anti-gay violence, LGBT organization leaders cite studies and provide anecdotes that reflect the disturbing trend, linking it to the spread of HIV/AIDS.

The article largely re-caps the House Judiciary Subcommittee on Criminal Justice hearing on anti-gay violence held more than a month before.

Also included in the article, written by William R. Greer, is the account of a Brooklyn man who was attacked outside his home on a Saturday morning.  The man, who is identified as an employee in the Office of Mayor Ed Koch, said three assailants struck him repeatedly while yelling homophobic slurs at him and accusing him of spreading AIDS.

”What I find frightening is these groups don’t seem to have any fear of verbally or physically assaulting people in the middle of the day, in a shopping center, in front of businesses, with hundreds of people around,” he told the NYT reporter.  ”Somehow they’ve gotten the message that their action will be condoned or at least ignored.”

Conrad began his career as a dancer, performing in the role of “Mother Marshmallow” in the Oakland Ballet’s Nutcracker for several years.  He began to choreograph Bay Area productions, and ultimately began directing.

HIV/AIDS services advocate Bev Sykes wrote in her blog Funny The World about how in the summer of 1986 she was Conrad’s assistant as he directed a production of The Mikado for the Oakland ballet.

“He had a ‘cold’ during the rehearsal period and complained that he couldn’t shake it,” she recalled.

The show ran throughout the month of August and, at its conclusion, Conrad promised Sykes that he would take her to lunch to thank her for all her help.  She never heard from him again.

In November, she found out that Conrad was hospitalized with pneumocystis pneumonia.  He died shortly afterward.

“Until that time, AIDS had been something that happened to someone else,” she wrote.

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Photo of quilt panel from the AIDS Memorial Quilt

As an actor and director, Solomon worked with several local companies, including the San Francisco Mime Troupe and Theatre Rhinoceros.

He is immortalized in Marc Huestis’ 1987 documentary “Chuck Solomon: Coming of Age,” which received the Silver Hugo Award at the Chicago International Film Festival.  In the film, Solomon is celebrated by members of his family and about 350 friends on his 40th birthday.

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Photo of quilt panel from the AIDS Memorial Quilt

The quilt panel measured three feet wide by six feet long — the size and shape of a grave plot.

The idea of the quilt came to Jones in November 1985 while he planned the annual candlelight march honoring the 1978 assassinations of gay San Francisco Supervisor Harvey Milk and Mayor George Moscone.

Jones learned that over 1,000 San Franciscans had been lost already to AIDS-related illnesses.  For the candlelight march, he asked each of his fellow marchers to write on placards the names of loved ones who had died of AIDS, and at the end of the march, Jones and others stood on ladders and taped the placards to the walls of the San Francisco Federal Building.  The wall of names reminded Jones of a patchwork quilt, and an idea was born.

Liberace’s doctor claims that the man called “Mr. Showmanship” died of a heart attack caused by an underlying brain infection. But an autopsy by the county coroner reveals that Liberace died of AIDS-related illness.

Just weeks before his death, Liberace was treated at Eisenhower Medical Center for what his staff called “the effects of a watermelon diet.”  Hundreds of friends and tourists kept vigil outside of his Palm Springs home as rumors of his real illness became rampant.

When death seemed imminent, his attorney would tell reporters that Liberace chose his Palm Springs home to die because, “I think he wanted to rest in the place he loves. He’s always thinking about his fans. He wants to be remembered as he was — an entertainer. I think it’s nice that fans are here and supporting him.”

The news of Liberace’s death demonstrated the powerful stigma of AIDS and led to a national discussion about the rights of people living with AIDS to privacy, both before and after death.

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Photo of quilt panel from the AIDS Memorial Quilt

Seduced by southern California’s saturated colors and New York City’s vibrant architecture, Phillips incorporated the world around him in his work.  Melding painting and sculpture, his works typically featured brightly colored enamel on metal that was cut, folded and otherwise manipulated.  His use of color-drenched patterns referenced his early exposure to commercial fabric patterning.

Suzanne Muchnic, art critic for the Los Angeles Times, credited Phillips with a “swift, sure sense of arrangement that allows him to join bold checkerboards, bright stripes, lattices and circle patterns with painterly gestures evocative of landscape.”

A recipient of the Los Angeles County Museum’s 1981 Young Talent Award, Phillips exhibited his work at LACMA in November 1985 – February 1986.

“There is in his work a greater insistence on structure and manipulation of the composition,” wrote Stephanie Barron, LACMA’s curator of 20th Century art.  “Yet, ever the romantic, Phillips continues to search for ways to interpret his surroundings.”

Phillips often worked with aluminum, cutting wavy edges along the side of his pieces and folding them back.  This technique “had the effect of playing off a sense of depth against perceptual pulls of shape and color,” according to Burt A. Folkart of the LA Times.

He also briefly worked with paper, creating a series of silk-screened prints named for the Los Angeles locations of Hancock Park, Melrose, Hollywood and Bel-Air Gate.

“Although the material involved was atypical of Phillips’ work, the colors and wide stripes and thick brush strokes were not,” Folkart wrote.

Phillips earned his bachelor of fine arts degree from the University of New Mexico and his master’s degree from Claremont Graduate School in 1979. In Los Angeles, his work was also shown at the Newspace and Roy Boyd galleries.

Based in New York, Lopez had come to Los Angeles for a showing of his drawings at the Robert Berman Gallery in Santa Monica when he became ill and was hospitalized, according to fashion model Susan Baraz.

Lopez is credited with launching the careers of Jessica Lange, Jerry Hall, Tina Chow and Grace Jones, and he also was the first artist to use black models in his work, which was seen in the top fashion magazines in the mid-1960s.

He also was credited with being the first artist to draw not only the inanimate creations of the haute couture but to idealize the models behind them.

His family migrated to New York City when Lopez was seven and he attended P.S. 77 on East 104th Street.  To keep her son preoccupied and away from street violence, Lopez’s mother, a seamstress, would ask him to draw flowers for her embroideries, according to the tribute to Lopez on the Visual AIDS website.

While a student at the Fashion Institute of Technology, he received a work-study assignment at Women’s Wear Daily, where his talent was immediately recognized.  WWD put him on staff and he left FIT.

At the time of his death, Lopez had been in California for an exhibition of his fashion drawings and personality portraits at the Robert Berman Gallery in Santa Monica. An exhibition of his drawings was also taking place in Munich, West Germany.

Lopez’ creative partner, Juan Eugene Ramos, would die of AIDS-related illness eight years later, on Nov. 3, 1995, at the age of 53.

In 2016, a retrospective of Lopez’ and Ramos’ work was exhibited at El Museo del Barrio in New York.  The exhibit, “Antonio Lopez: Future Funk Fashion,” was curated to evoke serious discourse on gender, sexuality, race, and heritage, and simultaneously invited viewers to revel in Lopez’ and Ramos’ legacy.

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Photo of quilt panel from the AIDS Memorial Quilt

In a few months, the FDA would go on to issue treatment IND (investigational new drug) regulations on May 22 to permit new drugs to be used to treat patients before clinical trials are completed where no alternative therapy exists for a “serious disease.”

In its explanation of the regulations, the FDA mentions advanced cases of AIDS as the first example of an immediately life-threatening disease, but did not include AIDS in its list of examples of serious diseases.  It explained that some diseases, like multiple sclerosis, are not serious at earlier stages, and that the Treatment IND regulations would not apply to drugs intended to treat those earlier stages of disease.

The countries agree that patent rights to a blood test that emerged from that discovery will also be shared, with most of the royalties to be donated to a new foundation for AIDS research and education.

This settles a years-long rift between the two countries, each laying claim to the valuable patent for the first HIV-antibody test.  The U.S. Department of Health and Human Services claimed virologist Robert Gallo first developed the test, while the Pasteur Institute claimed it was French virologist Luc Montagnier.

Gallo had won the prestigious Lasker Award in 1986 for his share of the work (his second Lasker, having won in 1982 for his work on retroviruses).

Years later, the National Institutes of Health would conduct an investigation that proves Gallo and his colleagues first had isolates of HIV with the exception of one sample that originated from the Pasteur Institute’s lab (which was requested by the Gallo lab and sent to them from Paris).

Gallo and Montagnier later agree to share the title of co-discovers of the virus and they write several papers together describing their work in Science (Dec. 29, 2002) and the New England Journal of Medicine (Dec. 11, 2003).

However, in 2008 when Stockholm would call with the Nobel Prize for Physiology or Medicine, it was only for Luc Montagnier.  The scientific world would be shocked to learn that the Nobel Committee was snubbing Gallo’s work, but because those archival records are locked up until 2058, we will not know the precise argument behind this decision for many years.

AIDS brings condoms back to the forefront for sexually active people of all sexual orientation.

Nevertheless, condom use does not equal 100% protection from HIV, and its effectiveness largely depends on correct and consistent use.  Also, some people are allergic to the latex, lubricants, and perfumes.

The FDA also begins to test latex condoms for leaks, resulting in an improvement in the overall  quality of condom products.

The 26-year-old Princess of Wales reportedly was living with the specter of AIDS every day. In the loneliness of her failing marriage to Prince Charles, gay men arere the bedrock of her private world: fashion designers, ballet dancers, art dealers and numerous members of the palace staff. They sympathize with her, escort her, lighten her load. It pains her to watch them sicken and die.

When London’s Middlesex Hospital invited Princess Diana to open the Broderip Ward, the U.K.’s first dedicated ward for AIDS and HIV-related diseases, she agrees to do it.  She is intensely nervous, but she knows it is the chance to dispel the stigma surrounding the disease.

“With her instinctive understanding of the power of gesture, she resolved not only to open the new ward but to shake the hands of 12 male patients without gloves,” writes Tina Brown, author of The Diana Chronicles.

In a time when fear and misinformation runs rampant surrounding the transmission of a disease widely associated with gay men, the simple act of shaking an ill patient’s hand was a headline-making moment that helped educate the public.

Throughout the 1980s and 1990s, Princess Diana would go on to use her platform to bust myths about how HIV/AIDS could be contracted, and spends time with people affected by the virus around the world.

She would become an official patron for the National AIDs Trust, and spoke of the impact on mothers and children, further dispelling the myth that it was purely a problem for the gay community.

Even after her death, her legacy continues with her sons, who would continue to help fight the stigma surrounding HIV/AIDs.  Prince Harry would take an HIV test on live TV to show how easy it is, and Prince William would appear on the cover of Attitude Magazine to discuss the mental health issues faced by victims of homophobia and transphobia.

For several years, the HIV-1 Western blot would be considered the “gold standard” for laboratory diagnosis of HIV-1 infection, but is no longer recommended. The two main reasons for this are the inability of the Western blot to detect acute infection and the potential to misclassify HIV-2 infection as an HIV-1 infection.

A report in Nature in June 1993 would conclude that researchers need to “reappraise” the use of the Western blot antibody tests as a diagnostic and epidemiological tool for HIV infection.

Popham was a Bronze Star Medal-winning Vietnam veteran who had a successful career as a Wall Street banker.  He was politically inactive until 1981, when he first read about the disease that later became known as AIDS.

In January 1982, Popham, along with Larry Kramer, Lawrence Mass, Nathan Fain, Paul Rapoport, and Edmund White, founded Gay Men’s Health Crisis (GMHC), and Popham became the organization’s first president.

At the time of its founding, GMHC was the largest volunteer AIDS organization in the world.

Popham’s leadership style was infused with charm and diplomacy, which some found to be an ideal approach in the new fight against AIDS.  However, others thought Popham should have lead the organization with more urgency and ferocity.  The latter camp included Larry Kramer, who thought Popham’s approach was overly accommodating and ineffective.

Tensions between Kramer and Popham led to Kramer leaving GMHC in 1983 and, later, their contentious relationship would be portrayed in Kramer’s play The Normal Heart, one of the first plays to address the AIDS crisis.  Popham was the basis for the character of Bruce Niles.

In the program notes for one of GMHC’s earliest benefits, Paul Popham wrote, “I think the most impressive thing I’ve seen over the last year and a half is how affectionate men have grown. We are finding out who we are, what we can do under pressure.  Although we’re paying a terrible price, we’re finding in ourselves much greater strength than we dreamed we had.”

Popham also helped found the AIDS Action Council, a lobbying organization in Washington, and was chairman of the group.

Popham was diagnosed with AIDS in February 1985.  He remained active with GMHC until his illness became too severe.

In July 1986, Popham testified before Congress about allowing AIDS patients to receive drugs that were still undergoing clinical trials. This was less than a year before his death and he was clearly ill. However, he still spoke in his usual calm and resolute manner.

“As a person with AIDS, I am luckier than many in that I know resources that I can use,” he told members of Congress.  “But there are many people who have AIDS that don’t have the advantage of coming with the knowledge that I have of where to go to get the resources they need.  There is no place to go that is providing up-to-date information about the drug trials going on and how to get into these trials.”

amFAR event attendees “boo” Reagan when he says he asked the Department of Health and Human Services “to add the AIDS virus to the list of contagious diseases for which immigrants and aliens seeking permanent residence in the United States can be denied entry.”

Attendees also shout out their opposition when the president says he is ordering testing for active members of the military, those seeking care at veterans’ hospitals, applicants for marriage licenses, and federal prisoners.

Among the event attendees are amfAR Founder and National Chairperson Elizabeth Taylor and amfAR President Dr. Mervyn Silverman.

After Reagan speaks, Taylor tries to move ruffled feathers by telling the audience, “While there are differences of opinion on AIDS testing,” Reagan’s remarks are ”basically in concurrence with what we all hope and pray for,” namely a cure for the disease.

AmfAR advocates for voluntary, confidential testing accompanied by intense counseling, adds Dr. Silverman.

After the event, U.S. Surgeon General Dr. C. Everett Koop said he ”found no fault with the speech” and that he considered it reasonable to test Federal prisoners and immigrants and to offer the test to marriage applicants.  He also said he was embarrassed by the reaction of some in the audience.

“I never heard anyone boo the President before,” Dr. Koop said.

Althea is Larry Flynt’s fourth wife, and because she married him in 1976, she is the only partner who joins him in his rise to celebrity.  She would meet Flynt in Ohio, while working in one of his clubs as a go-go dancer.

Born in poverty in a Kentucky mining town, Althea Flynt was orphaned at eight years old, when her father murdered her mother and her grandfather and her mother’s best friend, and then killed himself.  Flynt recounted her childhood ordeal in a 1978 interview with New York magazine:

“They put you in a bare room with dirty floors and a single mattress that was stained and filthy and stank,” she said. “I still remember the smell. They put a pot and a roll of toilet paper in the room. Then they locked you in.”

In the late 1960s, she and Larry Flynt started a relationship that would last until the rest of her life.  As partner in her husband’s publishing business, she would be known to come to work in outrageous attire, including in leather dog collars and bangled chains that ran from her ear to her nostril.

As documented on video from Flynt’s library, Althea’s style was complex and highly unusual, particularly once she came into money and moved to Los Angeles. Her attraction to drug culture, Sunset Strip clubs and punk rock led her to patronize Hollywood shops like North Beach Leather and Trashy Lingerie.

In March 1978, her husband would be shot by a religious extremist, leaving him paralyzed and in pain, and she would remain with him, for better and for worse.

In a 1983 magazine article by the Washington writer Rudy Maxa, the Flynts would descibe how Larry tried to manage the pain with methadone, marijuana, cocaine, sleeping pills, morphine, and Dilaudid.  Althea would experiment with drugs with her husband, and soon both would become addicted to narcotics.

She would be diagnosed with HIV in 1983, reportedly from a blood transfusion while undergoing a hysterectomy.  Larry Flynt explained that Althea “always used clean needles when using drugs.”

The cause of Althea’s death is a perscription drug overdose-induced drowning, according to the coronor’s report.  Her husband, however, states that she was in the advanced stages of AIDS and would have died within that year, regardless.

Flynt’s body is buried in Saylersville, Ky., where her husband keeps a family burial plot.

In 1997, Althea would be portrayed by singer-actress Courtney Love in The People vs. Larry Flynt; Love’s performance with garner her a Golden Globe Award nomination.

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Photo of quilt panel from the AIDS Memorial Quilt

Bennett was the ultimate Broadway ″gypsy,″ a dancer in the chorus who went on to become a successful choreographer, director and producer, associated with such hit shows as Promises, Promises; Company; Follies; Dreamgirls; and of course, A Chorus Line.

″I went from dancer to choreographer to director to producer to sometime writer,″ he once said. ″But I never had to deviate from my ambition, which was to work in theater.″

Born Michael Bennett DiFiglia in Buffalo, New York, Bennett started dance lessons as the age of 3.  As a teen-ager, Bennett studied dance during the summer in New York with Aubrey Hitchins, Matt Maddox and others.

He dropped out of high school at age 16 to perform in a European tour of West Side Story, directed by Jerome Robbins, one of Bennett’s dance idols. Upon his return to New York, he found work dancing in several Broadway shows, as well as TV shows like The Dean Martin Show.

Bennett made his debut as a choreographer in 1966 with A Joyful Noise.  Two years later, he had his first Broadway success with the choreography for Promises, Promises, the Burt Bacharach-Hal David musical based on the film The Apartment.  This was quickly followed by more hits: Coco starring Katharine Hepburn, and then Stephen Sondheim’s Company.

In 1971, he both choreographed and co-directed Follies, another Sondheim show, and won Tony Awards in both categories. In 1975, he directed, choreographed, and wrote A Chorus Line, which became the longest running musical on Broadway up to that time.

Compared with his contemporary Bob Fosse, Bennett did not have an immediately recognizable choreographic style, according to Masterworks Broadway’s tribute to Bennett.

“Like Jerome Robbins, whom he endeavored to emulate, he strove for unity of style within each separate work, shaped by the story and the characters in it,” Masterworks’ tribute states.  “Thus the movement might be jazzy or balletic, romantic or angular, athletic or even a little bumbling, depending on the circumstances.  Even in A Chorus Line, the dancers’ execution becomes progressively more polished as the ‘show within the show’ crystallizes.”

Bennett’s striking panel was among the first to be included in the original display of the NAMES Project AIDS Memorial Quilt.

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Photo of quilt panel from the AIDS Memorial Quilt

Waddell was a superior athlete, good enough to take sixth in the world in the decathlon in the 1968 Olympics in Mexico City, writes Mart Dobrow of ESPN.  He was a paratrooper in the Army, and a doctor with a sense of adventure — working in Africa on patients with tropical diseases and becoming the physician for the Saudi Arabian Olympic team in 1976.

“To Waddell, the symbolism of the Games spoke to his highest ideals: the five interlocking rings, the parade of nations, the torch being lit,” writes Dobrow.  “In some ways, this felt like sports at its most pure. It brought people of the world together.”

After his athletic career, Waddell would worked for years as a medical consultant for Whittaker Corp., enjoying the opulence of the Saudi royal family in Riyadh.  When he wasn’t in the Middle East, he settled in San Francisco.

There, in the hub of American gay life, Waddell embraced the bacchanal fully, its drug use and promiscuity, before finding what he hoped was true and lasting love with Charles Deaton, a 50-year-old former CIA operative.

Then Waddell had a grand vision; it started out as the “Gay Olympic Games.”  Waddell was aware that for many gay people, sports had meant a door slamming shut.  His goal was to open the door of completitive sports wide open to the LGBTQ community.

He modeled the Gay Olympic Games after what he considered to be the true principles of the Olympics: equality, fairness, human dignity.  Except that the U.S. Olympic Committee didn’t see it that way.

Just 19 days before the games were to begin, the USOC persuaded a federal court to issue an injunction prohibiting Waddell and his group, San Francisco Arts & Athletics, from using the word “Olympic” because of copyright infringement.

Waddell was incredulous and wounded to the core. He pointed out that in the past there had been no opposition to multiple other uses of the term (e.g., the Special Olympics).

With no legal recourse, Waddell and the SFAA scrambled to remove the offending word from a slew of merchandise and promotional material.  The hastily rechristened “Gay Games” played out nevertheless in the summer of 1982 with some 1,300 athletes from 12 countries participating.

By the next summer, as Gay Games 2 came to a now-besieged San Francisco, Waddell knew his days were numbered. He checked himself out of the hospital, marched in the opening ceremonies, and delivered a stirring opening address as part of the Games, which attracted some 3,500 athletes from 17 countries.

In one final feat of athletic strength, Waddell managed to win the gold medal in the javelin.  Within a year, he was gone.

Today, the Gay Games live on and are help in locations all around the world, including Amsterdam, Sydney, Paris and Hong Kong.  Since 1986, The Federation of Gay Games Scholarship Fund has awarded more than 1,000 scholarships to underfunded LGBTQ+ individuals from 70 countries around the world, where the daily struggle for equality is harsh and often dangerous.

Tom Waddell’s core principles of Participation, Inclusion, and Personal Best continue to bring thousands of athletes together to compete.

Every four years in conjuntion with the Gay Games, the Tom Waddell Award is presented to a person or organization involved in the Gay Games that embodies the standards of commitment, selflessness, and love of humanity, and inspires pride through leadership and excellence in sports, culture, or volunteerism.

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Photo of quilt panel from the AIDS Memorial Quilt

A pioneer of independent gay cinema in the 1970s and ’80s, Bressan is best known for his 1985 drama Buddies, the first feature film about the AIDS pandemic.  He also directed the largely influential Gay USA, the first documentary by and about LGBT people, and the feature film Abuse (1983).

“If you want to submit one director as the auteur for the post-Stonewall, pre-New Queer Cinema era of Gay Liberation, Arthur J. Bressan Jr. is that director,” writes film critic Caden Mark Gardner.

Bressan’s first credited film work is that of a documentary short called Coming Out, about the first official San Francisco Pride march in 1972.  Shot in 16mm and in color, it offers a snapshot of many people who made the pilgrimage to San Francisco.

Bressan would expand this cinematic approach for his 1978 feature-length documentary, Gay USA, made during the National Gay Freedom marches across the country in 1977, the year Harvey Milk became America’s first openly gay elected official.

“Many of the interviewers and testimonies in Gay USA are not just talking about the pleasantness of seeing themselves and being out at this Pride parade, but are speaking with righteous indignation about homophobic violence and systemic homophobia,” Gardner writes.

Bressan’s 1983 film Abuse, a drama with an intensely provocative portrayal of child abuse, is hailed by film critic Rex Reed as “a film of astonishing power and emotional impact.”

“Artie loved butch men and women, drag queens, black, brown and white,” writes Emmy Award-winning director Greta Schiller.  “Artie was exceptional in that he loved women. He had none of the misogyny that was (and still is) rampant in our culture, even in the LGBT community. He knew who and what he was, and he was not threatened by women.”

Schiller, who met Bressan in 1983 through activist Vito Russo at a screening of Abuse, said she went to the event “angry that it was a film about a man in authority sleeping with an abused teen.”

After watching the film, she emerged “with my mind blown by the complexity of what I’d seen.”

Russo convinced Schiller to share her reaction to Abuse with Bressan.

“I told him it was a brilliant film that made me realize not all older men who fall in love with a younger man are predators,” she recalled.  “The story and acting made me think of Italian postwar neorealist films.”

Schiller says that when Bressan became sick, he was determined to complete Buddies.

“He cut the film on a flatbed in his tiny apartment. He poured his heart and soul into making one last film,” she writes.  “I lived a few blocks away from him [in the Chelsea neighborhood of New York City], and I would come get him for a walk around the block. Soon, he could only make it to the corner of 18th Street and 8th Avenue, a block from his home. He would gaze at the high-school boys and talk about the ones he fancied, and how those who were gay would have a better, freer life.”

About 10 years after Bressan’s death, his sister Roe Bressan and LGBT film historian Jenni Olson would launch The Bressan Project to preserve and promote Bressan’s films.

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Photo of quilt panel from the AIDS Memorial Quilt

After the court ruling, some town residents would refuse to allow their children to attend school, many would anonymously call the Ray home with threatening messages, and ultimately someone would set fire to the Ray house, destroying it and forcing them to move.

“Arcadia is no longer our home,” their father, Clifford Ray, tells the press the day after the fire. “That much was made clear to us last night.”

Ricky, Robert and Randy, who were 10, 9 and 8 at the time, were all born with hemophilia, a condition that required them to receive blood transfusions.  Ricky would go on to become an activist in the fight against AIDS.  President Bill Clinton reaches out to him and thanks him for his work raising awareness about HIV/AIDS.

The young teenager would allow camera crews to document his declining health, saying he wanted  Americans to see what AIDS did to people.  Ricky Ray would die in 1992 at age 15.

Robert would die of AIDS-related causes in 2000 at the age of 22.  Shortly thereafter, their father would attempt suicide but would survive.  Randy Ray would marry in 2001 and settle in Orlando, Florida, successfully managing his HIV through medication.

William F. Thomas, editor of The Times, was reportedly pleased with the section, titled “AIDS: A Global Assessment,” but commented: “Even after you read it, you’ve got your hands full of smoke … Everything is still so inconclusive. It’s hard to decide what to do (with AIDS) in the paper. All you can do is chase the bouncing ball.”

The Times estimated the number of people infected with the AIDS virus worldwide as somewhere between 5 million and 10 million.

The report provided the following estimates for “individuals considered AIDS virus carriers”:

United States 1-2 million
Brazil up to 238,000
France 175,000-200,000
Italy more than 100,000
Haiti 100,000
West Germany up to 100,000
Canada 50,000
England 30,000-50,000
Switzerland 20,000
Mexico 25,000-50,000
Netherlands 10,000-20,000
Denmark 10,000-15,000
Sweden 9,000-11,000
Belgium 5,000-10,000
Japan 2,500-10,000
Greece 5,000-7,000
Israel 1,000-2,000

About two months later, on October 13, 1987, The New York Times would publish editorial writer Phillip Boffey’s examination of the nation’s initial reponse to the AIDS crisis.  He would dedicate much of his article to addressing the charges laid out by Randy Shilts, a reporter for the San Francisco Chronicle, in his just-released book And the Band Played On: People, Politics and the AIDS Epidemic.

As if to continue the conversation, Los Angeles Times reporter David Shaw would suggest in December 1987 that the press and other outlets of journalism played an outsized role in the failure of the U.S. to appropriately address the early AIDS crisis.

“Most critics say the biggest shortcoming of the press on the AIDS story, especially in the first few years, was not medical/scientific coverage but political coverage; the press didn’t aggressively pursue the public policy and funding aspects of the story,” Shaw writes.

He goes on to point out that during the early years, the press reported various Reagan Administration statements about AIDS largely without question or investigation.  This included the administration’s statement that the nation’s blood supply was “100% safe” at a time when HIV-tainted blood was being circulated to hospitals and clinics in many cities.

The media also reported the administration’s promise to start trials of an AIDS vaccine within two years, but failed to hold it to account when the first clinical tests did not start for another three years.  (Decades later, a successful vaccine still has not been developed.)

Shaw cites the San Francisco Chronicle as one of the very few papers to report on federal AIDS policy in the early years, largely due to the dedication of reporter Randy Shilts.  Most major media outlets did not dedicate a full-time reporter to cover AIDS until about 1987.

The media “went to sleep on the story,” Shilts told Shaw.  “I’m not God’s gift to journalism. I’m a good reporter, but I didn’t get [stories] because I’m a brilliant reporter. I just did … the work that any reporter could have done.”

Manufactured by MicroGeneSys of West Haven, Conn., the vaccine would move forward to clinical trials supervised by the National Institute of Allergy and Infectious Diseases.  Just months ago, NIAID Director Dr. Anthony Fauci said that the FDA was considering several candidate vaccines and that human trials could begin in 1987.

In early 1993, MicroGeneSys would pull the vaccine, called VaxSyn, from National Institutes of Health trials because the pharmaceutical company could not agree with the NIH over the dosing schedule. The vaccine has already been selected for inclusion in a $20 million U.S. army trial program.

Today, there is no vaccine available to prevent HIV infection or treat those who have it.

However, scientists are still working to develop one. NIH is investing in multiple approaches to prevent HIV, including a safe and effective preventive HIV vaccine. These research efforts include two late-stage, multinational vaccine clinical trials called Imbokodo and Mosaico.

The Ray brothers — Ricky, Robert, and Randy — were hemophiliacs who contracted HIV from blood transfusions when they were less than 8 years old.  Louise and Clifford Ray were told by local school officials that they could not send their boys to school.

When the Rays challenged this decision, unfounded fears about HIV spread throughout their community in Arcadia, Florida, and the family received death threats and was ostracized by members of their church.

After the arson of their home, the Ray family settled in nearby Sarasota, where the brothers attended the local elementary school in spite of opposition from groups like Citizens Against AIDS.

Ricky Ray became an activist in the fight against AIDS. In 1992, he allowed camera crews to document his declining health and stated he wanted America to see what AIDS did to people. President Bill Clinton spoke to him and thanked him for his work raising awareness on AIDS. Ricky Ray died in 1992 at age 15. Prior to his death, he made headlines by planning to marry his 17-year-old girlfriend, but a judge blocked the wedding because of his age.

Robert died of AIDS-related causes in 2000 at the age of 22.  Randy Ray married in 2001 and lives in Orlando, Florida. He manages his HIV through medication.

The inaugural Seattle walkathon raised more than $335,000.  Walking with other volunteers was Michael Otto, an AIDS patient who was released from the city’s Swedish Hospital so he could participate in the event.  According to historylink.org, Otto walked part of the route and rode the rest in a van. He died two months later at the age of 33.

HIV surfaced in Washington state in late July 1982, when a Seattle man was diagnosed with AIDS.  Later that year, another man was diagnosed with the AIDS-related conditions of neumocystis pneumonia and a bacterial infection.

Reaching millions, the campaign is the first to be produced on the subject of AIDS prevention, and becomes a central prong in the “everyone is at risk” strategy of AIDS prevention.  From 1987 to 1996, the America Responds to AIDS campaign reaches a wide range of audiences variously defined by identity or behavior, from heterosexual single mothers, to teenagers of all races, to young adult African Americans, to people who live in rural areas.

The five-phase campaign releases materials to the general public in various mediums, including a national mailer. The themes of the five phases were:

• General Awareness: Humanizing AIDS, October 1987
• Understanding AIDS, the national mailout, April 1988
• Women at Risk/Multiple Partner, Sexually Active Adults, October 1988
• Parents and Youth, May 1989, and
• Preventing HIV Infection and AIDS: Taking The Next Steps, July 1990

The campaign suggests that the best way to respond to HIV/AIDS is to engage in honest conversations about risk behaviors, including the potential consequences of multiple partners, unprotected sex, intravenous drug use, or any activities that compromise the ability to make a sound, safe judgment.

Not all applaud the effort.  Service providers working with groups with a high incidence of HIV/AIDS (most notably young men who have sex with men and intravenous drug users) see the campaign as ignoring the particular needs of these communities in favor of supporting low-risk individuals.

While the CDC claims to be engaging with all Americans, critics argued that the campaign failed to provide adequate outreach and education to those who needed it most.

From her convention podium, Thatcher declared:  “Children who need to be taught to respect traditional moral values are being taught that they have an inalienable right to be gay, ” she said.  “All of those children are being cheated of a sound start in life. Yes, cheated.”

In less than a year later, Thatcher would usher in the passage of Clause 28, anti-gay legislation to stop all discussion of homosexuality in British schools.   An amendment to the 1988 Local Government Act, Section 28 would effectively ban local authorities and schools from “promoting” homosexuality.  Government funds could no longer go toward of books, plays, leaflets, films, or other materials showing same-sex relationships, while teachers weren’t allowed to teach about gay relationships in schools.

In the shadow of the AIDS epidemic, the United Kingdom in the 1980s was a place of renewed LGBT activism and a forward movement toward equal rights.  New progressive legislation opened the door for the Greater London Council to fund LGBT groups, and some local authorities in London and Manchester began to employ officers to counter homophobia.

There were also alliances between LGBT organizations and labor unions, such as the one between the mineworkers union and a lesbian-gay support group.   And in 1985, Margaret Roff became the mayor of Manchester, making her the first openly lesbian woman to hold such a post in the UK.

But all this progress was made while the UK media was using the outbreak of AIDS/HIV to demonize gay and bisexual men.  Thatcher and her Conservative Party saw this as an opportunity to activate their base and even win some votes from “the Labour left.”

At the start of her third term as prime minister, Thatcher gave the speech that made her intentions clear, in front of the audience she knew would praise her pronouncements.

The Helms Amendment was incorporated into the $129 billion Labor, Health and Human Resources and Education appropriations bill for fiscal 1988, and contained $310 million for AIDS education efforts overseen by the Centers for Disease Control.

Sen. Jesse Helms (R-North Carolina) initially proposed that none of the money allocated to the CDC could be used for material or activities that promote, encourage or condone homosexuality, illegal drug use or any sexual activity outside marriage.  During floor debate, Sen. Helms displayed sex-positive comic books created by the Gay Men’s Health Crisis in New York and announced that federal money helped to pay for GMHC’s education program.

″If the American people saw these books, they would be on the verge of revolt,″ claimed Helms.

The senator said he showed the comic books to President Reagan and complained that the GMHC had received $674,679 in federal funding to produce the pamphlets. According to Helms, President Reagan looked at a couple of pages, ″shook his head, and hit the desk with his fist.″

Helms then admitted that the comic books were not paid for with federal funds, but said taxpayer dollars did pay for a series of educational sessions he contended were equally offensive.  He said the sessions included assignments to write a personal ad for publication in a gay newspaper and list alternatives to high-risk sex, as well as instruction in the use of safe sex photos.

″I may throw up,″ Helms announced in the Senate chambers.

“AIDS is one of those critical issues, like nuclear weapons, global development, and environmental pollution, which affects the future of all peoples in all countries,” says UN Secretary General Javier Pérez de Cuéllar in his address.

“It is, in many senses, a global combat, and it threatens us with all the consequences of war – not only of massive death tolls and even greater an numbers of disabled,” he said, “but of orphans, of mass displacements, of loss of productivity, of overwhelming and bankrupting demands on financial, administrative and human resources, of fear, anger and panic, and of social instability.”

In closing, Pérez de Cuéllar says:  “We must combat fear with knowledge, panic with reason and isolation with compassion. We must affirm through solidarity that we are but one human family.”

After the World Health Organization gives a presentation on the global status of AIDS, the UN General Assembly designates WHO to lead the worldwide effort to end HIV/AIDS.

The organization works to educate, mobilize, and empower black leaders to meet the challenge of fighting HIV/AIDS and other health disparities in their local communities.

Fraser-Howze would lead the NBLCA for 21 years as President and CEO.  She would also become advisor to two U.S. Presidents (Bill Clinton and George W. Bush) while serving on the Presidential Advisory Council on HIV/AIDS from 1995-2001.

As the nation’s oldest nonprofit organization of its kind, dedicated to educating, mobilizing and empowering Black leaders to meet the challenge of fighting HIV/AIDS, the NBLCA would evolve to become a comprehensive advocacy, policy and action organization that addresses multiple health disparities affecting Blacks/African Americans.

In 2019, the organization would change its name to National Black Leadership Commission on Health (Black Health), with an expanded focus that includes not only HIV/AIDS, but also Hepatitis C, cardiovascular disease, breast cancer, prostate cancer, sickle cell, diabetes and mental health.

Promoted as “Linea de Informacion Sobre el SIDA,” the hotline was operated by Spanish-speaking volunteers who were trained to provide the latest information about resources regarding HIV and AIDS.  The San Francisco AIDS Foundation had been operating the California AIDS Hotline since fall of 1982.

Jorge Zepeda started at SFAF as a volunteer for the Spanish-language hotline shortly after it was launched.  Seeing friends and acquaintances in the Latinx community become sick and die inspired him to get involved in SFAF’s work.

“Much of what we needed to do, was to make information only available in English about HIV and AIDS accessible to Spanish-speaking communities,” Zepeda shared in 2021 on SFAF’s website.  “This effort has turned into a mission that I continue to do to this day, as the director of Latinx Health at SFAF.”

Born in 1934, Peter Hujar was a leading figure in the group of artists, musicians, writers, and performers at the forefront of the cultural scene in downtown New York in the 1970s and early 80s, operating in the bohemian circle of fellow artist Andy Warhol.

He was best known for his portraits of drag queens, transgender women, and cultural personalities, with theorist Susan Sontag, artist David Wojnarowicz, and Warhol superstar Candy Darling among his subjects.  But he also photographed cityscapes, portraying New York City’s decrepit buildings, cobblestoned intersections, parking lots, and empty alleys as deserted and untouched.

“Hujar was a darkroom master,” Laurie Barron wrote in Ocula Magazine in 2021.  “Known for consistently using the same square format firm, his intention to take ‘uncomplicated direct photographs of complicated and difficult subjects’ extended from pastoral landscapes to erotic nudes.”

His first book, Portraits in Life and Death, with an introduction by Susan Sontag, was published in 1976.  But, according to the Peter Hujar Archive, Hujar’s “difficult personality and refusal to pander to the marketplace ensured that it was one of the last publications during his lifetime.”

In its Guide to Peter Hujar, Whose Photographs Chronicled a Lost World, Christie’s auction house wrote: “Indeed, Hujar had been offered many opportunities to show work in prestigious galleries and museums throughout his life, but was so particular about whom he worked with and how his photographs were displayed that he rejected many of them. At the same time, Hujar was known throughout the 1970s and early 1980s by nearly everyone in New York’s visual and avant-garde performing art circles.”

Hujar was diagnosed with AIDS in January 1987, and he died 10 months later.  His funeral was held at Church of St. Joseph in Greenwich Village, and he was buried at Gate of Heaven Cemetery in Valhalla, New York.

The first retrospective of Hujar’s work came in 1994 in the Stedelijk Museum in Amsterdam in 1994.  In 2018, the Morgan Library and Museum in New York presented Peter Hujar: Speed of Life, a major retrospective dedicated to Hujar’s work. And in 2024, Hujar’s photographs was exhibited at the Venice Biennale.

Many of Hujar’s photographs, which continue to increase in value and appreciation, can be viewed online at the Peter Hujar Archive.

As the Washington Ballet’s first resident choreographer, Goh worked with the company from its 1976 founding until his death.  Goh’s distinct style emphasized technique and musicality over plot and blended Eastern movement with classical ballet technique, showcasing the dancers’ strengths that company founder Mary Day had cultivated in her studio.

“Those of us in Washington who witnessed his artistic blossoming over the past 11 years … have an enormous legacy to be grateful for,” wrote Pulitzer Prize-winning dance critic Alan M. Kriegsman in his tribute to Goh in The Washington Post.  “And his works — 34 ballets created since 1973, 14 of them expressly for the Washington Ballet — will live on and transmit his genius to posterity.”

Raised in Singapore with eight older siblings, Goh followed in the path of an older brother and sister who were training in the art of dance.  After graduating from the University of Singapore with a degree in bio-chemistry, Goh travelled to Europe and joined the Dutch National Ballet in Amsterdam, where he was eventually promoted to soloist.

While still a dancer with the company, Goh created his first ballets and began drawing the attention of dance aficionados, including that of Mary Day, who was starting a new ballet company in Washington, DC.  Day offered him a position in 1976 with her newly founded Washington Ballet.

“It is no exaggeration to call [Goh’s] choreographic ascent meteoric,” wrote Kriegsman.  “Within two years of his arrival, he had choreographed six ballets for the Washington company. He had also attracted the attention of Mikhail Baryshnikov, who met with Goh in Washington, watched him work and laid the groundwork for a major commission for American Ballet Theatre.”

The commissioned work became the 1981 ballet Configurations, which was danced by Baryshnikov and a contingent of ABT dancers at Lisner Auditorium as part of the Washington Ballet’s historic “Golden Gala.”  The creation and performance of the work were documented by London Weekend Television and is now available as Baryshnikov: The Dancer and the Dance.

Goh’s choreography for Configurations is considered a concrete example of his command of the classical dance vocabulary and his ingenuity in creating striking imagery.  The ballet is set to Samuel Barber’s Pulitzer Prize-winning Piano Concerto, a score that is difficult to play and even more difficult to dance to.

”He is intensely musical, and his ballets are all marked by a first-rate command of structure and fluency,” Anna Kisselgoff, chief dance critic of The New York Times, wrote in 1980. ”He concentrates on speed, intricacies of movement, difficult toe work and streamlined partnering. His base is strongly neo-Classical with a sleek contemporary look, incorporating modern-dance idioms and unexpected gestures, wrist rotations, interpolated academic steps that burst out of the usual flow of movement, acrobatic tumbling within a partnering technique and subtle nuances.”

In 1982, he would choreograph In the Glow of the Night, a ballet set to music by Bohuslav Martinu that would be praised as Goh’s most perfectly realized work.  In 1986, Unknown Territory — his last completed ballet — was touted as an important work for both Goh and the Washington Ballet.

“Every two years since his arrival in Washington in 1976, he’s come up with a breakthrough of sorts: the propulsive abstraction Fives in 1978; the distilled romanticism of Lament in 1980; a fusion of these contrary impulses in the 1982 In the Glow of the Night; his first full-length narrative work, Romeo and Juliet, in 1984 (for the Boston Ballet); and now the richly exotic Unknown Territory,” wrote Kriegsman in 1986, not realizing that this work would be Goh’s last.

In 1992, five years after Goh’s death, the Choo San Goh & H. Robert Magee Foundation was formed to provide annual scholarships and grants for new dance works in an effort to further develop choreographic talent. The foundation also oversees the licensing of Goh’s ballets in performances by dance companies throughout the world.

In 1997, the Singapore Dance Theatre commissioned a monograph on Goh entitled Goh Choo San, Master Craftsman in Dance. It contains a detailed overview of Goh’s life in written text and photos of his ballets.  The company also added to their repertoire twelve of Goh’s works, bringing his identity as a Singaporean choreographer back to his homeland.

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Photo of quilt panel from the AIDS Memorial Quilt

Inspired by ACT UP/New York and energized by the 1987 March on Washington, about 400 activists packed Fiesta Hall in Plummer Park to form a local chapter of ACT UP.  Drawing many members of the Lavender Left, ACT UP/LA decided to follow New York’s model of utilizing non-violent direct action as a means to draw media attention and challenge the status quo.

At the first meeting of the chapter, the membership voted to hold a demonstration against the U.S. Immigration and Naturalization Service (INS) for its policies restricting the movement of persons living with HIV.

In the months ahead, the chapter would train its members in civil disobedience techniques and form support teams to track confrontations and arrests.

According to member David Lacaillade, “Hundreds of demonstrations later, ACT UP/LA has had a major impact on AIDS care in Los Angeles County and Southern California. At its peak, ACT UP/LA operated a public office, published a newsletter, had a mailing list of approximately 2,200 names, and met weekly in the city of West Hollywood.”

The offices were throught to be targeted, because of the strong stance Capital Gay editors took against Section 28, “the most serious legal attack on our rights since male homosexuality was outlawed more than 100 years ago.”

But aside from their strong editorials opposing Section 28, the editors also sponsored the London Lesbian and Gay Switchboard and involved itself in events in the wider gay community in London.

Capital Gay was among the first publications to feature a regular column on HIV/AIDS, which was started in 1982 by Julian Meldrum.  Meldrum was also the archivist for the Gay Monitoring and Archive Project, which collected evidence of discrimination and police arrests.

Editor and founder Michael Mason would later recall that local police did not appear to undertake a serious investigation of the arson.  Local officials were also less than sympathetic.

Elaine Kellett-Bowman, a conservative Member of Parliament, publicly supported the firebombing, saying she was “quite prepared to affirm that it is quite right that there should be an intolerance of evil.”

Capital Gay would resurrect itself following the fire and continue publishing until June 1995, becoming Britain’s longest-running gay newspaper.

Lowe performed in the San Francisco area and taught dance classes, including one titled, “Lessons in the Art of Flying.”

In 2004, dancer Keith Hennessy was asked to write about Lowe, his first dance teacher.

“Joah taught a weekly class, an introduction to contemporary dance that involved technique and improvisation,” Hennessy writes.  “Joah, thanks a lot.  Thanks for welcoming me, for steering me into the future and away from the past….  You were my first authentically intuitive man.”

The Joah Lowe collection — which includes theater, performance and dance ephemera, performance and dance production notes, and related art and artifacts from Lowe’s work — is stored at the GLBT Historical Society in San Francisco.  The collection includes material collected by Charlie Halloran, a dancer who worked with Lowe and who subsequently died in 1993, also from AIDS-related illness.

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Photo of quilt panel from the AIDS Memorial Quilt